HBO Max will commemorate the second anniversary of the Hamas October 7 terrorist attack on Israel by airing the scripted series, “One Day in October.”
The limited series is based on real accounts from the horrific attack in 2023, which resulted in the massacre of more than 1,200 Israelis and hundreds of others being taken hostage. It first premiered on Israeli network Yes Drama on the first anniversary of the coordinated raid.
The project is said to include “seven emotionally gripping and artistically interwoven narratives of love, courage, sacrifice, and survival. From families torn apart to moments of hope emerging in the face of unspeakable tragedy to incredible bravery against the odds, each episode reveals the human cost and resilience born out of chaos. The series portrays the victims’ and survivors’ experiences of that day and is brought to life by a distinguished cast and acclaimed creative team,” per <a href="https://www.hollywoodreporter.com/tv/tv-news/hbo-hamas-israel-one-day-in-october-7-series-1236372113/">The Hollywood Reporter</a>.
FOX Entertainment Studios President Fernando Szew said of the series, “The tragic events on October 7th had a profound impact on all of us. From the very beginning, we approached this series with the utmost care, sensitivity, and urgency to ensure that the stories were told with authenticity and respect, and paying homage to the victims and the heroic survivors.” 
Szew added that the creators “have truly created compelling storytelling that we are proud to showcase.”
“For me, film and television have always been more than entertainment, they are a way to bear witness. These are stories of ordinary people facing extraordinary moments,” Daniel Finkelman, founder of the production company Sparks Go, said. “In a time when truth is fragile, the most powerful thing we can do is to appeal to humanity itself. My hope is that these stories will open hearts and spark meaningful conversation.”
Last year, Finkelman discussed what compelled him to make the series. 
“After Oct. 7, I realized that when you know what you are willing to die for, you know what you are ready to live for,” he <a href="https://www.jpost.com/israel-news/culture/article-822942">said</a>, per The Jerusalem Post. “I realized what we are fighting for.”
“We’re being shown real footage on the news of people being abducted and no one gives a f***,” the producer added. “So we thought, let’s tell the narrative the way people like to be entertained.”
The cast includes actors Swell Ariel Or, Noa Kedar, Naomi Levov, Hisham Sulliman, Wael Hamdun, and Yuval Semo.

HBO Max Announces Series Dramatizing Hamas’s Oct. 7 Terror Attack On Israel

Entertainment

Hamas

Israel

October 7

Television

World

Stephen Colbert and Jimmy Kimmel cleared a very low bar when it came to their comments on the murder of conservative superstar Charlie Kirk.
They said all the right things about the assassination. It was the least they could have done.
Kimmel touched on “gun violence,” but kept the messaging to a minimum via his <a href="https://www.instagram.com/p/DOb8B9xjgZJ/">Instagram feed</a>.
<blockquote>Instead of the angry finger-pointing, can we just for one day agree that it is horrible and monstrous to shoot another human? On behalf of my family, we send love to the Kirks and to all the children, parents and innocents who fall victim to senseless gun violence.</blockquote>
Colbert <a href="https://www.usatoday.com/story/entertainment/tv/2025/09/11/charlie-kirk-death-stephen-colbert-jimmy-kimmel/86089661007/">addressed</a> the assassination on-air:
<blockquote>Our condolences go out to his family and all of his loved ones … I&#8217;m old enough to personally remember the political violence of the 1960s, and I hope it is obvious to everyone in America that political violence does not solve any of our political differences. Political violence only leads to more political violence.</blockquote>
Good. And better than <a href="https://www.dailywire.com/news/if-hes-not-fired-this-doesnt-matter-msnbc-trashed-over-charlie-kirk-coverage-lame-apology?author=Virginia+Kruta&amp;category=undefined&amp;elementPosition=13&amp;row=3&amp;rowHeadline=Latest+News&amp;rowType=Vertical+Carousel&amp;title=MSNBC+Trashed+Over+Lame+Apology+After+Commentator+Suggests+Charlie+Kirk+Assassination+Was+Justified">some MSNBC pundits</a> or Democrats who quickly used Kirk’s passing as <a href="https://www.foxnews.com/politics/jb-pritzker-condemns-political-violence-after-charlie-kirks-death-says-trumps-rhetoric-often-foments-it">another cudgel</a> against President Donald Trump.
But wait.
It’s not an accident that the shooter reportedly carved hard-left, anti-fascist, <a href="https://www.dailywire.com/news/details-revealed-about-suspected-charlie-kirk-assassins-leftist-ideology">messages</a> on his bullet casings. More importantly, why would anyone want to kill a God-fearing conservative who specialized in having cordial debates with those who don’t agree with his worldview?
Kirk stared down unhinged college students, calmly letting them speak before deftly deconstructing their arguments. He didn’t shout or belittle them. He wanted to make a connection, to share why he feels the way he feels.
Is that the MAGA image Colbert and Kimmel invoke from their bully pulpits? Hardly. And while you’re at it, what about Seth Meyers or John Oliver? These hard-Left comedians don’t simply traffic in political satire. They use their platforms to savage all things conservative.
<div id="attachment_468177" style="width: 876px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-468177" class="size-large wp-image-468177" src="https://dw-wp-production.imgix.net/2022/11/GettyImages-1242055992-866x576.jpg" alt="" width="866" height="576" srcset="https://dw-wp-production.imgix.net/2022/11/GettyImages-1242055992-866x576.jpg 866w, https://dw-wp-production.imgix.net/2022/11/GettyImages-1242055992-300x200.jpg 300w, https://dw-wp-production.imgix.net/2022/11/GettyImages-1242055992-768x511.jpg 768w, https://dw-wp-production.imgix.net/2022/11/GettyImages-1242055992-1536x1022.jpg 1536w, https://dw-wp-production.imgix.net/2022/11/GettyImages-1242055992-2048x1363.jpg 2048w, https://dw-wp-production.imgix.net/2022/11/GettyImages-1242055992-1800x1200.jpg 1800w, https://dw-wp-production.imgix.net/2022/11/GettyImages-1242055992-1200x800.jpg 1200w" sizes="auto, (max-width: 866px) 100vw, 866px" />Photo by Scott Kowalchyk/CBS via Getty Images</div>
They manipulate facts and feast on hoaxes — Russian collusion, anyone? They pounce on news stories that quickly prove to be incorrect: The strike on <a href="https://www.tvinsider.com/1199026/stephen-colbert-trump-f-bomb-rant-monologue-video/">Iran’s nuclear weapons</a> program did zero damage, right?
While Bill Maher offers left-leaning monologues with balance and bite, Colbert and co. go scorched earth. Nightly. Their comedy routines paint President Trump and anyone on his MAGA train in the most unflattering terms possible.
“[If You] ‘have to tell people I’m not Hitler, something is wrong,” Kimmel once said in a typical attack.
Colbert routinely plays a similar card, <a href="https://www.aol.com/stephen-colbert-says-kelly-hitler-142733106.html">feasting on wobbly news articles</a> to buttress his points.
Hilarious.
Kimmel infamously cried, on air, the night after President Trump won re-election late last year. Between sobs, he described a frightening scenario under Trump 2.0.
<blockquote>It was a terrible night for women, for children, for the hundreds of thousands of hard-working immigrants who make this country go, for health care, for our climate, for science, for journalism, for justice, for free speech. It was a terrible night for poor people, for the middle class, for seniors who rely on Social Security, for our allies in Ukraine, for NATO and democracy and decency.</blockquote>
<a href="https://variety.com/2024/tv/news/jimmy-kimmel-monologue-trump-win-tears-1236203362/">It wasn’t comedy</a>. It was pure fear-mongering.
<div id="attachment_933335" style="width: 903px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-933335" class="size-large wp-image-933335" src="https://dw-wp-production.imgix.net/2025/06/Jimmy-Kimmel-893x576.jpg" alt="Jimmy Kimmel" width="893" height="576" srcset="https://dw-wp-production.imgix.net/2025/06/Jimmy-Kimmel-893x576.jpg 893w, https://dw-wp-production.imgix.net/2025/06/Jimmy-Kimmel-300x194.jpg 300w, https://dw-wp-production.imgix.net/2025/06/Jimmy-Kimmel-768x495.jpg 768w, https://dw-wp-production.imgix.net/2025/06/Jimmy-Kimmel.jpg 1200w" sizes="auto, (max-width: 893px) 100vw, 893px" />Easterseals/Getty Images for Easterseals</div>
What does this have to do with Kirk? Well, everything. Late-night liberals paint Trump and his MAGA faithful with a very broad brush, and they have for some time.
Remember how the far-Left “Saturday Night Live” created a faux Trump campaign ad all the way back in 2016 that depicted his voters <a href="https://www.youtube.com/watch?v=Qg0pO9VG1J8">as KKK members and Nazis</a>?
It hasn’t gotten better since then.
Plus, Kirk had plenty to do with the president’s re-election. His bond with young voters was legendary. He worked in tandem with Trump’s messaging to get him back in the White House, powered partly by youthful voters who saw more than a few of Kirk’s legendary debate smackdowns.
Every article about his murder tied Kirk to Trump.
Blaming extreme rhetoric for real-world violence shouldn’t be done lightly, and it’s always more complicated than it sounds. This isn’t a new political tactic. President Bill Clinton proved that maxim when he immediately called out right-wing talk radio <a href="https://www.sfexaminer.com/news/flashback-how-clinton-exploited-oklahoma-city-for-political-gain/article_4a5b06ba-cea5-539a-8eed-ea3bd45d3d67.html">following the 1995 Oklahoma City bombing</a>.
That was politically expedient and foolhardy. Compared to modern political rhetoric, talk radio titan Rush Limbaugh was a veritable pussycat. Plus, whatever sway right-wing radio had at the time was minuscule compared to the bigger media picture today.
Would-be assassins can now feast on extreme Fake News from CNN, MSNBC or other dishonest outlets. Or, they can listen to a month’s worth of late-night monologues. The foul messaging hits us from all sides in 2025. It’s the new abnormal.
Free speech still matters, of course. We shouldn’t silence a late-night host for resorting to extreme talking points, Fake News and hate. That’s a slippery slope and legitimately scary.
They still should take a long, hard look in the mirror to grasp what they’re injecting into the body politic. Will Kirk’s shocking murder make that happen?
If past is prologue, absolutely not. The assassination attempt against Trump last year proves it.
Ironically, Kirk cheered on “South Park” when the venerable series took direct aim at him last month. The series showed Cartman becoming a “master debater” via the “Got a Nut?” episode, his hairstyle directly copying Kirk’s signature ‘do.
It wasn’t an accident. And Kirk greeted the satirical takedown with a smile.
Why? It wasn’t cruel or meant to injure. It was political comedy, and he recognized it as such.
<blockquote>There’s going to be a lot said about this, but we need to have a good spirit about being made fun of. This is all a success, this is all a win. We as conservatives, we have thick skin, not thin skin, and you can make fun of us, and it doesn’t matter.</blockquote>
He got the joke. Sometimes, there’s nothing funny about what comics like Kimmel and Colbert add to the conversation.
* * *
Christian Toto is an award-winning journalist, movie critic and editor of <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>. He previously served as associate editor with Breitbart News’ Big Hollywood. Follow him at <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.

MixCollage-13-Sep-2025-06-37-PM-4553

Colbert And Kimmel Clear A Low Bar With Late-Night Condolences

assassination

Charlie Kirk

Comedy

Jimmy Kimmel

Leftists

Russia Collusion Hoax

Stephen Colbert

In a jaw-dropping twist, &#8220;The Bachelorette&#8221; ditched its playbook and tapped a reality star—not a &#8220;Bachelor&#8221; runner-up—as its next lead.
It was announced on Wednesday that Taylor Frankie Paul, known for being on the popular series “Secret Lives of Mormon Wives,” would be the star for season 22 of the show. She confirmed the news during an episode of the podcast “Call Her Daddy.”
&#8220;You are on ‘Call Her Daddy’ so we can officially announce that you are this season&#8217;s ‘Bachelorette.’ How are you feeling?&#8221; host Alex Cooper asked Paul.
<iframe loading="lazy" title="Taylor Frankie Paul: The Next Bachelorette" width="500" height="281" src="https://www.youtube.com/embed/7CpLI_Dr9_Q?list=PLGqHFvYjXKcipJd5WZKt-oG4Xaau9aR4D" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
&#8220;Surreal. It has not hit me right now in this moment,&#8221; the reality star replied. &#8220;I&#8217;m just thinking about it, and it&#8217;s not real. And it&#8217;s not going to be until I think the limo is pulling up, you know? And meeting the people.&#8221;
&#8220;How did I get here? In my head, I&#8217;m like, &#8216;How is this happening?&#8217; That&#8217;s my answer,&#8221; the 31-year-old mom of three said, mentioning how she joked about being on the show on TikTok years ago but figured it would never happen. 
&#8220;I don&#8217;t know if that got their attention. &#8230; It was mostly a joke to me,” she told Cooper. “We had a meeting. I still didn&#8217;t believe it until I got the invitation, &#8216;Will you be our Bachelorette?&#8217; Same reaction, shaking, pacing back and forth. There&#8217;s no way, no way.&#8221;
“I have two baby daddies, not one” she said. She recalled asking herself, “Is this possible for me to do as a single mom? Can I make it work, realistically, no matter how much I want this? I can. If I want to, I can. You can do anything you want, if you want.”
Per ABC’s <a href="https://abc.com/news/b3308f2c-6495-406f-b6a6-ffc98bf8295a/category/1138628">release</a> on the selection, “As a single mother of three, Paul shares the highs and lows of her life with unfiltered candor. With humor, resilience and a fearless openness, she inspires others to embrace life’s chaos and own their story.”
The new season of “The Bachelorette” premieres in 2026.

Taylor Frankie Paul

Reality TV Star Lands Shocking New Role As The Next ‘Bachelorette’

Reality TV

The Bachelor

U.S.

The passing of Native American actor Graham Greene reminded us of the Oscar-winning 1990 film “Dances with Wolves.” The film cast Greene as Kicking Bird, and his screen time with director and star Kevin Costner set the table for the drama.
The film remains beloved for its portrait of the American West, many warts and all. It’s also emblematic of Costner’s career, one dedicated to the great outdoors in the grand American tradition.
Few actors have clung to that mythos like Costner, from his directorial breakthrough with “Dances with Wolves” to his most recent venture, the “Horizon” saga. Along the way, Costner has explored the American wilderness on screens large and small, creating a genuine affection for his country in the process.
<div id="attachment_969287" style="width: 825px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-969287" class="size-large wp-image-969287" src="https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-37-PM-7630-815x576.jpg" alt="Kevin Costner in “Dances with Wolves” 1990. Tig Productions. Majestic Films International. Allied Filmmakers. Photo by Archive Photos/Getty Images copyright 2012. IMDB." width="815" height="576" srcset="https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-37-PM-7630-815x576.jpg 815w, https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-37-PM-7630-300x212.jpg 300w, https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-37-PM-7630-768x543.jpg 768w, https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-37-PM-7630-1536x1086.jpg 1536w, https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-37-PM-7630-2048x1448.jpg 2048w" sizes="auto, (max-width: 815px) 100vw, 815px" />Kevin Costner in “Dances with Wolves” 1990. Tig Productions. Majestic Films International. Allied Filmmakers. Photo by Archive Photos/Getty Images copyright 2012. IMDB.</div>
He didn’t sugarcoat the land’s flaws then, and he refused to do so in subsequent projects. America’s natural beauty and potential proved his constant companion.
It explains why he endures as more than just a movie star at the age of 70. He’s part of the cultural fabric. And, even when he’s taking political stances that anger a good half of the country, his treasure trove of goodwill barely takes a hit.
Costner famously got left on the editing room floor in 1983’s“The Big Chill,” even though his character’s fate powered the nostalgia-laced drama. Director Lawrence Kasdan made amends to the young actor by casting him in the ensemble western “Silverado.”
<div id="attachment_969291" style="width: 720px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-969291" class="size-large wp-image-969291" src="https://dw-wp-production.imgix.net/2025/09/GettyImages-468733013-710x576.jpg" alt="CIRCA 1985: Actors Kevin Costner, Scott Glenn, Kevin Kline and Danny Glover on set the movie &quot;Silverado&quot; circa 1985. (Photo by Michael Ochs Archives/Getty Images)" width="710" height="576" srcset="https://dw-wp-production.imgix.net/2025/09/GettyImages-468733013-710x576.jpg 710w, https://dw-wp-production.imgix.net/2025/09/GettyImages-468733013-300x243.jpg 300w, https://dw-wp-production.imgix.net/2025/09/GettyImages-468733013-768x623.jpg 768w, https://dw-wp-production.imgix.net/2025/09/GettyImages-468733013.jpg 1024w" sizes="auto, (max-width: 710px) 100vw, 710px" />CIRCA 1985: Actors Kevin Costner, Scott Glenn, Kevin Kline and Danny Glover on set the movie &#8220;Silverado&#8221; circa 1985. (Photo by Michael Ochs Archives/Getty Images)</div>
From there, Costner landed “The Untouchables” (1987), “Bull Durham” (1988), and “Field of Dreams” (1989), a run of hits few actors could match, then or now. That gave him the clout to start shaping his career on his terms. And that led to “Dances with Wolves.”
The film may appear “woke” in retrospect, showcasing a guilt-ridden white man coming to terms with his country’s cruelty to Native Americans. Costner grounded the Western epic with respect for all its elements – from historical realities to the harsh truths about frontier life. 
Such messaging is often found in movies with what YouTube film and TV critic, The Critical Drinker, famously calls “The Message.” Costner, however, refused to lecture without context or push an agenda without exploring that time and place from all angles.
“Dances with Wolves” brought the nation’s complicated history to life, not with finger-wagging asides but a three-dimensional portrait that couldn’t be denied.
And, in the process, he forged a connection with American storytelling that became his unofficial identity. Costner has worked constantly since that film’s release, and his career has hit the usual bumps along the way.
He returned to the American West repeatedly over the years, from the unsung 2003 western “Open Range” to 1994’s “Wyatt Earp.” The latter got overshadowed by “Tombstone,” released a year earlier and featuring an iconic turn from Val Kilmer as Doc Holliday.
And, when his career appeared to be on the downside, Costner teamed with rising TV producer Taylor Sheridan to anchor “Yellowstone.” The Paramount series wasn’t set in the 1800s, but its Montana backdrop and timeless themes connected to the stories Costner knows best.
How many modern shows reflect the natural beauty of a state like Montana? For Costner and Sheridan, it just felt like home.
At a time when even “hit” TV shows draw a fraction of the audience of prior smashes, “Yellowstone” drew huge ratings. The show’s 2024 finale drew north of 13 million viewers.
<div id="attachment_969295" style="width: 825px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-969295" class="size-large wp-image-969295" src="https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-50-PM-769-815x576.jpg" alt="Kevin Costner, Cole Hauser in &quot;Yellowstone, Watch 'Em Ride Away&quot;Photo by Courtesy of Paramount Network - copyright Paramount Network 2022" width="815" height="576" srcset="https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-50-PM-769-815x576.jpg 815w, https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-50-PM-769-300x212.jpg 300w, https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-50-PM-769-768x543.jpg 768w, https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-50-PM-769-1536x1086.jpg 1536w, https://dw-wp-production.imgix.net/2025/09/MixCollage-05-Sep-2025-04-50-PM-769-2048x1448.jpg 2048w" sizes="auto, (max-width: 815px) 100vw, 815px" />Kevin Costner, Cole Hauser in &#8220;Yellowstone: Watch &#8216;Em Ride Away&#8221; Photo by Courtesy of Paramount Network &#8211; copyright Paramount Network 2022</div>
The Sheridan saga featured a sprawling cast, but Costner’s John Dutton anchored the show. Once again, the actor’s instincts and authenticity made the series matter.
Actors can only fake so much. Audiences see the now weathered star as a credible and engaging part of the American landscape. He leaned on that persona for not one but two FOX Nation limited series based on Yellowstone history – “Yellowstone One Fifty” and “Yellowstone to Yosemite with Kevin Costner.”
Costner’s cinematic passions came to a head last year with a project that may never be completed as he originally envisioned it.
Costner returned to the director’s chair for 2024’s “Horizon: An American Saga.” The old-school western cost him a pretty penny, and then some. The star used his sizable wealth to help fund what he saw as a four-part movie saga.
The first installment drew modest reviews and tepid box office results – just $38 million worldwide. The second chapter, already filmed, currently lacks a release date, although it debuted at the Venice International Film Festival last year.
The actor has been open about struggling to fund parts three and four, and it’s possible the saga will end with the second film.
The irony? Costner began dreaming up the story behind “Horizon” in the late 1980s, just before his directorial breakthrough with “Dances with Wolves.” His quest to turn the American West into a deeply personal film franchise may have been doomed by fiscal realities, but it’s in line with Costner’s creative self.
He loves America, from its natural splendor to its ability to let citizens dream impossible dreams. And nowhere is that more evident than in the great outdoors.
* * *
Christian Toto is an award-winning journalist, movie critic and editor of <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>. He previously served as associate editor with Breitbart News’ Big Hollywood. Follow him at <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.

Fanatics Fest NYC 2025

Kevin Costner: The Wild Wild West Movie Star

actors

Celebrities

Hollywood

Kevin Costner

Montana

Movies

Yellowstone

Recently, some of you may have noticed the Cracker Barrel restaurant and gift store chain changed its logo. They removed the picture of the so-called “Old Timer,” who was meant to represent the chain’s southern-style comfort food and old-fashioned country store feeling, and left that space blank to represent the pit of fiery eternal damnation loud with the shrieks of the condemned into which the chain had fallen by supporting child sex changes, drag shows for children, and racist hiring practices.
The move was supposed to help the struggling chain’s finances by ensuring that no conservative customer entered one of their venues ever again. Those alienated customers would be replaced by large numbers of imaginary progressives just waiting for an old-fashioned, down-home, southern-style restaurant catering to pedophilia-adjacent homosexuals with a hankering for crunchy fried chicken.
But Right-wing activists loudly protested the logo change, and when it turned out the new imaginary customers were paying for their imaginary meals with imaginary money, Cracker Barrel was forced to replace the Old Timer in the empty space, in the hopes they could keep their usual customers and avoid the eternal shriek-filled pit of sin-tortured souls the empty space represented.
Now, at this point, the flaming shriek-filled pit of sin-tortured souls known as the American news media, began to express their opinions, which were all the same opinion, because all the American news media’s opinions are decanted from a single brain, which is kept on a lightning-lashed altar in the fog-shrouded cave-dwelling of Chernabog, who was the demon from Bald Mountain in Disney’s Fantasia, before he left to take a job in Disney’s animation department.
The opinion of the news media was that conservatives were oh-so-very silly to make such a big fuss over a meaningless logo change at a failing chain restaurant, and how far, oh how very far, American culture had fallen from those golden days when real intellectuals like Gore Vidal and William F. Buckley exchanged sparkling ideas by screaming slurs and threatening to punch each other in the face, while the Left swarmed over our institutions like locusts, devouring everything from Christianity to the First Amendment. Just how stupid could these Fox-News-Watching Neanderthals be that they would waste their energies trying to cancel an innocent restaurant that was simply trying to take their customers’ money to fund actions their customers found contemptible?
<h3><a href="https://www.dailywire.com/show/the-andrew-klavan-show">WATCH: The Andrew Klavan Show</a></h3>
And I thought to myself: Oh, American news media, how right you are! Who cares about these little meaningless changes in the culture? In fact, just for fun, I would like to suggest a few meaningless cultural changes of my own.
For instance, how about conservatives buy the rights to the gay situation comedy “Will and Grace” and reboot the show, but this time, Will embraces Catholicism, and hilarity ensues as gay Will struggles with his physical desires in order to live a life in keeping with his faith. I’m sure the elite news media wouldn’t mind a meaningless little culture change like that one tiny bit.
What about color-blind casting? The current rules are, it’s okay to have Jesus Christ portrayed by a black woman, but it’s very bad to have a deaf character portrayed by an actor who can hear. So how about, as a change of pace, we have Jesus Christ portrayed by a Jewish actor who’s deaf, and when the left says, “Hey, he’s supposed to be a black woman,” the actor can say, “What? I couldn’t hear you! I’m deaf!” I’m sure the media wouldn’t complain about that at all.
Or, I know. Let’s reboot the hit 1970’s slavery drama “Roots,” only in this version, instead of a white man heading into the African interior to capture slaves, the white slaver just waits in his ship like in real life until the black Africans bring their black slaves to him so he can take them to a country where hundreds of thousands of white men will ultimately die to free them, about fifty years before white imperialists force their African colonies to free their slaves as well. I’m sure the news media would love that fresh, original take on an old favorite. 
In fact, just for giggles, let’s change all the Left’s favorite franchises so that they represent something the Left truly despises: the American people.
* * *
This excerpt is taken from the opening satirical monologue of “<a href="https://www.dailywire.com/show/the-andrew-klavan-show" target="_blank" rel="noopener">The Andrew Klavan Show</a>.”
Andrew Klavan is the host of “The Andrew Klavan Show” at The Daily Wire. Klavan is the bestselling author of numerous books, including the Cameron Winter Mystery series. The fifth installment, <a href="https://www.amazon.com/After-That-Cameron-Winter-Mysteries/dp/1613166869/ref=sr_1_1?crid=3EGZUC370LG46&amp;dib=eyJ2IjoiMSJ9.Y_NI0mDOKeowShheDQTVx5NH-fAeimJoCD56_T0Acpl8C0mup7uJf-nGGSRLEItaaekoDnvS2vWLMa4Zd2UBXQ8Y-g-P502jOWz-Y8IX3ZQsdlO7WMLrg1xIhNoKmjCorSWUR4C2l_RbiZ7apJ1MfPzGOrrEf7AdAXX6xwnJRVP_XqUfWuMuVthTWscaU3P4vgmS86-96n-721enHfX12CFQWTajqFbVnrsDkexfUf4.6_gTH6h1Bb9Pn375QdF_VAVZSayDvjQBBKGXE-MTiFo&amp;dib_tag=se&amp;keywords=klavan&amp;qid=1754049918&amp;sprefix=%2Caps%2C80&amp;sr=8-1" target="_blank" rel="noopener">After That, The Dark,</a> is now available for Pre-Order. Follow him on X: <a href="https://x.com/andrewklavan" target="_blank" rel="noopener">@andrewklavan</a>
The views expressed in this satirical article are those of the author and do not necessarily represent those of The Daily Wire.

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There’s a new documentary about Jussie Smollett on Netflix, and as expected, the disgraced actor is still trying to claim his innocence.
“The Truth About Jussie Smollett??” has two question marks in its title on purpose, and the director says the aim of the project is to cast doubt and let viewers form their own conclusions.
“You can tilt it one way [and] it will look like one thing,” documentary filmmaker Gagan Rehill <a href="https://www.hollywoodreporter.com/movies/movie-features/jussie-smollett-truth-in-new-netflix-documentary-1236348143/">told</a> The Hollywood Reporter of the project. “You can tilt it another and there’s another story behind it.”
“I want … viewers to have a conversation, a debate about that themselves,” he added. “That’s part of the documentary for me — the after conversation, the aftermath of watching it. For that reason, I’m sort of taking myself out of the equation in terms of where I land.”
Smollett told police on January 29, 2019, that he was attacked by two men in Chicago at 2 a.m., who he claimed made racist and homophobic slurs, wrapped a rope around his neck, poured an “unknown substance” on him, and yelled that this is “MAGA country.” It was later found that Smollett had hired two Nigerian brothers to help him stage the attack.
The “Empire” star was convicted on five counts of disorderly conduct in 2021 and spent just six days in jail after appealing his 150-day sentence. Smollett was charged with 16 counts of lying to police, but those charges were dropped.
In November 2024, Smollett’s conviction was overturned by the Illinois Supreme Court, which also deemed he could not be retried.
Smollett has insisted upon his innocence all along.
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“As an entertainer, as a businessman, I probably should [stop fighting the charges],” Smollett told Entertainment Tonight during a 2024 <a href="https://www.dailywire.com/news/jussie-smollett-says-he-spent-3m-appealing-hoax-case-maintains-his-original-story?author=Amanda+Harding&amp;category=News&amp;elementPosition=undefined&amp;row=0&amp;rowType=Vertical+List&amp;title=Jussie+Smollett+Says+He+Spent+%243M+Appealing+Hoax+Case%2C+Maintains+His+Original+Story">interview</a>.
“But as a human being and as a man, as a black man and as an openly gay black man, I have a problem with letting them win on something they shouldn’t be able to,” the actor continued. “I’m a grown man and something happened. I can’t tell exactly what did happen, but I can tell you what did not happen. That’s what I have to sit on. No matter how much people are yelling in my face, saying ‘You’re a liar, you’re a liar.’ No, I’m not. No, I’m not. I don’t want them to believe that, but if that is what they believe, that’s on you.”
Rehill also claimed that the truth is “up to interpretation” and may depend on which news channel you tune into.
“This film is about whether you believe Jussie or not, but it’s also about a reaction to [the news coverage of his case] as well,” Rehill told THR. “It’s just very interesting that people’s trust in mainstream media and in the police has been eroded so much that they have to open the door to alternate truths, or alternate results or verdicts.”
&#8220;Every single other person’s story has changed multiple times. Mine has never,&#8221; Smollett told Variety in a new interview. &#8220;I saw firsthand how narratives are built. I saw firsthand the way that someone can take the exact opposite of who you are and literally sell it.&#8221;
“The Truth About Jussie Smollett??” is currently streaming on Netflix.

Jussie Smollett

Jussie Smollett Is Still Whining That He’s Innocent In New Netflix Documentary

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President Donald Trump said Friday that MSNBC is changing its name because they are &#8220;ashamed&#8221; of how bad the channel has become.
Trump ripped the left-leaning channel, which has attacked him relentlessly for years, during an impromptu tour of The People&#8217;s House, a newer museum and gift shop across the street from the White House.
&#8220;Then you turn to CNN, which is fake news, and nobody watches it, or MSDNC, MSNBC, they changed their name now because they were so bad,&#8221; Trump told reporters. &#8220;They&#8217;re the worst, owned by Comcast, run by a guy named Brian Roberts who doesn&#8217;t have a clue. He&#8217;s terrible, terrible manager.&#8221;
<blockquote class="twitter-tweet">
.<a href="https://twitter.com/POTUS?ref_src=twsrc%5Etfw">@POTUS</a> roasts MSDNC: &#8220;They&#8217;re changing them name because they&#8217;re ashamed of it.&#8221; 🤣 <a href="https://t.co/8VfnXbFTmp">pic.twitter.com/8VfnXbFTmp</a>
— Rapid Response 47 (@RapidResponse47) <a href="https://twitter.com/RapidResponse47/status/1958903376722194928?ref_src=twsrc%5Etfw">August 22, 2025</a></blockquote>
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&#8220;But they&#8217;re not, I don&#8217;t think, selling it,&#8221; Trump said. &#8220;They&#8217;re changing the name because they&#8217;re ashamed of it, and they&#8217;re disassociating it from NBC, which is also fake news, you know. They should be ashamed of that too &#8230; NBC is run terribly by Con-cast. I call it Con-cast cause it&#8217;s whole con,&#8221; the president said.
MSNBC is being forced to undergo a rebrand stripping the cable channel of its name and changing it to MS NOW, short for My Source News Opinion World. The channel will also lose NBC&#8217;s iconic peacock symbol.
Over the last decade, MSNBC has become known for histrionics over Trump from its leftist hosts and guests. Talking heads regularly compare Trump to Hitler.
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&#8220;There is no difference from what Donald Trump is preaching, from what Adolf Hitler preached in the early &#8217;30s. Let&#8217;s just say it once and for all,&#8221; Donny Deutsch <a href="https://www.realclearpolitics.com/video/2020/09/23/msnbcs_donny_deutsch_what_is_the_difference_between_trump_and_hitler_im_not_saying_theres_a_holocaust.html?utm_source=chatgpt.com">said</a> in 2020.
Last year, a Democratic strategist went on MSNBC and <a href="https://www.mediaite.com/media/tv/msnbc-guest-says-america-created-nazi-germany-trashes-racist-sexist-pope-francis-and-authoritarian-weasel-trump-in-wild-interview/?utm_source=chatgpt.com">called</a> Trump &#8220;exactly like Mussolini, exactly like Hitler,&#8221; and a &#8220;fascist, authoritarian weasel.&#8221;
Earlier this week, Trump also slammed MSNBC on Truth Social, writing in all caps that the channel is &#8220;doing so poorly in the ratings that they are looking to change their name in order to get away from the stench of their fake news product.&#8221;
Trump said Comcast&#8217;s &#8220;weak and ineffective&#8221; and &#8220;dopey&#8221; owner is &#8220;hopelessly and aimlessly flailing in the wind in an attempt to disassociate itself from the garbage that they created!&#8221;
&#8220;SO MUCH FUN TO WATCH,&#8221; Trump <a href="https://truthsocial.com/@realDonaldTrump/posts/115064840755804065">wrote</a>. &#8220;MSNBC IS A FAILURE BY ANY NAME!!!&#8221;
In his comments Friday, Trump also referenced the $8 billion merger of CBS&#8217; parent company Paramount with Skydance Media, run by David Ellison, who Trump called &#8220;a great person that I know very well.&#8221;
&#8220;A great man, actually, just bought CBS, and I think he&#8217;s going to do the right thing with it,&#8221; Trump said.
Trump recently won a $16 million settlement in his lawsuit claiming CBS deceptively edited its &#8220;60 Minutes&#8221; interview with Kamala Harris to make her look better.
The president offered a rare bit of optimism for the changing media landscape.
&#8220;But a lot of fake news. I think the news is getting better. They&#8217;re learning that they have no credibility,&#8221; Trump said.

Donald Trump Addresses Annual Israeli American Council Summit In Washington

Trump Says MSNBC Changed Name Because It’s ‘Ashamed’

Trump Says MSNBC Changed Name Because It's 'Ashamed'

Donald Trump

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When Warrior Chief Kaʻiana discovers he&#8217;s been manipulated into massacring the peaceful villagers of the island of O’ahu, Apple TV+&#8217;s &#8220;Chief of War&#8221; reveals a disturbing truth about power that transcends any single culture or era. This historical drama, starring Jason Momoa, follows the former Kauaʻi chief who made his home on Maui in self-exile, disgusted by the violent nature of Kauai’s King Kahekili. When Kahekili draws him back under false pretenses — claiming the young king of O&#8217;ahu poses a threat to Maui — Kaʻiana reluctantly participates in what becomes a massacre that turns out to be a peaceful farming community whose king honored the same peaceful ideals Kaʻiana himself embodied.
Set against the backdrop of increasing British arrivals and the looming unification of Hawaiʻi under Kamehameha I, the series examines the collision between noble intentions and brutal realities. Kamehameha&#8217;s unification campaign involved systematic warfare across the island chain, employing both traditional Hawaiian tactics and newly acquired Western firearms — a cruel irony that mirrors the show&#8217;s central themes of violence in pursuit of ostensibly noble goals. This historical trajectory proves grimly prophetic: the unified Kingdom of Hawaiʻi eventually fell to American and European colonization in 1893, became a U.S. territory in 1898, and was subsequently admitted as a U.S. state in 1959 — exactly as the native Hawaiians had feared when they first witnessed increasing numbers of white men discovering their islands.
&#8220;Chief of War&#8221; weaves together several powerful themes: preserving the cultural identity of native Hawaiian people, examining the practical ideals of unification alongside the horrific violence that ensued in this pursuit, and exploring the moral complexities of leadership during times of both internal warfare and external threats from forces seeking to subjugate the kingdom. These themes resonate well with contemporary American political discourse, where we continually hear from the progressive left that America is fundamentally a nation of occupiers and usurpers — a country built on the backs of those it has enslaved and subjugated, requiring comprehensive amends for historical injustices against enslaved blacks, native Americans, and islanders now under its rule. This narrative has shaped everything from reparations debates to land acknowledgments, creating a political narrative that often reduces complex historical realities to simple victim-oppressor dynamics.
<div id="attachment_964015" style="width: 874px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-964015" class="size-large wp-image-964015" src="https://dw-wp-production.imgix.net/2025/08/GettyImages-2225039360-864x576.jpg" alt="KAPOLEI, HAWAII - JULY 18: Jason Momoa attends the world premiere of the Apple TV+ drama series &quot;Chief of War&quot; at Ko Olina Beach Park on July 18, 2025 in Kapolei, Hawaii. (Photo by Darryl Oumi/Getty Images)" width="864" height="576" srcset="https://dw-wp-production.imgix.net/2025/08/GettyImages-2225039360-864x576.jpg 864w, https://dw-wp-production.imgix.net/2025/08/GettyImages-2225039360-300x200.jpg 300w, https://dw-wp-production.imgix.net/2025/08/GettyImages-2225039360-768x512.jpg 768w, https://dw-wp-production.imgix.net/2025/08/GettyImages-2225039360.jpg 1024w" sizes="auto, (max-width: 864px) 100vw, 864px" />KAPOLEI, HAWAII &#8211; JULY 18: Jason Momoa attends the world premiere of the Apple TV+ drama series &#8220;Chief of War&#8221; at Ko Olina Beach Park on July 18, 2025 in Kapolei, Hawaii. (Photo by Darryl Oumi/Getty Images)</div>
While America should fully acknowledge its horrific past of enslavement, betrayals, and subjection of indigenous peoples, these actions represent examples of the universal human condition rather than uniquely European evil. In &#8220;Chief of War,&#8221; we witness the violent, power-hungry Kahekili betraying his own nephew, manipulating him as an instrument of war against the peaceful people of O&#8217;ahu. This demonstrates that even without the threat of European colonization, the capacity for both evil and good exists within all cultures and peoples. The primary difference lies in scale — violence, war, and betrayal among a small group of islands operates by the same moral principles as similar actions across an entire continent.
This pattern of moral complexity extends particularly to American slavery. Few Americans are aware that without direct African involvement, there would have been no trans-Atlantic slave trade. Professor and historian Henry Louis Gates Jr. notes in a <a href="https://www.nytimes.com/2010/04/23/opinion/23gates.html">New York Times opinion</a> article that colonial conquests of Africa&#8217;s interior didn&#8217;t occur until the late 1800s. For centuries prior, European explorers remained close to coastal forts, depending entirely on Africans to sell those they had enslaved to European traders who would transport these slaves to the New World — accounting for 90% of the slave trade. Gates poses the salient question we should all consider: why do Americans place blame solely at the feet of Europeans when their success was entirely dependent on the slave-trading kingdoms of western and central Africa?
Similarly, we should also examine the argument that pre-Columbian America was entirely populated by peaceful natives prior to European colonization. Historical evidence reveals this narrative is incomplete. While European arrival undeniably brought devastating new diseases, conflicts over land, and systematic violence as settlers expanded into the continent&#8217;s interior, warfare and conflict among tribes existed long before this period. Archaeological evidence confirms ongoing competition for resources and territorial disputes among various Native American tribes.
This analysis doesn&#8217;t suggest that Europeans were justified in their atrocities against other people groups. America&#8217;s history is written in blood, and there can be no denial of the utter brutality involved in its making. However, judging historical figures by contemporary moral standards is highly problematic. All humans are creatures of their time, and many of us descend from those who formed America, for good or ill. Thus, no one in the present day can reasonably (or should) claim how they would have responded to any given circumstance in the distant past.
We must recognize there is only one race — the human race — and only one condition — the human condition. &#8220;Chief of War&#8221; reminds us that moral complexity, the capacity for both violence and nobility, isn&#8217;t unique to any particular people — it is the universal burden and potential of being human. &#8220;Chief of War&#8221; ultimately challenges viewers to abandon the comfortable simplicity of America’s increasing echo chambers of tribal thought by embracing the difficult work of understanding humanity&#8217;s capacity for both cruelty and compassion across all cultures and eras.
* * *
Walter Myers III is a Senior Fellow at Discovery Institute.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.

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‘Chief Of War’ Challenges The Myth Of ‘Peaceful Natives’ Before Colonization

'Chief Of War' Challenges The Myth Of 'Peaceful Natives' Before Colonization

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A pair of contestants on Israel’s version of the competition dance show “Dancing With the Stars” (&#8220;Rokdim Im Kokhavim&#8221;) is going viral for their Melania and Donald Trump-themed dance routine.
Fans were delighted by internet personality Taylor Malkov and professional dancer Haim Pershtein’s star spangled performance last week, which opened with &#8220;The Star Spangled Banner&#8221; followed by the Trump favorite “Y.M.C.A.” by Village People.
A video clip of the pair dancing has 2.3 million views on X and is quickly racking up views across social media platforms.
<iframe loading="lazy" title="Israel’s “Dance With the Stars” Pair Dressed as Trump &amp; Melania Absolutely Kills Their Performance " width="500" height="281" src="https://www.youtube.com/embed/TfNyJky6EUc?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
“It&#8217;s astonishing what six months of sane, strong leadership can do in America. This was unimaginable last year. The Golden Era indeed,” one of the top comments <a href="https://x.com/AmericanWolf24/status/1954715239431491679">says</a>.
“We’re definitely heading in the right direction,” another commenter <a href="https://x.com/AmericanWolf24/status/1954715239431491679">agreed</a>.
“This is a good vibe, America is once again gaining respect around the world,” echoed a third.
“Oh my… the heads of the Democrat communist party are going to explode over this one. Congratulations Israel! Job well done,” <a href="https://x.com/emss1922/status/1954723491103584540">said</a> another.
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A YouTube commenter <a href="https://www.youtube.com/watch?v=TfNyJky6EUc">wrote</a>, “Whether you love or hate Trump, you must admit this was a brilliant idea. It was funny, original, and so well-done that you couldn&#8217;t tell who was the non-professional dancer. It put a smile on my face.”
President Trump is widely considered the most supportive American president Israel has ever known thanks to him moving the American Embassy to Jerusalem, recognizing Israeli sovereignty of the Golan Heights, and brokering the historic Abraham Accords, as The Daily Wire previously <a href="https://www.dailywire.com/news/thank-you-mr-president-israel-posts-huge-signs-of-gratitude-to-trump">reported</a>. 
One week before the election last November, a poll found that 66% of Israelis supported Trump while just 17% of them were hoping Kamala Harris won.
Months before the election, Trump also spoke about the October 7 massacre, saying, “Weak leadership in the United States allowed this to happen, and it should never have happened.”
“Never again,” Trump promised at the time.

TOPSHOT-US-POLITICS-TRUMP-INAUGURATION

Trump-Inspired Routine On Israeli ‘Dancing With The Stars’ Goes Viral

Comedy Central had planned for South Park to take a hiatus this week, long before the animated show’s 27th season premiered. Which means viewers will have to wait another week to see how creators Trey Parker and Matt Stone choose to lampoon the Trump administration next.
South Park parodied Trump last month in its season 27 premiere, prompting many viewers to note that the show — which has poked fun at both Democrats and Republicans — never mocked President Joe Biden while he was in office, despite having plenty of opportunities to do so.
“The Left’s hypocrisy truly has no end – for years they have come after ‘South Park’ for what they labeled as ‘offense’ content, but suddenly they are praising the show,” White House spokesperson Taylor Rogers said. “This show hasn’t been relevant for over 20 years and is hanging on by a thread with uninspired ideas in a desperate attempt for attention.”
Unfortunately for the South Park team, the rest of the Trump administration seems to be getting a kick out of the parodies.
The show’s latest episode, “Got a Nut,” includes a parody of Trump and JD Vance. The millennial vice president was thrilled,
“Well, I’ve finally made it,” Vance said in response to one of the clips being posted to X.
<blockquote class="twitter-tweet">
Well, I’ve finally made it <a href="https://t.co/Mu7VrSVTSb" target="_blank" rel="noopener">https://t.co/Mu7VrSVTSb</a>
— JD Vance (@JDVance) <a href="https://twitter.com/JDVance/status/1953415006319431700?ref_src=twsrc%5Etfw" target="_blank" rel="noopener">August 7, 2025</a></blockquote>
<script async="" charset="utf-8" src="https://platform.twitter.com/widgets.js"></script>
Homeland Security Secretary Kristi Noem criticized the episode for focusing on mocking her appearance.
“It never ends, but it’s so lazy to constantly make fun of women for how they look,” she told Glenn Beck on his podcast the day after the episode aired. “It’s always the liberals and the extremists who do that. If they wanted to criticize my job, go ahead and do that, but clearly they can’t, they just pick something petty like that.”
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But Noem and her team also embraced the parody. The day before the episode aired, Homeland Security used the show to advertise its ICE recruitment currently underway.
“We want to thank ‘South Park’ for drawing attention to ICE law enforcement recruitment,” the agency said in a statement.” We are calling on patriotic Americans to help us remove murderers, gang members, pedophiles, and other violent criminals from our country.”
Later on, Noem tweeted out a screenshot of her South Park “appearance,” along with a link to the ICE recruitment website.
<blockquote class="twitter-tweet">
<a href="https://t.co/SoBO0HH9Yc" target="_blank" rel="noopener">https://t.co/SoBO0HH9Yc</a> <a href="https://t.co/o8eY1V1ggp" target="_blank" rel="noopener">pic.twitter.com/o8eY1V1ggp</a>
— Secretary Kristi Noem (@Sec_Noem) <a href="https://twitter.com/Sec_Noem/status/1953901524087669126?ref_src=twsrc%5Etfw" target="_blank" rel="noopener">August 8, 2025</a></blockquote>
Perhaps disappointed in Noem’s response, earlier this week South Park shared an unaired scene from its latest episode, which portrayed Noem shooting up a pet store.
<blockquote class="twitter-tweet">
Didn’t see this on TV?
Here’s the Paramount+ version of the end credits scene. <a href="https://t.co/QAvMgQfU9t" target="_blank" rel="noopener">pic.twitter.com/QAvMgQfU9t</a>
— South Park (@SouthPark) <a href="https://twitter.com/SouthPark/status/1955000014893355389?ref_src=twsrc%5Etfw" target="_blank" rel="noopener">August 11, 2025</a></blockquote>
The same episode depicted the character Eric Cartman impersonating Turning Point USA co-founder and CEO Charlie Kirk at a campus event. Cartman takes questions from the crowd as they discuss abortion.
“What makes you think you have the right to say what I do with my body?” a woman asks.
“Let me ask you something. If a pregnant woman is killed and the baby dies too, why is the killer charged with a double homicide?” Cartman replies.
“Well, but because people have different beliefs,” the woman responds.
“It’s not about belief. It’s about truth,” Cartman says. “Science confirms life begins at conception.”
Kirk <a href="https://x.com/charliekirk11/status/1953290604365885923" target="_blank" rel="noopener">shared the clip</a> on X and wrote, “Not bad, Cartman,” alongside crying laughing emojis. The TPUSA founder also changed his X profile picture to a screenshot of his South Park caricature.
The episode features school counselor Mr. Mackey being fired from his job and deciding to join Immigration and Customs Enforcement. After being hired by ICE immediately, Mackey watches a recruitment video where Noem shoots dogs, which is a reference to her once discussing killing an “untrainable” family pet.
Mackey later gets invited to Mar-a-Lago, where Trump offers to make him the “new face of Homeland Security.” Trump then brings Mackey into his bedroom and introduces him to Satan, who is reading a book in bed. Vance is also present and depicted as Trump’s short-statured servant.
The Season 27 premiere, “Sermon on the ‘Mount,” also depicted the president having a romantic relationship with Satan.

South Park

The Newest Republican Status Symbol? Being Parodied On South Park.

Immigration and Customs Enforcement (ICE)

Kristi Noem

A lot of folks have tried to figure out exactly why the Donald Trump phenomenon happened.
Donald Trump has been the most transformative political figure of the 21st century. Without a doubt, it was going to be Barack Obama. And then Trump came in and completely remade American politics in global geopolitics.
But what led to the Trump phenomenon in the first place? There have been a lot of attempts to philosophize about Trump. Maybe it was all about economic grievances in the Midwest? Maybe it was all about offshoring? Maybe it was all about tariffs or about immigration?
The reality is the biggest thing that drove Donald Trump to victory in 2016 and again in 2024 is the fact that the Left went culturally insane.
The backlash against the Left has been less about tax rates than about a generalized feeling that the Left was trying to dissolve the culture of the United States on traditional, basic issues such as “men are not women.” Or “There is such a thing as America, and America is good.” Or, “Christianity ought to be held with a high level of esteem.”
These are certain things Americans took for granted. Things like church, apple pie, baseball, the flag, all the stuff people used to think was corny.
And then the Left decided, they weren’t just corny, they were bad.
But it turns out most Americans don&#8217;t think like that.
<h3><a href="https://www.dailywire.com/episode/ep-2253-the-ben-shapiro-show?elementPosition=3&amp;row=2&amp;rowHeadline=Latest+Episodes&amp;rowType=Horizontal+Show+Episodes+Carousel">WATCH: The Ben Shapiro Show</a></h3>
Why do I bring this up? Because you&#8217;re seeing all of this crystallized in what I would term a culture division between the Sydney Sweeney Americans and the Cynthia Erivo Americans.
Cynthia Erivo, whom I’ve praised before, is a terrific actress from Great Britain, a great singer, and unbelievably talented. But Cynthia Erivo has also become emblematic of a leftist social value belief system.
This became a hot issue online over the course of the last 48 hours, because she was the star of a production of Jesus Christ Superstar, a musical by Andrew Lloyd Webber, at the Hollywood Bowl in Los Angeles.
Jesus Christ Superstar, as a musical, is quite respectful to Christian traditions. It is not meant to make fun of Christian traditions.
But at the Hollywood Bowl, they decided they were going to cast Cynthia Erivo as Jesus Christ.
There are a few problems with this: Cynthia Erivo is a woman; Jesus Christ was a man. Cynthia Erivo is black; Jesus Christ was a Middle-Eastern Jew. Cynthia Erivo describes herself as queer and bisexual. Jesus Christ was not, to say the least, any of that.
So they took all the things that Jesus Christ was not, and morphed them into what the Left wishes Jesus Christ were. The whole goal of this production at the Hollywood Bowl was to be completely subversive of Christianity, and to supplant traditional values with the values of the far-Left social sphere.
Theater critic Charles McNulty&#8217;s <a href="https://www.latimes.com/entertainment-arts/story/2025-08-04/jesus-christ-superstar-review-hollywood-bowl-cynthia-erivo">gushing review</a> in the L.A. Times stated:
<blockquote>Cynthia Erivo, a noted theatrical divinity, redeemed the title of “Jesus Christ Superstar” at the Hollywood Bowl last weekend in a magnetic, heaven-sent performance that established God the Savior as a queer Black woman, as many of us suspected might be the case all along. Divine dispensation allowed me to catch the final performance of this revival of Andrew Lloyd Webber and Tim Rice’s 1971 breakout musical. I returned from vacation just in time to join the pilgrimaging hordes carting cumbersome picnic baskets and enough wine for a few dozen Sicilian weddings. The vast number of attendees caused bottlenecks at entry points, prompting one wag to crack, “What is this, the Second Coming?</blockquote>
Notice all of the extraordinarily seething comments of hatred for Christianity just in the first two paragraphs. “God the Savior as a queer Black woman, as many of us suspected might be the case all along.” That everyone suspected all along that God the Savior was a “queer black woman.” Erivo is a “theatrical divinity.” It was only “divine dispensation” and the favor of God that caused him to catch this performance of Cynthia Erivo.
“The headliners, Erivo as Jesus and Adam Lambert as Judas, certainly have sizable fan bases,” he continued. “But so too does the subject of this Greatest Story Ever Told, a messiah whose following has few equals in the history of the world. Suffice it to say, it was a supercharged evening, comparable more to a rock concert than one of the Bowl’s forays into the musical theater past.”
He goes on to talk about Cynthia Erivo and the magic of a queer black woman playing Jesus and Adam Lambert, who is openly gay, playing Judas, adding, “Phillipa Soo’s Mary Magdalene brought a probing, tentative and profound intimacy in her adoration of Erivo’s Jesus. In her exquisite rendition of ‘I Don’t Know How to Love Him,’ the tenderness between Mary Magdalene and Jesus, at once earthy and ethereal, deepened the expressive range of the love between them.”
The whole idea from the Left is that the entire story of Christianity must be flipped on its head. The imagery that emerges from this performance of JC Superstar is astonishingly hedonistic, truly subversive. That is the entire goal of the enterprise.
I&#8217;m not a Christian, but I have great respect for Christianity. I&#8217;ve encouraged tens of thousands of people to go back to church and many, many people to move back toward their belief system.
Do these performances sound like Jesus and Judas to you, or do they sound like a queer, bisexual black woman and a very, very gay man cosplaying as Jesus and Judas?
The reason that&#8217;s important is because the backlash is one of the things driving America&#8217;s politics right now. The backlash to the left-wing view that everything must be subverted; the church must be subverted; Christianity must be subverted; heterosexuality must be subverted; whiteness must be subverted. All of these things  “must be subverted because they are all emblematic of an evil system of power.”
That is why when Donald Trump said “Make America Great Again,” all he really meant by that was “Stop this stuff. Stop this crap.”
Donald Trump represented a giant, pulsating orange middle finger to all of this nonsense.
On the one side, you have Jesus Christ played by Cynthia Erivo, and on the other side, you have the cultural controversy surrounding Sydney Sweeney.
Sydney Sweeney is all-American, and a throwback to every cheesecake star of the 1940s. She&#8217;s the kind of woman who was painted on the front of World War II bombers, and so she looks like a pinup girl from 1944. She grew up in rural areas like Spokane, Washington, and her values reflect that. When she moved to Florida, she registered as a Republican.
There&#8217;s nothing in Hollywood that gets people&#8217;s goat more than being a registered Republican.
But Sydney Sweeney being a Republican shouldn&#8217;t be that big a deal, right? In a country that is at least 50% Republican at this point, why shouldn&#8217;t Sydney Sweeney, who is now a popular actress and advertising icon, be a registered Republican?
When you look at Sydney Sweeney, obviously, she&#8217;s a beautiful woman. But there are lots of beautiful young women in Hollywood. What is it about Sydney Sweeney that drove the Left insane?
Sydney Sweeney is not one of them.
It&#8217;s not just that the Left wishes to uphold the values and rights of the marginalized. They wish to recenter the marginalized and to turn the mainstream, the “normies,” into the marginalized. 
Thus, they must attack anyone who is not one of them.
This is why, for years, every couple of weeks on Twitter, Chris Pratt would randomly trend. That was because Chris Pratt is not of the Left. It doesn&#8217;t mean that he&#8217;s a rabid Right-winger, but because Chris Pratt was not openly saying all of the idiotic nostrums of the Left, from BLM to LGBTQ+-, that made him verboten.
The same thing happened to Sydney Sweeney.
But it&#8217;s now backfiring because Americans have had enough of this crap.
The backlash against Sweeney says that the actual realities of life must be Cynthia Erivo as Jesus Christ and Sydney Sweeney as a Nazi. But the backlash against Sydney Sweeney for being a pretty blonde white girl with blue eyes who can shoot a gun and isn&#8217;t a registered Democrat is the reason that Donald Trump is president.
If that&#8217;s going to be the juxtaposition Democrats and the Left make, they will lose until the end of time.
And they will deserve it.

MixCollage-05-Aug-2025-02-38-PM-7926

Jesus Christ Erivo Vs. MAGA Sweeney

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If late night comedy on network television is <a href="https://www.dailywire.com/news/late-night-collapse-colberts-fall-and-the-death-of-balanced-comedy">dying</a>, NBC host and comedian Seth Meyers may have inadvertently revealed one of the reasons for that — and admitted that he has played a part in <a href="https://www.dailywire.com/news/cbs-host-breaks-ranks-offers-surprisingly-sane-reason-for-colberts-ouster">bringing that about</a>.
Meyers told host Dax Shepard on his &#8220;Armchair Expert&#8221; podcast that his goal — as the host of &#8220;Late Night with Seth Meyers&#8221; — is to make sure that his show is &#8220;cathartic&#8221; for him while he&#8217;s making it and for the audience as they&#8217;re watching it.
WATCH:
<blockquote class="twitter-tweet">
Seth Meyers goes on the Armchair Expert podcast and claims that he views his &#8216;Late Night&#8217; NBC job as wanting &#8220;to make a show that&#8217;s both cathartic to do and cathartic to watch.&#8221; <a href="https://t.co/wqHq2AeTYG">pic.twitter.com/wqHq2AeTYG</a>
— Alex Christy (@alexchristy17) <a href="https://twitter.com/alexchristy17/status/1950235834671599859?ref_src=twsrc%5Etfw">July 29, 2025</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
Shepard began by pointing to the obvious left-leaning nature of Meyers&#8217; show, asking whether he felt like people who agreed with him came to watch his show because they found it comforting in a way. What he didn&#8217;t say aloud was that having a show that leaned so far in one particular direction could potentially alienate half of the country.
&#8220;Have you felt over the years that it&#8217;s a bit of a dog whistle for people to come commiserate with you in a way that you&#8217;re like, ‘Ugh,’ I don&#8217;t, let&#8217;s put it this way. I have my own political opinions. I find one of the most boring things in the world is to hear someone else&#8217;s political opinions because there&#8217;s only two, but everyone&#8217;s saying it as if they thought of it themselves and it&#8217;s novel,&#8221; Shepard said. &#8220;No. You just declared you&#8217;re on that side. I get it. So, I would imagine people find you in restaurants and they want to bond over that with you.&#8221;
Meyers agreed, but went on to take the argument a bit further — saying that ultimately it didn&#8217;t matter if he was changing the minds of people who did not agree with him and suggesting that his show might inspire more of the people who do agree with him to get out and vote.
&#8220;Early on, people would say, ‘Do you really think you&#8217;re changing anyone&#8217;s mind?’ And it was ‘no.’  I would like to think that maybe we could, like, if someone&#8217;s like, ‘Should I vote or not?’ You would want to maybe if they watch our show, they think ‘You know what, I am going to get out and cast a ballot,'&#8221; he claimed.
&#8220;Yeah. Yeah. But I think you&#8217;d be hard-pressed to find someone in America that doesn&#8217;t know how they feel about Trump,&#8221; Shepard replied. &#8220;I don&#8217;t think there&#8217;s one left.&#8221;
&#8220;I think that for us, we want to make a show that&#8217;s both cathartic to do and cathartic to watch,&#8221; Meyers continued, making it clear that he viewed his show as a place for liberal opinion first and comedy second — if at all.

Late Night with Seth Meyers – Season 11

Seth Meyers Helped Kill Late Night Comedy: Here’s How

Seth Meyers Helped Kill Late Night Comedy: Here's How

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