An art museum in <a href="https://www.dailywire.com/topic/england" target="_blank" rel="noopener">England</a> has issued a warning to patrons that images of a British countryside in paintings can evoke what it labeled &#8220;dark,&#8221; &#8220;nationalist feelings.&#8221;
The Fitzwilliam Museum, owned by the University of Cambridge, decided to overhaul some of its displays, something that the museum&#8217;s director Luke Syson insisted is not being &#8220;woke.&#8221;
&#8220;I would love to think that there’s a way of telling these larger, more inclusive histories that doesn&#8217;t feel as if it requires a push-back from those who try to suggest that any interest at all in [this work is] what would now be called &#8216;woke,'&#8221; Syson told the Telegraph, as reported by <a href="https://www.yahoo.com/news/paintings-british-countryside-evoke-dark-140508085.html">Yahoo</a> News.
The paintings have been moved around into categories in an effort to make the museum &#8220;inclusive.&#8221;
&#8220;Being inclusive and representative shouldn&#8217;t be controversial; it should be enriching,&#8221; Syson said.
One of the signs in the Nature Gallery, showing the work of artist John Constable&#8217;s paintings of English hills, noted that the artwork can stir feelings of &#8220;pride towards a homeland.&#8221;
<blockquote class="twitter-tweet">
&#8220;The Fitzwilliam Museum has suggested that paintings of the British countryside evoke dark &#8220;nationalist feelings&#8221;. The museum, owned by the University of Cambridge, has undertaken an overhaul [&#8230;] in a move that its director insisted was not “woke”.&#8221;<a href="https://t.co/1t09LcYqEP">https://t.co/1t09LcYqEP</a>
— Kristian Niemietz (@K_Niemietz) <a href="https://twitter.com/K_Niemietz/status/1768550114660958412?ref_src=twsrc%5Etfw">March 15, 2024</a></blockquote>
&#8220;Landscape paintings were also always entangled with national identity,&#8221; the sign read.
&#8220;The countryside was seen as a direct link to the past, and therefore a true reflection of the essence of a nation,&#8221; it added. &#8220;Paintings showing rolling English hills or lush French fields reinforced loyalty and pride towards a homeland.&#8221;
However, another part of the sign told visitors that &#8220;there is a darker side&#8221; to the images of the British countryside. 
&#8220;The darker side of evoking this nationalist feeling is the implication that only those with a historical tie to the land have a right to belong,&#8221; it added.
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Constable is known for his famous landscapes of the Suffolk countryside, the <a href="https://www.nationalgallery.org.uk/artists/john-constable#:~:text=Constable%20is%20famous%20for%20his,worked%20up%20in%20the%20studio.">National Gallery</a> in London noted. Interestingly enough, as popular as his paintings are now, the London Gallery noted that &#8220;they were not particularly well received in England during his lifetime.&#8221;
In another part of the museum, the sign for the new Identity Gallery told patrons that portraits of wealthy and uniformed sitters &#8220;became vital tools in reinforcing the social order of a white ruling class, leaving very little room for representations of people of color, the working classes or other marginalized people,” the outlet noted.
And that, &#8220;portraits were often entangled, in complex ways, with British imperialism and the institution of transatlantic slavery.&#8221;
In the Migration and Movement gallery, signage noted that &#8220;while some people chose to leave their homes, global conflict, discrimination and European colonialism meant others fled or were exiled by force.&#8221;

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Art Museum Warns That Images Of British Countryside Can Evoke ‘Dark’ ‘Nationalist’ Feelings

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Art Museum Warns That Images Of British Countryside Can Evoke ‘Dark’ ‘Nationalist’ Feelings