The July 6 Washington Post carried a typically colorful headline on top of the Style section. “A binder full of bombast: Kayleigh McEnany plays her boss and his base with derisive news briefing walk-offs.”
Media reporter Paul Farhi wrote McEnany’s “would-be smackdowns seemed so orchestrated” they only lacked some kind of musical flourish, like the opening witticisms that lead into the theme song on the crime drama “CSI: Miami.”
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