Jim Carrey hasn’t made a good movie in ten years, but his hyperpartisan, dark and dreary sketches make his recent run of critical and box office bombs (like “Dark Crimes,” which scored a 0% on Rotten Tomatoes) look like real works of art.
Like most of his colleagues in Hollywood, Carrey has become increasingly political and Trump-obsessed since Hillary Clinton forgot to go to the Rust Belt, but what’s most disturbing about his cynical, grotesque and emphatically unfunny work is his depiction of women associated with Trump. He seems to particularly revel in mocking their appearances and portraying them as subhuman monsters guilty of “kidnapping” and “murdering” innocents.
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