The 2026 <a href="https://www.cnn.com/2026/07/08/entertainment/emmy-award-nominations-2026">Emmy nominations</a> were released on Wednesday, delivering several surprise nominees alongside a handful of notable snubs. 
“The Pitt” led all series with 25 nominations. The comedy-drama “Hacks” followed with 24 total noms in its final season, while HBO Max dominated all other outlets with 122 nominations overall, including three shows up for both Best Overall Drama and Best Overall Comedy.
One of the surprise hits was “Widow’s Bay,” a buzzy, unique horror-comedy on Apple TV starring Matthew Rhys, which earned 19 nominations. It gained traction several weeks after its debut thanks to word of mouth and rave reviews from critics.
The New York Times reviewer said of the Apple TV offering, “A laugh and a scare are different outcomes of the same achievement, a good surprise, and ‘Widow’s Bay’ has more of those than there are fish in the sea.”
Filmmaker Guillermo del Toro called the series “one of the most mesmerizing acts of narrative prestidigitation in horror” and even, “the best streaming series in a long time.”
“Pluribus,” a hit from famed creator Vince Gilligan, got 18 total nominations, including a Best Actress in a Drama nomination for “Better Call Saul” alum Rhea Seahorn. 
Apple TV also landed Best Comedy Series nominations for “Margo’s Got Money Troubles” and “Shrinking.”
Stephen Colbert has <a href="https://www.dailywire.com/news/america-waves-goodbye-to-stephen-colbert-as-trump-lands-a-final-parting-shot">made a lot of noise</a> after his “Late Show With Stephen Colbert” got canceled, but the show ended up with the most nominations ever in its 11-year run, scoring 9 total. 
Notable snubs this year include “The Bear,” which earned a few nominations but fewer than in prior years, and no Best Actor recognition for Jeremy Allen White.
Here is a list of the major nominations:
Outstanding Drama Series
<ul>
<li style="font-weight: 400;">“The Diplomat”</li>
<li style="font-weight: 400;">“The Gilded Age”</li>
<li style="font-weight: 400;">“A Knight of the Seven Kingdoms”</li>
<li style="font-weight: 400;">“Paradise”</li>
<li style="font-weight: 400;">“The Pitt”</li>
<li style="font-weight: 400;">“Slow Horses”</li>
<li style="font-weight: 400;">“Your Friends &amp; Neighbors”</li>
</ul>
Outstanding Comedy Series
<ul>
<li style="font-weight: 400;">“Abbott Elementary”</li>
<li style="font-weight: 400;">“The Bear”</li>
<li style="font-weight: 400;">“Margo’s Got Money Troubles”</li>
<li style="font-weight: 400;">“Nobody Wants This”</li>
<li style="font-weight: 400;">“Only Murders in the Building”</li>
<li style="font-weight: 400;">“Shrinking”</li>
<li style="font-weight: 400;">“Widow’s Bay”</li>
<li style="font-weight: 400;">“Hacks”</li>
</ul>
Outstanding Limited Series
<ul>
<li style="font-weight: 400;">“All Her Fault”</li>
<li style="font-weight: 400;">“The Beast In Me”</li>
<li style="font-weight: 400;">“Beef”</li>
<li style="font-weight: 400;">“DTF St. Louis”</li>
<li style="font-weight: 400;">“Love Story: John F. Kennedy Jr. &amp; Carolyn Bessette”</li>
</ul>
Outstanding Lead Actor in a Drama Series
<ul>
<li style="font-weight: 400;">Sterling K. Brown – “Paradise”</li>
<li style="font-weight: 400;">Gary Oldman – “Slow Horses”</li>
<li style="font-weight: 400;">Mark Ruffalo – “Task”</li>
<li style="font-weight: 400;">Rufus Sewell – “The Diplomat”</li>
<li style="font-weight: 400;">Noah Wyle – “The Pitt”</li>
</ul>
Outstanding Lead Actress in a Drama Series
<ul>
<li style="font-weight: 400;">Carrie Coon – “The Gilded Age”</li>
<li style="font-weight: 400;">Chase Infiniti – “The Testaments”</li>
<li style="font-weight: 400;">Keri Russell – “The Diplomat”</li>
<li style="font-weight: 400;">Rhea Seehorn – “Pluribus”</li>
<li style="font-weight: 400;">Zendaya – “Euphoria”</li>
</ul>
Outstanding Supporting Actor in a Drama Series
<ul>
<li style="font-weight: 400;">Patrick Ball – “The Pitt”</li>
<li style="font-weight: 400;">Billy Crudup – “The Morning Show”</li>
<li style="font-weight: 400;">Shawn Hatosy – “The Pitt”</li>
<li style="font-weight: 400;">Gerran Howell – “The Pitt”</li>
<li style="font-weight: 400;">Jack Lowden – “Slow Horses”</li>
<li style="font-weight: 400;">Tom Pelphrey – “Task”</li>
<li style="font-weight: 400;">Carlos-Manuel Vesga – “Pluribus”</li>
</ul>
Outstanding Supporting Actress in a Drama Series 
<ul>
<li style="font-weight: 400;">Taylor Dearden – “The Pitt”</li>
<li style="font-weight: 400;">Fiona Dourif – “The Pitt”</li>
<li style="font-weight: 400;">Allison Janney – “The Diplomat”</li>
<li style="font-weight: 400;">Katherine LaNasa – “The Pitt”</li>
<li style="font-weight: 400;">Sepideh Moafi – “The Pitt”</li>
<li style="font-weight: 400;">Julianne Nicholson – “Paradise”</li>
<li style="font-weight: 400;">Karolina Wydra – “Pluribus”</li>
</ul>
Outstanding Lead Actress in a Comedy Series
<ul>
<li style="font-weight: 400;">Quinta Brunson – “Abbott Elementary”</li>
<li style="font-weight: 400;">Ayo Edebiri – “The Bear”</li>
<li style="font-weight: 400;">Elle Fanning – “Margo’s Got Money Troubles”</li>
<li style="font-weight: 400;">Lisa Kudrow – “The Comeback”</li>
<li style="font-weight: 400;">Jean Smart – “Hacks”</li>
</ul>
Outstanding Lead Actor in a Comedy Series
<ul>
<li style="font-weight: 400;">Yahya Abdul-Mateen II – “Wonder Man”</li>
<li style="font-weight: 400;">Steve Carell – “Rooster”</li>
<li style="font-weight: 400;">Matthew Rhys – “Widow’s Bay”</li>
<li style="font-weight: 400;">Jason Segel – “Shrinking”</li>
<li style="font-weight: 400;">Martin Short – “Only Murders in the Building”</li>
</ul>
Outstanding Supporting Actress in a Comedy Series
<ul>
<li style="font-weight: 400;">Dale Dickey – “Widow’s Bay”</li>
<li style="font-weight: 400;">Hannah Einbinder – “Hacks”</li>
<li style="font-weight: 400;">Janelle James – “Abbott Elementary”</li>
<li style="font-weight: 400;">Kate O’Flynn – “Widow’s Bay”</li>
<li style="font-weight: 400;">Michelle Pfeiffer – “Margo’s Got Money Troubles”</li>
<li style="font-weight: 400;">Megan Stalter – “Hacks”</li>
<li style="font-weight: 400;">Jessica Williams – “Shrinking”</li>
</ul>
Outstanding Supporting Actor in a Comedy Series
<ul>
<li style="font-weight: 400;">Colman Domingo – “The Four Seasons”</li>
<li style="font-weight: 400;">Paul W. Downs – “Hacks”</li>
<li style="font-weight: 400;">Harrison Ford – “Shrinking”</li>
<li style="font-weight: 400;">Nick Offerman – “Margo’s Got Money Troubles”</li>
<li style="font-weight: 400;">Stephen Root – “Widow’s Bay”</li>
<li style="font-weight: 400;">Michael Urie – “Shrinking”</li>
<li style="font-weight: 400;">Tyler James Williams – “Abbott Elementary”</li>
</ul>
Outstanding Lead Actor in a Limited Series or TV Movie
<ul>
<li style="font-weight: 400;">Riz Ahmed – “Fate”</li>
<li style="font-weight: 400;">Jason Bateman – “Black Rabbit”</li>
<li style="font-weight: 400;">Charlie Hunnam – “Monster: The Ed Gein Story”</li>
<li style="font-weight: 400;">Oscar Isaac – “Beef”</li>
<li style="font-weight: 400;">Matthew Rhys – “The Beast In Me”</li>
</ul>
Outstanding Lead Actress in a Limited Series or TV Movie
<ul>
<li style="font-weight: 400;">Claire Danes – “The Beast In Me”</li>
<li style="font-weight: 400;">Sally Field – “Remarkably Bright Creatures”</li>
<li style="font-weight: 400;">Carey Mulligan – “Beef”</li>
<li style="font-weight: 400;">Sarah Pidgeon – “Love Story: John F. Kennedy Jr. and Carolyn Bessette”</li>
<li style="font-weight: 400;">Sarah Snook – “All Her Fault”</li>
</ul>
Outstanding Supporting Actor in a Limited Series or TV Movie
<ul>
<li style="font-weight: 400;">Jason Bateman – “DTF St. Louis”</li>
<li style="font-weight: 400;">Richard Gadd – “Half Man”</li>
<li style="font-weight: 400;">David Harbour – “DTF St. Louis”</li>
<li style="font-weight: 400;">Richard Jenkins – “DTF St. Louis”</li>
<li style="font-weight: 400;">Charles Melton – “Beef”</li>
<li style="font-weight: 400;">Nick Offerman – “Death By Lightning”</li>
</ul>
Outstanding Supporting Actress in a Limited Series or TV Movie
<ul>
<li style="font-weight: 400;">Linda Cardellini – “DTF St. Louis”</li>
<li style="font-weight: 400;">Dakota Fanning – “All Her Fault”</li>
<li style="font-weight: 400;">Laurie Metcalf – “Monster: The Ed Gein Story”</li>
<li style="font-weight: 400;">Joy Sunday – “DTF St. Louis”</li>
<li style="font-weight: 400;">Youn Yuh-jung – “Beef”</li>
<li style="font-weight: 400;">Constance Zimmer – “Love Story: John F. Kennedy Jr. &amp; Carolyn Bessette”</li>
</ul>
Outstanding Reality/Competition Series
<ul>
<li style="font-weight: 400;">“Dancing with the Stars”</li>
<li style="font-weight: 400;">“RuPaul’s Drag Race”</li>
<li style="font-weight: 400;">“Survivor”</li>
<li style="font-weight: 400;">“Top Chef”</li>
<li style="font-weight: 400;">“The Traitors”</li>
</ul>
Outstanding Variety Series
<ul>
<li style="font-weight: 400;">“The Daily Show”</li>
<li style="font-weight: 400;">“Jimmy Kimmel Live!”</li>
<li style="font-weight: 400;">“Last Week Tonight With John Oliver”</li>
<li style="font-weight: 400;">“The Late Show With Stephen Colbert”</li>
<li style="font-weight: 400;">“Saturday Night Live”</li>
</ul>
Outstanding Variety Special (Live)
<ul>
<li style="font-weight: 400;">The Super Bowl LX Halftime Show starring Bad Bunny</li>
<li style="font-weight: 400;">The Golden Globes</li>
<li style="font-weight: 400;">The Grammys</li>
<li style="font-weight: 400;">The Oscars</li>
<li style="font-weight: 400;">The Tonys</li>
</ul>

Emmy Awards

Emmy Nominations 2026: Biggest Surprises And Snubs

Emmys

Entertainment

Primetime Emmys

Television

According to a recent Bloomberg <a href="https://www.bloomberg.com/news/newsletters/2026-07-05/netflix-viewers-are-abandoning-shows-after-one-season">report</a>, Netflix audiences have been abandoning shows after one season and not coming back for more.
The report said that “One Piece,” which was one of Netflix’s most-watched shows in 2023, lost more than 30% of its audience for the second season, which debuted in 2026. “Beef” was another popular show for the streaming giant when it launched in 2023. But Bloomberg reported that season two had a massive reduction in audience — more than 70% — in 2026 as well. 
“The Night Agent” lost half of its audience in season two and saw another 35% decline in season three, the outlet noted.
This report has inspired a lot of feedback on social media from TV viewers who mostly say the biggest issue is the long wait between seasons, which didn’t exist before streaming services took over the entertainment industry.
“A television show has 1) approximately 22 episodes, 2) that are 43 minutes in length, 3) that air weekly, 4) every year … Netflix is confused by all four of these criteria,” one commenter <a href="https://x.com/MadcapMcQ/status/2074608223999377907">wrote</a>.
Another person <a href="https://x.com/RaithwallRover/status/2073907596537299359">added</a>, “1. The gap between seasons is too long. 2. The binge model is bad for building long-term emotional investment. You watch all of a season in a week and then forget about it. This is obvious. It’s amazing that after all these years and all their data, they still don’t [realize] it.”
A third commenter said the same, writing, “Too few episodes and seasons too far apart. A series should come out annually. Especially when it’s as short as 6-8 episodes. Taking 2-4 years between seasons. People stop caring. This isn’t a complicated problem.”
Many also called out television&#8217;s shift toward woke messaging and the way leftist elements are often introduced in follow-up seasons. 
“Because: Season 2 (any show) kick off meeting — ‘Ok, good 1st season! In Season 2 we&#8217;re going to bring the special sauce!  Thomas is going to come out as a trans, and his wife will have a lesbian affair with a trans black woman who is [in] a relationship with an underage trans man. &#8230;  This sh*t is gold!!’ And that&#8217;s why Netflix viewers go elsewhere,” one person observed.

Netflix

Netflix Viewers Abandon Shows In Droves After One Season, And The Audience Has Feedback

“Yellowstone” creator Taylor Sheridan said he really doesn’t care what the critics think and admitted to “rage bait[ing]” them on occasion.
The hit-producing showrunner, who debuted the popular series “Landman” in 2024, <a href="https://www.theringer.com/podcasts/the-bill-simmons-podcast/2026/06/28/nba-trade-reactions-and-more-with-bill-simmons-and-zach-lowe">said</a> during a recent appearance on “The Bill Simmons Podcast” that he doesn’t typically follow the established rules of the entertainment industry.
“I knew when I started writing [I wanted] to simply not do what everyone else was doing,” Sheridan said.
“What everyone else was doing was taking shortcuts, essentially breaking all the very basic fundamental rules of storytelling, because they couldn’t figure out their story. With a movie, you’re supposed to show me what’s happening. The camera is supposed to move the story. The dialogue is supposed to tell me how the people in this world feel about what’s happening or what they hope to do or what they wish they hadn’t done or had done.”
Sheridan said the critics took issue with how he wrote Demi Moore’s character, making her less of a focus in the first season with the intention of stepping up her involvement in season two.
“The critics are going to come after me. I’m underutilizing [Moore], can’t write for women, all this nonsense. Then I’m going to kill your husband and you’re going to have to run the oil company. The critics and me … I don’t care what they think, and it annoys the sh*t out of them that I don’t care. I’ll be the first to tell you that there are things that I do that rage-bait them a bit, and this is one of them. F*ck ’em, honestly.”
Sheridan came down hard on entertainment executives in particular, saying they were not the experts when it comes to telling great stories. 
“It didn’t used to be this way when Steve McQueen was a movie star at Paramount, and Bobby Evans ran the studio because writers were turned loose. Directors were turned completely loose. There weren’t endless rewrites. There weren’t meetings with executives about tone and mood and all this nonsense.”
“By the way, the studio executives and the network executives — these are marketing executives, for the most part,” he went on. “Or maybe they studied law or whatever. Then they came, got a job in the mailroom at CAA or WME, and hated that sh*t. So then they ended up as an intern at some network. Then, through attrition, they find themselves the head of development. Well, what do you know about developing story? You know nothing. So they get terrified, panicked that the audience won’t get it because they actually have no storytellers.”
He said oversight from the executives is stifling. He also noted that he’s not in the business to win awards. 
Sheridan continued, “Our business, at this point, is truly governed by these executives because they’re the ones that are going to determine whether or not your script is going to go into production. They’re going to try and control every element of that.”
“This is not a democracy. There’s no committee. You’re going to pay me and you’re going to give me a bunch of money and I’m going to deliver you these shows. I’m pretty common and I’m going to tell stories that common people are going to understand. That’s most of America,” he said. 
“You’re not going to win no Emmys with me, but I’m not trying to win Emmys. That’s not my goal. My goal is to sit somebody on their couch and move them, make them think, make them laugh, scare the sh*t out of them, excite them. That’s what I want to do, because that’s what I want from a show.”
Sheridan said he has no interest in making shows in Los Angeles anymore, either. 
“The only way you’re getting me back to Los Angeles is if it secedes from the union and I’m drafted into the Army to take it back. It’s the only way,” the showrunner went on. “I love New York. That city’s way, way stronger than whatever political wind is blowing it in any direction, right? Whereas L.A. is built on sand.”
Despite the popularity of “Yellowstone” and contending for nominations for both “The Madison” and “Landman,” Sheridan has famously never won an Emmy Award.

Taylor Sheridan

Taylor Sheridan On His Critics: ‘I Do Rage-Bait Them … F*ck ’Em, Honestly’

Hollywood

Landman

“Cheers” co-creator James Burrows has died at the age of 85.
Burrows’ family confirmed his death in a statement, reported by <a href="https://people.com/james-burrows-dead-cheers-co-creator-director-was-85-exclusive-11744793">People</a>. “We celebrate the extraordinary life and enduring legacy of James ‘Jimmy’ Burrows, who passed away peacefully today surrounded by his loving family. For more than five decades, Burrows was one of the most influential and beloved directors in television history. As a legendary director, mentor, and creative force, he helped shape generations of comedy and brought immeasurable joy to audiences around the world.”
&#8220;Over the course of his unparalleled career, Burrows directed more than 1,000 episodes of television and was instrumental in creating some of the most iconic series ever produced, including The Mary Tyler Moore Show, Taxi, Cheers, Frasier, Friends, Will &amp; Grace, and The Big Bang Theory, among many others,&#8221; the statement went on.
&#8220;But beyond his remarkable achievements, Burrows will be remembered for something even greater: his kindness, generosity, and unwavering belief in the people around him. He possessed a rare ability to make everyone better and was known for remembering every person he met by name, making colleagues at every level feel seen, valued, and appreciated.&#8221;
The director is well-known in Hollywood for directing cult classic shows including &#8220;Will &amp; Grace,&#8221; &#8220;Cheers,&#8221; and &#8220;The Mary Tyler Moore Show,&#8221; and for helping to create hit shows including &#8220;Friends,&#8221; &#8220;Taxi,&#8221; and &#8220;Frasier,&#8221; CBS News reported. Burrows directed episodes of &#8220;The Big Bang Theory&#8221; and &#8220;Two and a Half Men,&#8221; as well as the more recent reboot of &#8220;Frasier.&#8221;   
Burrows won 11 Emmy awards and was nominated for many others, the outlet noted.
&#8220;Burrows understood that great comedy was never simply about laughter. It was about humanity, connection, and truth. That understanding became the foundation of a career that forever changed television,&#8221; the statement said. &#8220;His influence will continue to be felt for generations through the countless artists he inspired, the stories he helped tell, and the millions of people whose lives were brightened by his work.&#8221;
His family wrote in conclusion, &#8220;Above all else, Burrows was a devoted husband, father, and grandfather. He is survived by his beloved wife, Debbie, his four daughters, and his seven grandchildren. He will be profoundly missed and forever remembered. Our thoughts are with Debbie, his children and grandchildren, his family, friends, collaborators, and all those whose lives he touched. May his memory be a blessing.&#8221;

James Burrows

‘Cheers’ Creator James Burrows Dies At 85

Actor Tim Allen just gave an update on the highly anticipated reboot of “Home Improvement,” saying “personality problems” with one of the actors are at least partially to blame for it never getting off the ground.
“They keep talking about how it could move forward, but they get stuck [because] there are some personality problems right now with the boys,” Allen <a href="https://www.usmagazine.com/celebrity-news/news/tim-allen-on-faith-fatherhood-and-the-toy-story-franchise/">told</a> Us Weekly in an interview published Wednesday. 
This comment likely referred to Zachery Ty Bryan being arrested in November 2025 over a domestic violence violation after previously being arrested for suspicion of DUI, felony assault, and robbery, as the outlet noted. He was also arrested on suspicion of strangling his then-girlfriend in 2020. Bryan starred as one of Allen’s sons in the series, which began when he was 9 years old.
Another blow to any hope of a reboot is that, in 2024, Jonathan Taylor Thomas, who played another son on the show, <a href="https://deadline.com/2024/03/home-improvement-reboot-not-for-patricia-richardson-1235872269/">is</a> no longer “interested in acting,” according to his former co-star Patricia Richardson.
“They’ve got their own issues. I always thought it would be cool if it was a story about them. That’s a little challenging right now, to put it mildly,” the actor added.
The massive hit “Home Improvement” ran for eight seasons from 1991 to 1999. Allen starred as Tim “The Tool Man” Taylor, and the series followed him as he navigated life with his wife and three sons. Allen, who has a real-life love of cars, previously starred in the popular, Trump-friendly sitcom “Last Man Standing” for many years before it was shockingly canceled in 2017.
He is also part of a new sitcom, “Shifting Gears,” which debuted last year. He is well known for voicing Buzz Lightyear in the “Toy Story” franchise. The fifth installment of the popular animated film is due out later this month.
Allen has had a successful Hollywood career by any measure, but his fans say he’s been discriminated against for holding openly conservative views. 
The 72-year-old told Bill Maher earlier this year that DEI policies should not come at the expense of the show’s quality.
“My wife says, ‘Why do you keep saying that?’ And I said, ‘Somebody told me I was like the Tom Brady of sitcoms.’ When they asked me to do a third [show], I said, ‘I thought they were kidding,’” the comedian told Maher, as The Daily Wire previously reported. 
“I don’t know whether my generation … because all the people that I know that I would make it with are either dead or not the right gender, you know, they’re all light-skinned European older men. And that doesn’t fit the DEI thing that everybody wanted.” 
“I didn’t want to get into that. I didn’t want to patronize people. If you’re going to do a sitcom, it’s just got to be funny. You got to have some drama,” Allen said.

Tim Allen

Tim Allen Hints At Behind-The-Scenes Issues Holding Up ‘Home Improvement’ Reboot

“House” actor Hugh Laurie got into an online argument with a journalist, then apologized later for calling her out, saying he was under the influence of alcohol at the time.
&#8220;I&#8217;m sorry if people have been having a go at you because of my tweet,&#8221; the 66-year-old actor <a href="https://x.com/hughlaurie/status/2064076498894836159">wrote</a> in his apology shared on Monday, saying it was &#8220;not at all the plan&#8221; of his initial response to her criticism of the show.
&#8220;I was very slightly drunk and already upset about something that had nothing to do with you,&#8221; Laurie wrote in an X post. &#8220;If it&#8217;s any comfort, I got it in the neck too. I&#8217;m a thin-skinned twat, apparently, even though it wasn&#8217;t my skin.&#8221;
He went on to say he reacted in anger because he was defending the show’s writers. 
The drama started on Saturday when British journalist Janet Murray shared some of her criticisms of “House,” a popular medical drama series that aired for eight seasons beginning in 2004.
“Late to the party, but I&#8217;ve started watching Season 1 of House. Same narrative every episode: Patient has mysterious illness. Hugh Laurie (House) gets diagnosis wrong. Patient nearly dies,” Murray <a href="https://x.com/jan_murray/status/2063310360514363400">wrote</a> in the original post. 
She continued, “Hugh Laurie gets diagnosis wrong again. Gets threatened with being fired. Patient nearly dies again.”
“Hugh Laurie has last minute left-field idea. Gets diagnosis right. Doesn&#8217;t get fired. Eight seasons of this?”
Laurie wrote back in his original response, “Thanks for your critique, Janet. We actually tried a couple of episodes where House (Hugh Laurie) (please put the brackets in the right place) gets it right first time, but they were only 6 minutes long. NBC weren&#8217;t (sic) happy. Then we tried some where House never gets it right and the patient dies. The audience wasn&#8217;t happy.”
“One could apply your trenchant analysis to other art forms: JS Bach wrote 30 Goldberg variations on the same chord structure; Frida Kahlo painted 50 portraits of herself;  Henry Moore, what??”
He added, “The point is, or was, variations on a theme; if all you see is hospital, medical blah blah, then it wasn&#8217;t meant for you. Nonetheless, I look forward to your first novel!”
<blockquote class="twitter-tweet">
Thanks for your critique, Janet. We actually tried a couple of episodes where House (Hugh Laurie) (please put the brackets in the right place) gets it right first time, but they were only 6 minutes long. NBC weren’t happy. Then we tried some where House never gets it right and…
— Hugh Laurie (@hughlaurie) <a href="https://x.com/hughlaurie/status/2063714447084929437?ref_src=twsrc%5Etfw">June 7, 2026</a></blockquote>
<script async src="https://platform.x.com/widgets.js" charset="utf-8"></script>
Murray went on to publish an article in UnHerd about the interaction and the fallout on social media. It was titled, “What I learnt from my online fight with Hugh Laurie.”
&#8220;While it&#8217;s all been rather fun, I do hope @hughlaurie takes the time to read my @unherd article (I&#8217;m sure he can stretch to a subscription),&#8221; Murray wrote in an X post sharing the article on Monday.
&#8220;Because while his witty riposte was genuinely amusing, one point I make in the piece is that it was shared with his 1.2 million followers on X,&#8221; she wrote, comparing it to her paltry audience of just 38,000.
&#8220;That creates something of an imbalance &#8211; particularly given that the responses to my original post were overwhelmingly warm-hearted and affectionate towards the show. The result has been some fairly horrific trolling. It turns out House fans are even more abusive than trans activists (and that’s saying something).&#8221;
She concluded, &#8220;I have enough experience of the media to take it on the chin, as the saying goes. But someone without my background might have found the experience far more distressing.&#8221;

Hugh Laurie

Hugh Laurie Calls Out Journalist Over ‘House’ — Then Has A Very Good Reason For Apologizing

Celebrities

journalist

Twitter

The creator of the popular HBO drama series “Entourage” says he supports Spencer Pratt for mayor of Los Angeles because it makes logical sense.
Doug Ellin said he was radicalized after having his Beverly Hills home burglarized by masked intruders, as he shared on Instagram last week. The 58-year-old screenwriter and director mentioned that five years ago he didn&#8217;t even lock his door, but now says he has 15 cameras, two German Shepherds, and guns. He said “two animals” invaded his house. 
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&#8220;I know they were animals because they invaded my house. I know I don&#8217;t care what their excuses are, like a lot of you f*cking care. I know invaders of homes should get 20 years,” Ellin said in the video, which was shared across multiple social media platforms. 
He continued, “Everyone in my neighborhood has got the same problem: they&#8217;re f*cking all putting cameras and high-end security guards because we&#8217;re all getting broken into. It&#8217;s not made up, it&#8217;s not false, and this city has collapsed in the last five years. There is no f*cking denying it unless you have an agenda, and I don&#8217;t know what that is.”
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The “Entourage” creator went on to shoot down some of the criticisms that have been voiced against Pratt, a former reality star with no political experience, running for mayor.
&#8220;But, you say, &#8216;Oh, Spencer Pratt has no experience!&#8217; &#8230; What experience did Karen Bass have? &#8230;We want to fix this place because we don&#8217;t want to be forced out. I&#8217;m one of the people who made this city look great! I did it for years. I glorified it. I meet people all the time that moved here because of the show that I f*cking created, and they hate it here now. HATE!&#8221;
Ellin’s video is suspected to be a response to a recently published Los Angeles Times article titled, “L.A. is safer than it&#8217;s been in decades, but crime is an issue dominating the mayor&#8217;s race.&#8221; He addressed the Instagram rant to “LA Times gaslighters.” 
Pratt also shared the video last week to social media. The former “Hills” star is polling second behind Bass ahead of the June 2 primary. While Pratt’s odds of winning have increased dramatically in recent months, he still faces an uphill battle in the Democrat stronghold. The last time a Republican won a mayoral race in Los Angeles was in 1997.

Doug Ellin

‘This City Has Collapsed’: ‘Entourage’ Creator Endorses Spencer Pratt For Mayor

Crime

Los Angeles

Los Angeles mayor

Spencer Pratt

Sydney Sweeney posted a snarky reply to her critics on Instagram on Sunday. 
“It’s called … acting,” the 28-year-old actress <a href="https://www.instagram.com/p/DZAgyfuES3r/?img_index=20">wrote</a> in the caption alongside a carousel of behind-the-scenes snapshots from the HBO drama series “Euphoria.” The most recent season was just announced to be the end of the show. It has also been the most controversial.
The season 3 finale, “In God We Trust,” was actually the series finale, series creator and director Sam Levinson confirmed on the podcast “Popcast.” Levinson had hinted at it before the season 3 premiere, saying he writes “every season like it’s the last.” 
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He also didn’t commit to doing a fourth season, <a href="https://www.nytimes.com/2026/04/08/arts/television/sam-levinson-euphoria-season-3.html">telling</a> The New York Times in April, “I don’t know. As of right now, all I want to do is hang out with my wife and kids and read some Elmore Leonard and watch ‘Mrs. Miniver’ again.” 
The official “Euphoria” description says it’s about “a group of high school students as they navigate drugs, sex, identity, trauma, social media, love and friendship.” The story skips forward in time for the third season as the characters “wrestle with the virtue of faith, the possibility of redemption and the problem of evil.”
One major controversy for season 3 has been the storyline involving Sweeney’s character, Cassie, creating an OnlyFans to help fund her upcoming wedding. She acts out strange fetishes, including dressing as a dog on a leash and a baby in a diaper, plus sends one fan her underwear. These antics drew the ire of sex workers, who say it makes them all look bad.
“In the climate we’re in, that they dressed her up as a baby to make pornographic OnlyFans content was beyond troubling and again serves to perpetuate stereotypes that sex workers have no moral compass and that they will do anything for money,” former “Boy Meets World” actress Maitland Ward told Variety last month. “And there’s always this untrue stigma that somehow sex work is synonymous with sex trafficking and abuse. And they just said, let’s make a joke of it. That is so funny. I’m not laughing.”
Levinson told The Hollywood Reporter back in April that the story arc was never meant to be flattering, as The Daily Wire previously <a href="https://www.dailywire.com/news/onlyfans-creators-rage-against-sydney-sweeney-over-sex-work-stigma?author=Amanda+Harding&amp;category=News&amp;elementPosition=undefined&amp;row=0&amp;rowType=Vertical+List&amp;title=OnlyFans+Creators+Rage+Against+Sydney+Sweeney+Over+Sex+Work+%E2%80%98Stigma%E2%80%99">reported</a>.
“[Cassie] has got her dog house and her little dog ears and the nose, and that has its own humor, but what makes the scene is the fact that her housekeeper is the one filming it,” he said at the time. “What we wanted to always find is the other layer of absurdity that we’re able to tie into it so that we’re not too inside of her fantasy or illusion — the gag is to jump out, to break the wall.”

Sydney Sweeney

Sydney Sweeney Trolls Critics With Racy ‘Euphoria’ Finale Photos

Actress Michelle Pfeiffer detailed what she described as harrowing work conditions on the set of the Taylor Sheridan project “The Madison.”
The 68-year-old star <a href="https://www.youtube.com/watch?v=8PzUeBcqPg8">discussed it</a> during an appearance on the Los Angeles Times podcast, “In Conversation,” earlier this week.
“It was all a little bit rushed for everyone, and so there weren’t certain accommodations set up,” Pfeiffer said. “There is no bathroom, even the outhouse is not real. So there’s no AC, there’s no plumbing, there isn’t anything. But it is breathtakingly glorious.”
“We didn’t really have trailers there, because they were shooting 360, so they couldn’t have a bunch of trailers around. So there’s really no place for us to sit,” she went on. “There was no bathroom nearby. There was no food. And in the winter, it was cold. It was like, ‘Could we have a heater?’ And in the summer, it was like, ‘Could I get an umbrella because the sun’s really intense?’”
Pfeiffer stars in the Paramount+ neo-Western drama series “The Madison” along with Kurt Russell, Beau Garrett, Patrick J. Adams, Elle Chapman, Amiah Miller, Alaina Pollack, and Ben Schnetzer. The show’s description calls it, “a heartfelt study of grief and human connection following a New York City family in the Madison River Valley of Central Montana.” The show was filmed in Montana and Texas. 
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She’s not the first professional working on a Sheridan project to speak on the extreme set conditions. Cole Hauser, who worked on Sheridan&#8217;s massively popular “Yellowstone” series in addition to the spinoff project “Dutton Ranch,” had some thoughts about the challenging conditions in the latter.
“Coming down there, it was just a totally different world,” he <a href="https://variety.com/2026/tv/features/dutton-ranch-beth-rip-actors-creating-sexy-chemistry-1236749779/">told</a> Variety earlier this month. 
“The weather was different. We started in July and August, and that was painful. It was 118 degrees, and you’re in all black, sitting on a horse. The trailers aren’t 200 yards away — they’re miles away. So you’re out there in the elements. Getting into that and being able to survive the first couple of months was a feat in itself.”
“The Madison” premiered on March 14 and has generally <a href="https://www.rottentomatoes.com/tv/the_madison">positive reviews</a>, with Pfeiffer in particular being praised for her performance.

Michelle Pfeiffer

Fan-Favorite Actress Details Harrowing And ‘Breathtakingly Glorious’ Taylor Sheridan TV Set

Paramount

After a long, painful goodbye, Stephen Colbert’s “The Late Show” on CBS gasped its final dying breath on Thursday from the historic Ed Sullivan Theater in New York City.
As many critics are saying, it’s about time.
President Donald Trump, the main subject of Colbert’s yearslong tirades, <a href="https://truthsocial.com/@realDonaldTrump/posts/116616669222083429">said</a> Friday morning, “Colbert is finally finished at CBS. Amazing that he lasted so long! No talent, no ratings, no life. He was like a dead person. You could take any person off of the street and they would be better than this total jerk. Thank goodness he’s finally gone!”
&#8220;Stephen Colbert’s firing from CBS was the &#8216;Beginning of the End&#8217; for untalented, nasty, highly overpaid, not funny, and very poorly rated Late Night Television Hosts,&#8221; Trump <a href="https://truthsocial.com/@realDonaldTrump/posts/116618496946919115">added</a>. &#8220;Others, of even less talent, to soon follow. May they all Rest in Peace!&#8221;
During the last episode, Colbert skipped the monologue when he walked out and addressed the audience, saying, “This show…has been a joy for us to do for you. In fact, we call this show the ‘joy machine,’ all right? …We call it the joy machine because to do this many shows, it has to be a machine. But the thing is, if you choose to do it with joy, it doesn&#8217;t hurt as much when your fingers get caught in the gears.” 
The host continued, “On night one of ‘The Colbert Report’ back in the day, I said, ‘Anyone can read the news to you, I promise to feel the news at you.’ And I realized pretty soon in this job that our job over here was different. We were here to feel the news with you. And I don&#8217;t know about you, but I sure have felt it.”
The hyper-partisan late night host brought former Beatles band member Paul McCartney on as his final guest. McCartney gave Colbert a framed, signed photo of The Beatles playing during “The Ed Sullivan Show” in 1964.
“Wow,” Colbert said, joking that the caption said, “To Stephen, you’re better than The Beatles, Paul McCartney.”
The show ended with Neil deGrasse Tyson, Jon Stewart, and Andy Cohen helping Colbert transition through a wormhole portal that opened to swallow the show. McCartney was tasked with cutting power from the control room, then the wormhole turned the Ed Sullivan Theater into a miniature version of itself inside a snow globe. 
And then it was over.
CBS announced last summer that “The Late Show,” which began in 1993, would conclude this year and not be replaced with a traditional late-night format.
“This is purely a financial decision against a challenging backdrop in late night. It is not related in any way to the show’s performance, content or other matters happening at Paramount,” the network said at the time.
Colbert followed the announcement with an expletive-laced monologue in which he blasted President Donald Trump and CBS. During the segment, Colbert referenced Paramount Global, CBS’s parent company, noting that it paid Trump a $16 million settlement after being accused of election interference.
CBS Entertainment CEO George Cheeks later reiterated that the show had been losing “significant” amounts of money, describing the losses as being in the “tens of millions of dollars.”
“At the end of the day, it just wasn’t sustainable to continue,” Cheeks said.
Colbert became more reflective in later interviews, blaming changing audiences rather than his political rants on the show’s demise.
“It’s possible that two things can be true,” Colbert <a href="https://www.dailywire.com/news/colbert-blames-producer-for-turning-late-show-into-left-wing-lecture-hour">told</a> The New York Times during an April interview. “Broadcast can be in trouble. They cannot monetize because of things like YouTube, because of the competition of streaming. They’ve got the books, and I do not have any desire to debate them over what they say their business model is and how it does not work for them anymore. But less than two years before they called to say it’s over, they were very eager for me to be signed for a long time. So, something changed.”
CBS will replace “The Late Show with Stephen Colbert” with a new late-night program block led by comedian Byron Allen. It’s described as being politically neutral and appropriate for all ages.
“I tell the comedians we’re shooting ‘I Love Lucy,&#8217;” Allen told The Los Angeles Times in 2025. “Something that’s evergreen. So I don’t want to hear any political humor. Just be funny, family-friendly, and advertiser-friendly.”

Stephen Colbert

America Waves Goodbye To Stephen Colbert As Trump Lands A Final Parting Shot

Late-Night

The latest ad for Los Angeles mayoral candidate Spencer Pratt is a send-up of the theme song from the 90s sitcom, &#8220;The Fresh Prince of Bel-Air.&#8221;
The hit show, which first aired in 1990, followed Will Smith&#8217;s character as he moved from the dangerous streets of West Philadelphia to live with his well-off aunt and uncle in their Bel-Air mansion. The new ad followed Pratt on a slightly more political journey.
Pratt&#8217;s long-shot campaign to unseat Democratic Mayor Karen Bass has seen a dramatic groundswell of support, thanks in part to a number of AI-generated viral ads and a televised debate, and the former reality star posted his latest effort with the caption, &#8220;Now this is a story all about how my life got flipped, turned upside down &#8230;&#8221;
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Now this is a story all about how my life got flipped, turned upside down <a href="https://t.co/Zes4VRdZxX">pic.twitter.com/Zes4VRdZxX</a>
— Spencer Pratt (@spencerpratt) <a href="https://twitter.com/spencerpratt/status/2056406022680715435?ref_src=twsrc%5Etfw">May 18, 2026</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
&#8220;&#8230;And I had to take a minute to run for mayor, I&#8217;ll tell you how I became the prince of a town called Bel-Air,&#8221; Pratt said, stepping out of the Airstream trailer that has replaced his Palisades home that burned to the ground in early 2025.
&#8220;In West Los Angeles, Palisades, in my backyard is where I spent most of my days,&#8221; Pratt sang. The graffiti on the fence behind him screamed &#8220;THEY LET US BURN!&#8221; in reference to the deadly Palisades fire. &#8220;Feeding hummingbirds, relaxing all cool, avoiding all the bums outside of the school, when a couple politicians that were up to no good, started making trouble in my neighborhood.&#8221;
&#8220;I got in one little fire, my mom got scared, and said, &#8216;You&#8217;re moving in with Harvey Levin in Bel-Air,'&#8221; Pratt continued, name-checking the founder of entertainment site TMZ.
&#8220;I pulled out from my lot about seven or eight, and I yelled to the rubble, &#8216;Yo home, smell ya later,'&#8221; he added. &#8220;I moved to my kingdom, I was finally there, to sit on my throne as a prince of Bel-Air.&#8221;
The scene finished with Pratt, sitting on the bumper of his trailer as it was parked outside in front of the Hotel Bel-Air, in another dig at TMZ over a recent hit piece about the former star of MTV&#8217;s &#8220;The Hills.&#8221; The piece had criticized Pratt, who has been vocal about the issues he and others have had getting approvals and permits to rebuild in the Palisades, for living in a hotel instead of the trailer he said he was living in.
Pratt pointed out the recent threats against him had made living in the trailer — along with his wife and two young boys — an unacceptable risk. He also reminded everyone that the fire that destroyed his home, in addition to prompting his run for office, was the only reason he wasn&#8217;t still living there.

Screenshot/Spencer Pratt

Spencer Pratt Ad Channels 90s Sitcom Royalty

New Spencer Pratt Ad Riffs On 'Fresh Prince' Theme Song

California

political ad

Politics

Will Smith

Actress Margaret Cho said she turned down a role in the popular gay hockey drama “Heated Rivalry” because it was filming in Canada and she was afraid of being “detained at the border.”
The 57-year-old comedian and outspoken Trump critic made the comments during a recent appearance on the “I Never Liked You” podcast.
“Last year, I got a pilot script for a show that I really loved, but it shot in Canada. I was, like, so scared because I’m so vocal about hating ICE and hating this administration,” she said. “I was like, I will get detained at the border and I will be put in ICE detention if I go. And I was like struggling over it, and I had to talk to all these people about it, and I was super upset, and I said no. And it was ‘Heated Rivalry.’”
“Like, it kills me,” Cho added. “And it’s all because of Trump.”
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She further stated that she asked showrunners about being involved in season two, which is currently in development. “I asked them, we’ll see,” Cho said.
The stand-up comedian <a href="https://www.dailywire.com/news/disney-actress-says-its-time-for-a-trans-disney-prince-princess">made headlines</a> in 2023 for advocating for trans characters in Disney projects. Cho said as much after playing an LGBTQ guidance counselor in the made-for-TV Disney+ movie, “Prom Pact.”
“I would love to see them everywhere,” Cho said of “queer characters” in kids&#8217; films. “I would love to see trans characters and different types of people in roles of, like, Disney princess, Disney prince, and Disney everything.”
“I think this would be really important and it’s a move towards the future,” she added. “It’s a move towards who we are. I think it’s really admirable and really exciting.”
“Heated Rivalry,” which became a breakout hit in 2025, follows two closeted hockey players who engage in a romantic relationship. It’s been criticized for featuring graphic sexual content. Despite that, it has been especially popular with heterosexual women.
Former first lady Jill Biden was fully prepared to shell out $35,000 for a chance to appear in an upcoming season of the show after <a href="https://www.dailywire.com/news/jill-biden-paid-how-much-for-a-chance-to-appear-in-gay-hockey-show">bidding on the prize</a> during an LGBT charity auction last month.

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