It should come as no surprise that no mainstream critics have bothered to review Candace Owens’ explosive new documentary, “Convicting a Murderer,” which uncovers the deceptive reporting tactics used in Netflix’s hit series, “Making a Murderer.”
The critics pulled this same stunt with Owens’ “The Greatest Lie Ever Sold: George Floyd and the Rise of BLM” and Matt Walsh’s “What Is a Woman?” These mainstream reviewers seem to think if they ignore projects that don’t fit their worldview, they’ll just go away. But the buzz around “CAM” and the exceptional audience reviews prove that this documentary isn’t going anywhere.
.png)
.png)
