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‘Brothers After War’: An Interview With Gary Sinise And Jake Rademacher

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Some roles change an actor’s life forever.
Think Sigourney Weaver playing Ripley in “Alien” or Christopher Reeve’s iconic work in the “Superman” franchise.
Gary Sinise’s turn as Lt. Dan Taylor in 1994’s “Forrest Gump” had a similar effect. Yes, the versatile Sinise had co-founded Chicago’s Steppenwolf Theatre Company in 1974 and already had a few screen credits to his name. “Forrest Gump” put him on the proverbial map and he never left.
He spent the next three decades working on screens large and small. In addition to earning a Best Supporting Actor nomination for “Forrest Gump” he snagged honors for the 1995 film “Truman” (Golden Globe, Best Actor in a Miniseries) and TV’s “George Wallace” (a Best Actor Emmy in 1997).
<div id="attachment_884389" style="width: 874px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-884389" class="size-large wp-image-884389" src="https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-13-PM-52-864x576.jpg" alt="&quot;Forrest Gump,&quot; 1994. Robert Zemeckis. Gary Sinise. Paramount Pictures / Collection Christophel" width="864" height="576" srcset="https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-13-PM-52-864x576.jpg 864w, https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-13-PM-52-300x200.jpg 300w, https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-13-PM-52-768x512.jpg 768w, https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-13-PM-52-1536x1024.jpg 1536w, https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-13-PM-52-2048x1365.jpg 2048w, https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-13-PM-52-1800x1200.jpg 1800w, https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-13-PM-52-1200x800.jpg 1200w" sizes="(max-width: 864px) 100vw, 864px" />&#8220;Forrest Gump,&#8221; 1994. Robert Zemeckis. Gary Sinise. Paramount Pictures / Collection Christophel</div>
He couldn’t let the character lovingly known as Lt. Dan go. Sinise took playing a wounded military veteran to heart, creating a second career supporting U.S. soldiers in profound ways.
His latest project fits snugly into that body of work. He’s an executive producer behind the documentary “<a href="https://brothersafterwar.com/" target="_blank" rel="noopener">Brothers After War.</a>”
The film, opening Feb. 28 in limited release, finds director Jake Rademacher sharing footage from his time embedded with Marines during the Iraq War. We also meet veterans struggling to resume civilian life, and how their “brothers” help with that transition.
Depression, suicide, and PTSD are explored with sensitivity and real-world gravitas.
“It’s important that we do all we can to ensure the public does not forget about the men and women who have served and the families who supported them. This film is a tribute to their sacrifices, their resilience and their character,” <a href="https://www.vfw.org/media-and-events/latest-releases/archives/2025/2/brothers-after-war-to-debut-nationwide-february-28" target="_blank" rel="noopener">Sinise told the Veterans of Foreign Wars site.</a>
The film represents a fraction of the star’s commitment to the men and women of the U.S. Armed Forces.
<iframe loading="lazy" title="&quot;Brothers After War&quot; Trailer" width="500" height="281" src="https://www.youtube.com/embed/zdNwYJ4S6Ag?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
Sinise’s post-“Forrest Gump” military activism deserves a biopic all its own. It unofficially started the year of the film’s release. Sinise accepted an invitation to appear at the National Convention of the Disabled American Veterans.
“Forrest Gump” showed Lt. Dan Taylor losing both legs during his combat tour. It’s a critical part of his character’s emotional arc, one that resonated with real-life heroes.
“I walked on stage and there were 2,000 wounded veterans out there, screaming and yelling like I&#8217;m Elvis or something. I looked out and saw these people in wheelchairs and everything and I just broke down. I got very emotional,” Sinise told Forbes in an interview celebrating the film’s 30th anniversary.
He took that experience to heart, along with visiting troops following the attacks on September 11, 2001. He splintered his bustling career into two distinct tracks.
He bounced between film and TV projects, including gigs on “Criminal Minds: Beyond Borders” as well as “CSI: NY” for nine seasons. All the while he kept up his commitment to helping veterans in any way possible.
<div id="attachment_884231" style="width: 874px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-884231" class="size-large wp-image-884231" src="https://dw-wp-production.imgix.net/2025/02/GettyImages-460211914-864x576.jpg" alt="LAKEWOOD, WA - DECEMBER 09: Actor and Director Gary Sinise makes an appearance at Clover Park Technical College on December 9, 2014 in Lakewood, Washington. (Photo by Suzi Pratt/Getty Images)" width="864" height="576" srcset="https://dw-wp-production.imgix.net/2025/02/GettyImages-460211914-864x576.jpg 864w, https://dw-wp-production.imgix.net/2025/02/GettyImages-460211914-300x200.jpg 300w, https://dw-wp-production.imgix.net/2025/02/GettyImages-460211914-768x512.jpg 768w, https://dw-wp-production.imgix.net/2025/02/GettyImages-460211914.jpg 1024w" sizes="(max-width: 864px) 100vw, 864px" />Suzi Pratt/Getty Images</div>
The star formed the <a href="https://www.army.mil/article/274639/gary_sinise_and_the_lt_dan_band_entertain_staff_patients_at_bamc#:~:text=In%202003%2C%20Sinise%20formed%20the,named%20after%20the%20character%20Lt." target="_blank" rel="noopener">Lt. Dan Band in 2003</a>, giving soldiers a respite from their life-and-death responsibilities. The band’s motto? Honor. Gratitude. Rock and Roll. And a few pop hits like <a href="https://www.army.mil/article/278419/gary_sinise_and_the_lt_dan_band_play_570th_show_at_fort_knox" target="_blank" rel="noopener">“Frozen’s” “Let It Go”</a> for good measure.
The actor plays bass guitar for the group, which performs for service members across the globe. At 69, he’s still at it with several gigs slated for 2025 including a March 21 date at the Brooke Army Medical Center in San Antonio, Texas.
Last August, Sinise’s Band made its <a href="https://www.forbes.com/sites/pamwindsor/2024/08/01/celebrating-30-years-of-forrest-gump--the-opry-honors-gary-sinise--his-lt-dan-band/" target="_blank" rel="noopener">Grand Ole Opry debut.</a>
<div id="attachment_884401" style="width: 586px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-884401" class="wp-image-884401 size-large" src="https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-17-PM-6095-576x576.jpg" alt="Gary Sinise Foundation/Instagram." width="576" height="576" srcset="https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-17-PM-6095-576x576.jpg 576w, https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-17-PM-6095-300x300.jpg 300w, https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-17-PM-6095-150x150.jpg 150w, https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-17-PM-6095-768x768.jpg 768w, https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-17-PM-6095-1536x1536.jpg 1536w, https://dw-wp-production.imgix.net/2025/02/MixCollage-27-Feb-2025-01-17-PM-6095-2048x2048.jpg 2048w" sizes="(max-width: 576px) 100vw, 576px" />Gary Sinise Foundation/Instagram.</div>
He founded the Gary Sinise Foundation in 2011, a <a href="https://www.garysinisefoundation.org/mission" target="_blank" rel="noopener">nonprofit dedicated</a> to “creating and supporting unique programs designed to entertain, educate, inspire, strengthen, and build communities.” To date, the foundation has raised more than $400 million for military families since its inception.
The nonprofit’s programs include R.I.S.E. (Restoring Independence, Supporting Empowerment) that builds smart homes for wounded veterans and first responders.
He’s earned just about every award possible for his military efforts, including two from the Congressional Medal of Honor Society and the Bob Hope Award for Excellence in Entertainment. The Presidential Citizens Medal came for his exemplary deeds performed in service of the nation.
<div id="attachment_884237" style="width: 881px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-884237" class="size-large wp-image-884237" src="https://dw-wp-production.imgix.net/2025/02/GettyImages-955500040-871x576.jpg" alt="WASHINGTON, DC - MAY 06: Actor Gary Sinise receives the Award for the Human Spirit during the 2018 Kennedy Center Spring Gala at the Kennedy Center for the Performing Arts on May 6, 2018 in Washington, DC. (Photo by Paul Morigi/Getty Images)" width="871" height="576" srcset="https://dw-wp-production.imgix.net/2025/02/GettyImages-955500040-871x576.jpg 871w, https://dw-wp-production.imgix.net/2025/02/GettyImages-955500040-300x198.jpg 300w, https://dw-wp-production.imgix.net/2025/02/GettyImages-955500040-768x508.jpg 768w, https://dw-wp-production.imgix.net/2025/02/GettyImages-955500040.jpg 1024w" sizes="(max-width: 871px) 100vw, 871px" />Paul Morigi/Getty Images</div>
One unacknowledged benefit from Sinise’s activism? Hollywood has been far more empathetic to the U.S. Military in recent years, another possible side effect of Sinise’s extreme charity.
Gone are the days of “In the Valley of Elah,” “Rendition” and “Lions for Lambs,” all released during President George W. Bush’s administration. Those films often cast soldiers in a negative light, often to score partisan points.
Later films like “American Sniper” (2014), “Lone Survivor” (2013) and especially “Thank You for Your Service” (2017) echo the gratitude Sinise brings to his charitable efforts.
Perhaps the most remarkable part of Sinise’s activism is its apolitical nature. He’s given back without taking sides in the culture wars, and he keeps his military efforts free of ideological trappings.
Sinise’s Hollywood career never floundered despite his extensive military work. He voluntarily stepped back from the industry in 2019, though, to care for ailing family members. His wife Moira Harris was diagnosed with breast cancer in 2018 and their son McCanna Anthony Sinise suffered from a rare spinal cancer condition.
The 33-year-old musician passed away last year, while Harris is in remission. The actor assembled some of his son’s music for last year’s posthumous projects “Resurrection &amp; Revival” and its follow-up, “Resurrection &amp; Revival Part Two.”
The only honor missing from Sinise’s mantle is one that’s sorely overdue. It’s well past time for the Academy of Motion Picture Arts and Sciences to recognize one of the industry’s most talented, selfless artists with an honorary Oscar.
* * *
Christian Toto is an award-winning journalist, movie critic and editor of <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>. He previously served as associate editor with Breitbart News’ Big Hollywood. Follow him at <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>. The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.

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From Lt. Dan To Real-Life Hero: Gary Sinise Is The Brother Soldiers Need

Entertainment

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Documentary filmmaker and Daily Wire host Matt Walsh said one of the questions he gets asked most about his hit film “Am I Racist?” is: &#8220;How were you able to pull this off?&#8221;
Now, audiences can see how he did it first with “Clearing the A.I.R. – The Making of ‘Am I Racist?’” This new film takes audiences deep behind the scenes with Walsh, director Justin Folk, and the entire cast and crew as they pull back the curtain on the making of a cultural phenomenon.
“Am I Racist?” takes a similar but not identical approach to Walsh’s first film, “What Is a Woman?” and lets the radical activists speak freely. For the latest project, that meant going undercover in a man bun, glasses, and tweed jacket.
Walsh met with some of the leading race hustlers in the business and pretended to be on their side, inevitably helping them humiliate themselves simply by explaining what they stood for. The podcast host has said fans are obsessed with how he was able to score a meeting with “White Fragility” author Robin DiAngelo and to literally have a seat at the Race2Dinner table with extremists Saira Rao and Regina Jackson.
<a href="https://www.dailywire.com/clips/clearing-the-a-i-r-the-making-of-am-i-racist">WATCH NOW: “CLEARING THE A.I.R. – THE MAKING OF ‘AM I RACIST?’”</a>
Walsh has said one of the biggest reasons these DEI activists allowed him and the crew access with little to no vetting is that they rarely encounter anyone who disagrees with them. Safe in their intellectual bubbles, they truly believe that most people are on their side.
“We are trying to expose the so-called expert class — our self-appointed moral superiors who impose their doctrines on us from on high,” Walsh <a href="https://x.com/MattWalshBlog/status/1836131398287073660" target="_blank" rel="noopener">said on X</a> in response to some conservatives who were uncomfortable that the filmmaker used what some called “deception” to score interviews.
Walsh said they had to “use more innovative and maybe even ruthless means to lure or drag them out,” and that “once we have them, we let them embarrass themselves. And we laugh at them. It’s not the nicest thing. But niceness is a luxury we don’t always have.”
With “Clearing the A.I.R.” you’ll get to see how they did it. Walsh and the crew will expand on the interviews with noted DEI activists and regular people which were edited for length, giving you exclusive access to what went into this incredible project and what was left on the cutting room floor.
<a href="https://www.dailywire.com/clips/clearing-the-a-i-r-the-making-of-am-i-racist">STREAM &#8216;CLEARING THE A.I.R.&#8217; NOW ON DAILYWIRE+</a>
“Am I Racist?” is the <a href="https://www.dailywire.com/news/am-i-racist-becomes-the-most-successful-launch-in-dailywire-history" target="_blank" rel="noopener">most successful release</a> in DailyWire+ history, performing even better on its first day of streaming than previous hits including “What is a Woman?” in 2022, and the comedy “Lady Ballers” in 2023. The film also outperformed expectations at the box office, grossing more than $12 million and debuting in the top five films in the country on its opening weekend. “Am I Racist?” also became the top-grossing documentary of the decade.
“Am I Racist?” is one of only 15 documentaries ever to open in over 1,500 theaters nationwide.
The film has a 96% audience score on Rotten Tomatoes with more than 2,500 verified reviews. Despite the overwhelming popularity of the movie, mainstream critics have largely ignored it, and it was <a href="https://www.dailywire.com/news/am-i-racist-snubbed-from-oscar-shortlist-despite-record-breaking-success-walsh-reacts-a-farce" target="_blank" rel="noopener">snubbed</a> by The Academy this year after being submitted for Oscars consideration.
Whether you watched “Am I Racist?” in theaters or streamed it on DailyWire+, “Clearing the A.I.R.” will take you deeper into the DEI grift than you’ve ever gone before. Find it now exclusively on <a href="https://www.dailywire.com/clips/clearing-the-a-i-r-the-making-of-am-i-racist">DailyWire+</a>.

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NOW STREAMING: ‘Clearing The A.I.R. – The Making Of ‘Am I Racist?’’

Am I Racist

DailyWire+

Matt Walsh

I am a woman with no breasts. I haven’t had a normal female body since I was 20-years-old, but it’s not because of a tragic accident, birth defect, or cancer. My body was born healthy, my breasts grew fine, and in most ways I am a normal 28-year-old. As developmentally appropriate, I dream of finding a mate, getting married, and having children, but this natural ambition has been delayed because instead of learning the necessary life skills to mature into adulthood, my teens and early twenties were spent in hell.
I grew up in a spiritual body modification cult: transgenderism.
A quirky tomboy on the autism spectrum, I didn’t dress or act like other girls my age, and with my emotional struggles with severe depression and anxiety, I believed I would make a bad mother and never wanted children.
In fact, I thought I made a terrible girl in general. I never wore makeup or felt pretty, and I related only to male characters in the media. Puberty, along with social awkwardness and alienating idiosyncrasies, was rough and lonesome. By the time I was 14, my Tumblr blog was my sole source of connection.
True Christian families would have provided more patience, love, and acceptance, but my father was not a Godly man. Emotionally weak and tyrannical, my father raged and tormented me for most of my adolescence, calling me worthless, disgusting, and unwanted. While he screamed and laughed I locked myself in my room, in tears. Though Catholic and compassionate, my mother failed to protect me, and the abuse endured.
Besides the hidden abuse, my Midwestern family was of typical democratic persuasion, supporting increased public school funding, feminism, and gay marriage. Along with my dad’s abusive messages, I absorbed Leftist views, and when joining Tumblr was ecstatic to participate in social justice causes like Black Lives Matter, smashing the patriarchy, and of course, queering one’s gender.
<div id="attachment_847421" style="width: 1034px" class="wp-caption aligncenter"><a href="https://www.dailywire.com/videos/identity-crisis"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-847421" class="size-large wp-image-847421" src="https://dw-wp-production.imgix.net/2024/12/MixCollage-19-Dec-2024-06-12-PM-3388-1024x576.jpg" alt="Identity Crisis" width="1024" height="576" /></a>Identity Crisis</div>
I was 15 when I came out as nonbinary, a revelation that felt like my androgyny and nonconformity were finally appreciated. Tumblr activists rejoiced. My Left-leaning advanced English teacher who ran the school’s Gay-Straight Alliance club validated my “genderqueer” identity, and my progressive peers sympathized with my unconventional appearance under the queer label.
In my naivety, I thought gender identity would free me from the conventional standards of femininity that I had always rejected. I wanted to be loved as an eccentric personality, not be the helpless female victim that both woke discourse and my father instilled was my destiny.
Though I was suicidal with untreated PTSD from childhood abuse, gender ideology and its well-intentioned but ignorant leftist champions taught me that distress around my body and identity meant I was trans, that gender dysphoria could only be cured through medicalization.
At my LGBTQ-inclusive college, my trans-identifying professor of “Sociology of Sexuality” groomed me into the body modification cult ritual of injecting testosterone. I was prescribed the steroid at 19 in a one hour appointment — the compassionate LGBT clinic nurse practitioner nodding along with the hoax that if a patient is suicidal with gender issues, they must urgently need hormones, not counseling which is slandered as “conversion therapy.”
The “life-saving care” predictably caused a mental breakdown as my body masculinized and I mentally deteriorated. Then, after only seven months of HRT, I was approved for surgery. At 20, before I was legally old enough to buy alcohol, my breasts were sliced off and thrown in the trash. It would be two more years of trauma living as a trans-identified “gay man” before I would be correctly diagnosed with PTSD and realize that I was never a boy, just a wounded girl. I was always meant to be a woman. At 22 I began detransitioning, and I wasn’t alone.
<div id="attachment_858979" style="width: 825px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-858979" class="size-large wp-image-858979" src="https://dw-wp-production.imgix.net/2025/01/MixCollage-15-Jan-2025-12-25-PM-2281-815x576.jpg" alt="Screenshot: Identity Crisis. Laura Becker. DailyWire+. TurningPoint USA." width="815" height="576" srcset="https://dw-wp-production.imgix.net/2025/01/MixCollage-15-Jan-2025-12-25-PM-2281-815x576.jpg 815w, https://dw-wp-production.imgix.net/2025/01/MixCollage-15-Jan-2025-12-25-PM-2281-300x212.jpg 300w, https://dw-wp-production.imgix.net/2025/01/MixCollage-15-Jan-2025-12-25-PM-2281-768x543.jpg 768w, https://dw-wp-production.imgix.net/2025/01/MixCollage-15-Jan-2025-12-25-PM-2281-1536x1086.jpg 1536w, https://dw-wp-production.imgix.net/2025/01/MixCollage-15-Jan-2025-12-25-PM-2281-2048x1448.jpg 2048w" sizes="(max-width: 815px) 100vw, 815px" />Screenshot: Identity Crisis. Laura Becker. DailyWire+. TurningPoint USA.</div>
&nbsp;
Since 2019, I and other detransitioners like <a href="https://www.dailywire.com/author/chloe-cole" target="_blank" rel="noopener">Chloe Cole</a>, Prisha Moseley, and Ritchie Herron have blown the whistle on transgender “health.” Victims have found their voices, exposed their scars, and formed coalitions across the world via the free speech app X.
Detransitioners connect with concerned parents, professionals, and journalists in independent media who are mortified to learn that the unthinkable has happened in Western nations–brainwashing, mutilation, and sterilization of mentally ill children and vulnerable young adults.
How did liberalism cannibalize itself so abhorrently?
Like the currently trans-identified, detransitioners were once quirky individualists who believed in the progressive promise of a free and just society, one where the disenfranchised were accepted, helped, and raised up into a diverse rainbow of love and tolerance. We advocated for bodily autonomy, mental health awareness, and voted blue no matter what, just like good, responsible citizens should. So we thought.
The Left failed its vulnerable. It lied to autistic, confused, mentally ill teens telling them their bodies were wrong, and society was somehow to blame. The Left made it “transphobic” for a therapist to question a mentally ill patient’s irrational beliefs, but “inclusive” for educators to teach that “male” and “female” are outdated and hurtful.
As I awoke to the horrors of what was done to my body in the name of progress, I also awoke to the callous nihilism of the Left overall. Queer ideology is anti-progress, anti-human, anti-reality. Through grueling years of daily therapy and healing in my mid twenties I not only became ex-trans, but ex-Left. As I studied interpersonal abuse dynamics like those I grew up in with my dad, I saw the same pattern of manipulation and gaslighting occur from the Left when my friends or I spoke of detransition. Immediately upon realizing the illusions we suffered, in the eyes of our former comrades, we become Right-wing bigots, subhuman.
For the raw, comprehensive story of why girls transition and how to detransition and recover, I have written a memoir releasing in late 2025, “Surviving the Trans Myth.” Detransitioners take healing from the biggest medical scandal of our time into our own hands, as the love from leftist institutions evaporates once their facade is exposed.
The Left claims to care about trauma victims, but detransitioners prove otherwise. I have tried to publish articles and do interviews with leftist outlets but have been met with worse than ignorance–avoidance, denial, apathy.
Once an emotionally-dysregulated queer activist who thought Trump would slaughter the trans population, I was hurt over the cultist&#8217;s “conservative” accusations until I realized some things are worth conserving.
My body was.
When I was approached by Turning Point USA Productions to share my story in a mainstream conservative documentary, that old leftist fear was replaced with newfound strength to fight for what was left of my body–my heart, mind, and soul. The Daily Wire film, <a href="https://www.dailywire.com/videos/identity-crisis">Identity Crisis</a> rawly captures my medical abuse, and exposes the outcomes of the gender snake oil the Left sold.
The film explains the hydra of gender ideology and its history, exhibiting how it crept into every institution and exploded into online youth culture, while following personal stories of detransitioners’ struggle for self-acceptance, parents Adam Vena and Harrison Tinsely who lost custody of their sons for not affirming their trans identity, and professionals like Dr. Joe Burgo, a psychotherapist who despite being an expert on shame, cannot treat gender dysphoric patients without losing his license.
As for me, the night I watched <a href="https://www.dailywire.com/videos/identity-crisis">Identity Crisis</a> debut and saw my trauma on the big screen was a bittersweet coalescence of grief and gratitude.
Though I’ve moved on from the cult, nihilism, and mental illness, acknowledging the magnitude of loss will always create some self-doubt about fulfilling my dreams. After the film ended, I cried for the woman I could have been:
“I just want to be a normal woman. I want to have a normal, feminine, beautiful body. But I never will.”
My sexual organs were removed because nobody cared to help me process my childhood abuse that made me direct hatred inward. I am thankful to be the woman I am, but this was all unnecessary.
If there is one lesson I’ve learned from leaving the Left, it’s that the Right must step up where the Left has failed. Conservatives have an opportunity to offer a counter-narrative that prioritizes safeguarding children and promoting thoughtful, evidence-based approaches to gender issues.
Here are a few steps the Right can take:
<ul>
<li>Advocate for Responsible Policies: Speak on legislation that ensures patients receive thorough mental health evaluations before accessing medical interventions. Protect parental rights while fostering environments that encourage open dialogue rather than ideological conformity.</li>
<li>Support Detransitioners: Create spaces where detransitioners can share their stories without fear of judgment or erasure. Acknowledge their experiences as survivors and offer healing from whatever toolkit you have.</li>
<li>Promote Mental Health: Address the root causes of gender distress — including social isolation, sexual confusion, and mental health issues — rather than colluding with the transition placebo.</li>
</ul>
Detransition is a testament to human resilience and the desire for growth even in the face of immense pain and loss. My story is not just a cautionary tale but a call to action. It is a plea for compassion, responsibility, and courage from all sides of the political spectrum.
The fight for a healthier, stronger, and more truthful life starts with us.
* * *
Laura Becker is an American writer, artist, and speaker known for her international de-trans advocacy and activism. She is featured in two documentaries “Identity Crisis” and “No Way Back: The Reality Of Gender-Affirming Care.” Becker shares her experiences as a post-woke independent while creating under her philosophical brand ‘Funk God.’ You can connect with her <a href="https://linktr.ee/funkgodcreative">here</a>.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.
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<iframe loading="lazy" title="Identity Crisis | Official Trailer" width="500" height="281" src="https://www.youtube.com/embed/5vqiFhhRWEo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>

Third gender and sex concept, man and woman. World sexual health day. Concept of gender, health and development. Symbol of transgender, vector silhouette isolated on white background

Detransition: An Inconvenient Truth For The Left

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Women

The <a href="https://www.dailywire.com/topic/netflix">Netflix</a> documentary “<a href="https://www.dailywire.com/topic/documentary">Don’t Die: The Man Who Wants to Live Forever</a>” about a tech millionaire obsessed with extending his life is getting a lot of reactions online.
Bryan Johnson, 47, first started getting mainstream attention last January thanks to a Bloomberg <a href="https://www.bloomberg.com/news/features/2023-01-25/anti-aging-techniques-taken-to-extreme-by-bryan-johnson">article </a>detailing his $2 million per year health regimen, which he claims is helping to slow the aging process. The L.A.-based entrepreneur takes 130 pills daily, eats dinner at 11 a.m., goes to bed at 8:30 p.m., and does a 90-minute workout every day. He also has weekly MRIs, skin care treatments, plasma exchanges, and Follistatin gene therapy, which is not approved by the FDA, per <a href="https://variety.com/2025/biz/news/dont-die-netflix-documentary-bryan-johnson-anti-aging-1236262153/">Variety</a>.
For these efforts, Johnson <a href="https://www.linkedin.com/posts/bryanrjohnson_my-new-record-064-pace-of-aging-my-birthday-activity-7206375978141405185-Osp3">claims</a> he only ages at a rate of 0.64, meaning he believes to be aging 7.6 months for every 12 months. He spent a total of $4 million developing a life-extension system called Blueprint, which he has been using for himself to promote longevity.
Documentary filmmaker Chris Smith followed Johnson around for a year, documenting his regimen and the family relationships the entrepreneur has with his father and his son, who at one point all swapped plasma.
“We do a good job of showing that some people think that what Bryan is doing has a lot of value and some people don’t,” Smith told Variety in an interview. “One of my hopes is that people take away from the movie that a large amount of health benefits can be achieved through sleep, diet, and exercise. That is something that is attainable by anyone.”
<iframe loading="lazy" title="Don&#039;t Die: The Man Who Wants to Live Forever | Official Trailer | Netflix" width="500" height="281" src="https://www.youtube.com/embed/kf9e1o7rUeo?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
Some social media users expressed their skepticism about the documentary and the claims Johnson is making, while others thought he gave good advice.
“Here’s the truth: my secret plan is for ‘Don’t Die’ to become the world’s most influential ideology by 2027. Our existence depends upon it,” Johnson wrote in an X post on New Year’s Day.
“For 2,500 years, human history has been shaped by ideologies: Capitalism, Democracy, Socialism, Christianity, Islam, Buddhism, etc. But none of these systems are built for this moment. The question we face—what do humans do when giving birth to superintelligence?—is the most important one in this part of the galaxy. And no one, no country, no ideology, no company has an answer.”
“Your hubris is immeasurable,” one commenter <a href="https://x.com/0xPuff/status/1874651213419213159">wrote</a>.
“Your ‘Don’t Die’ ideology is very limited and flawed, because it’s missing the spiritual aspect of longevity &amp; immortality,” another person <a href="https://x.com/pakzadroya/status/1874533272463818949">wrote</a>.
“This sounds more like a marketing pitch than a serious ideology,” another response says. “Survival is a basic instinct, not a cohesive framework for managing the complexities of life, society, or technology. Humans don’t just live to ‘not die’, we live for meaning, growth, connection, and purpose.”
Other reactions said that Johnson’s advice was basic at its core. “My critical summary of ‘Don’t Die’ on Netflix: &#8211; Man leaves Mormonism; Middle-aged man gets fat, sick, and rich; Middle-aged man discovers exercise and vegetables,” a fourth person <a href="https://x.com/B_Holmer/status/1874447516340748308">wrote</a> of the documentary.
Plenty of other commenters were excited about Johnson’s approach and implored him to change the name from “don’t die” to something less controversial that focused on longevity rather than mortality.

Bryan Johnson

‘Hubris Is Immeasurable’: Reactions To Netflix Doc ‘Don’t Die: The Man Who Wants To Live Forever’

'Hubris Is Immeasurable': Reactions To Netflix Doc 'Don't Die: The Man Who Wants To Live Forever'

Death

Netflix

U.S.

US-ENTERTAINMENT-FILM-AWARD-OSCARS-ARRIVALS

The Real Reason ‘Am I Racist?’ Was Snubbed By The Oscars

The Real Reason 'Am I Racist?' Was Snubbed By The Oscars

Academy Awards

Disney

Opinion

A documentary film is in the works about the ill-fated <a href="https://www.dailywire.com/topic/oceangate" target="_blank" rel="noopener">OceanGate</a> Titan submersible, and it promises to tell the story behind the headlines about the underwater craft that imploded, killing all five of its passengers in June 2023.
The film is directed by Aron Arngrimsson, who was the last person to see the Titan crew alive before the small crew set out on its doomed fatal trip to see the remains of the Titanic on June 18, 2023, the <a href="https://www.hollywoodreporter.com/movies/movie-news/titan-submersible-implosion-documentary-in-works-1236088385/?taid=6761ae58a1361c00013e3066&amp;utm_campaign=trueanthem&amp;utm_medium=social&amp;utm_source=twitter">Hollywood Reporter</a> reported.
“He [Arngrimsson] exclusively tells the emotional experience of five Titan crew members, revealing the family stories behind the media headlines and exposing the painful consequences of an exploration gone wrong,” a synopsis from the producers read, per THR.
The documentary, currently in post production, comes from <a href="https://variety.com/2024/film/news/titan-submersible-disaster-documentary-being-made-1236251341/" target="_blank" rel="noopener">Arngrimsson&#8217;s Dirty Dozen Productions</a> and RadicalMedia, the outlet noted.
<blockquote class="twitter-tweet">
The Titan submersible disaster has inspired a new documentary from Aron Arngrimsson, who was the last person to see the crew alive. <a href="https://t.co/VXODAjQErb">https://t.co/VXODAjQErb</a>
— Variety (@Variety) <a href="https://twitter.com/Variety/status/1869052434657734988?ref_src=twsrc%5Etfw">December 17, 2024</a></blockquote>
“The unprecedented access Aron had to the Titan crew, their families and this story, was remarkable,” Stacey Reiss, executive producer at RadicalMedia, said.
“He was there, first-hand, experiencing all of this in real time,” she added. “It was extremely important to us to tell this story authentically, given the tremendous media attention it received.”
The movie will include actual first-hand footage taken by Arngrimsson of the Titan submersible heading out on its fatal expedition.
“We are committed to telling this important story with the thoroughness it deserves, through exclusive interviews with the Titan crew members and in the aftermath with the families,” Arngrimsson said in a statement about the project.
After the ship lost contact with Titan in June 2023, a four-day rescue mission from the United States and Canada ensued including using airplanes, boats, and submersibles in the attempt to find and save the crew, <a href="https://variety.com/2023/film/news/titanic-submersible-oceangate-movie-1235740084/">Variety</a> noted.
On the fourth day, the United States Coast Guard <a href="https://twitter.com/USCGNortheast/status/1671907901542211584?ref_src=twsrc%5Etfw%7Ctwcamp%5Etweetembed%7Ctwterm%5E1671907901542211584%7Ctwgr%5Ecbfebb9adb1227d0cfd8b029851173bec1af7999%7Ctwcon%5Es1_&amp;ref_url=https%3A%2F%2Fnews.dailywire.com%2Fwp-admin%2Fpost.php%3Fpost%3D574887action%3Dedit">announced</a> that a remotely operated underwater vehicle had <a href="https://www.dailywire.com/news/titanic-sub-rescue-effort-cost-millions-and-oceangate-likely-wont-be-paying-for-it">found debris</a> from the Titan near the Titanic.
“A debris field was discovered within the search area by an ROV near the Titanic,” USGC Northeast said in a statement. “Experts within the unified command are evaluating the information.”
“A debris field implies a break-up of the submersible … that really sort of indicates what is the worst-case scenario, which is a catastrophic failure and generally that’s an implosion,” marine scientist and rescue expert David Mearns told <a href="https://news.sky.com/story/debris-field-discovered-within-search-area-near-titanic-us-coast-guard-says-12906735">Sky News</a>.
“The only saving grace is that it would have been immediate — literally in milliseconds — and the men wouldn’t have known what was happening,” Mearns added.
Related: <a href="https://www.dailywire.com/news/new-photo-released-shows-titanic-submersibles-final-resting-spot" target="_blank" rel="noopener">New Photo Released Shows Titanic Submersible’s Final Resting Spot</a>

OceanGate

Documentary Film About Tragic Titan Submersible Is Happening

Coast Guard

Disasters

movie

Titan

Titanic

World

Thomas Kasza, a &#8220;Green Beret turned humanitarian,&#8221; told NewsNation on Tuesday that he warned filmmakers about showing the faces of America&#8217;s Afghan allies in a documentary on Green Berets before a man featured in the film was killed by the Taliban.
National Geographic, a Disney joint venture, removed its documentary, &#8220;Retrograde,&#8221; from its streaming platform over the summer after a 21-year-old Afghan contractor featured in the film was caught and murdered by the Taliban. The Washington Post <a href="https://www.washingtonpost.com/entertainment/2024/05/22/retrograde-documentary-film-taliban-heineman/" target="_blank" rel="noopener">reported</a> earlier this year that &#8220;Retrograde&#8221; director Matthew Heineman and producer Caitlin McNally decided to show close-ups of the Afghan man and others who helped U.S. forces clear mines. Kasza said that decision came after warnings from him and other former Green Berets and military members who said that showing the Afghan men in the film would put them in danger.
Kasza <a href="https://www.newsnationnow.com/danabramslive/retrograde-afghanistan-film/" target="_blank" rel="noopener">told</a> NewsNation&#8217;s Dan Abrams that, according to an interpreter he&#8217;s in contact with, the Afghan man was shown &#8220;Retrograde&#8221; clips while the Taliban tortured him for up to 15 days. Kasza said, &#8220;It boggles the mind really why National Geographic, Disney &#8230; would actually kind of go to these lengths to not only just expose them, but then kind of abandon them after the fact, after this guy was killed.&#8221;
The former Green Beret added that he knows the filmmakers received warnings about releasing the documentary with the Afghans&#8217; faces unobscured because he was one of the five people mentioned in the Washington Post article who discussed the issues with them.
Kasza, who served in Iraq and Afghanistan, said he and other military members initially saw the film as &#8220;a tremendous opportunity,&#8221; but after viewing the premiere of the documentary, he was concerned for the safety of U.S. allies in Afghanistan.
&#8220;Because we saw the behind-the-scenes and we knew the reality of the situation, we were able to convey the gravity of the situation,&#8221; he said. &#8220;Unfortunately, they didn&#8217;t heed our warnings.&#8221;
Kasza added, &#8220;Our objectives are not to pick a fight with Disney or pick a fight with National Geographic. Our entire purpose here is to provide aid for these guys. And the fact that Disney, which was market-capped for $210 billion as of today, doesn&#8217;t want to contribute any assistance in any kind of matter is kind of preposterous.&#8221;
<a href="https://get.dailywire.com/gift-guide/">CHECK OUT THE DAILY WIRE HOLIDAY GIFT GUIDE</a>
Following the Washington Post&#8217;s story on the controversy, multiple awards the film won were revoked. Kasza <a href="https://x.com/TKasza1208/status/1855899229274947929" target="_blank" rel="noopener">posted</a> on X earlier this month that he hopes the developments will &#8220;spur @Disney, @NatGeo or @MattHeineman to finally render assistance to the widow and the remaining eight affected families.&#8221;

‘Retrograde’, a Film By Matthew Heineman – Special Screening

Green Beret Says Filmmakers ‘Didn’t Heed’ Warnings That Led To Taliban Killing Afghan Ally

Green Beret Says Filmmakers 'Didn't Heed' Warnings That Led To Taliban Killing Afghan Ally

Taliban

Variety magazine says Daily Wire podcaster <a href="https://www.dailywire.com/topic/matt-walsh">Matt Walsh</a> is a “hypocrite” for daring to submit his hit documentary “<a href="https://www.dailywire.com/topic/am-i-racist">Am I Racist</a>?,” the top-grossing documentary in a decade, for <a href="https://www.dailywire.com/topic/oscars">Academy Award</a> consideration.
Writer Clayton Davis said the submission of the film, which made $12.3 million at the box office, was nothing but an example of “alt-right commentators” making it their “mission to ridicule the entertainment industry’s awards circuit.”
The <a href="https://variety.com/2024/film/awards/am-i-racist-submitted-oscars-matt-walsh-conservative-hypocrisy-1236210876/">Variety</a> contributor downplayed the significance of “Am I Racist?” performing well at the box office, citing Marvel movies as examples of why films that do well financially shouldn’t necessarily win or even be considered for awards.
“The real story here is the apparent contradiction: conservative voices denounce ‘woke Hollywood,’ while actively seeking its approval,” Davis wrote.
“And as award season progresses, if (or when?) ‘Am I Racist?’ doesn’t receive the recognition its backers believe it deserves — or doesn’t appear on Variety’s inevitable ‘snubs and surprises’ list — the outcry will likely follow the same script,” he went on.
“In an era where conservatives champion the rhetoric of former president Donald Trump, perhaps they remember his famous line: ‘When you’re a star, they let you do it. You can do anything.’ Sorry, baby. You’re not a star.”
<a href="https://www.amiracist.com/?_gl=1*jtghwp*_gcl_au*ODQ1NjYzNTg2LjE3Mjg5MDk3OTE.*_ga*MTc2NzM0NDQ2NS4xNzI4OTA5Nzkx*_ga_CZKR9ZYKJP*MTczMDEyMDgwOS40OS4xLjE3MzAxMjA4MzkuMzAuMC4w" target="_blank" rel="noopener">MATT WALSH’S ‘AM I RACIST?’ NOW STREAMING ON DAILYWIRE+</a>
Walsh shot back at the critic on X, calling it “one of the most insane articles” he’s ever read.
“We have the most successful film in its genre this decade, but we are somehow ‘hypocrites’ for suggesting that it deserves any awards recognition at all,” Walsh said. “Conservatives are supposed to stay in their ghettos.”
<blockquote class="twitter-tweet" data-width="500" data-dnt="true">
This is one of the most insane articles I’ve ever read. We have the most successful film in its genre this decade, but we are somehow “hypocrites” for suggesting that it deserves any awards recognition at all. Conservatives are supposed to stay in their ghettos. <a href="https://t.co/IdrR2Cvt43">https://t.co/IdrR2Cvt43</a>
&mdash; Matt Walsh (@MattWalshBlog) <a href="https://twitter.com/MattWalshBlog/status/1857514960630198470?ref_src=twsrc%5Etfw">November 15, 2024</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
Walsh <a href="https://x.com/MattWalshBlog/status/1851312460671697137">announced</a> on October 29 that the film had officially been submitted for Academy Award consideration.
The film “Am I Racist?” featured Walsh going undercover in the world of diversity, equity, and inclusion (DEI) to expose the grift of the race hustlers profiting off people’s emotions through deception. It has a 96% audience score on Rotten Tomatoes with more than 2,500 verified reviews. Despite the overwhelming popularity of the movie, mainstream critics have largely ignored it.
If you missed the theatrical release of “Am I Racist?” or if you want to watch the film again, you can do so now by becoming a <a href="https://www.amiracist.com/?_gl=1*1309mqf*_gcl_aw*R0NMLjE3MjU5OTIyMTEuQ2p3S0NBanczUC0yQmhBRUVpd0EzeVBod0tzY21ZbVhrVGVrVWEyd0taUGhFMU44dnVSUjR2VVdEeURSMVVvd2x3OHgtWmR0aV90NjhCb0NDdnNRQXZEX0J3RQ..*_gcl_au*MTA2OTM1OTAwOC4xNzI4OTMwMjA2*_ga*NTk0OTM2MjUwLjE2ODk4MDQ5MDU.*_ga_CZKR9ZYKJP*MTczMTcwMzg4Ni43MDMuMS4xNzMxNzA0ODExLjU5LjAuMA..">DailyWire+ member</a>.

00_AIR_16x9_Streaming_V01

Variety Mag Scoffs At Top Grossing Doc ‘Am I Racist?’ For Oscar Bid: ‘Sorry, Baby. You’re Not A Star’

Variety Mag Says Matt Walsh Is A ‘Hypocrite’ For Submitting ‘Am I Racist?’ For Academy Awards

Oscars

MSNBC viewers were treated to a trailer for the hit Daily Wire documentary “<a href="https://www.dailywire.com/topic/am-i-racist" target="_blank" rel="noopener">Am I Racist?</a>” while they were watching “The Rachel Maddow Show” last night.
<a href="https://www.dailywire.com/topic/rachel-maddow" target="_blank" rel="noopener">Rachel Maddow</a> was discussing the upcoming presidential election before the show cut to commercial and the “Am I Racist?” ad played, as a recorded clip circulating on X showed. The &#8220;Am I Racist?&#8221; ad also played during a break from Joy Reid&#8217;s show &#8220;The ReidOut.&#8221; 
<blockquote class="twitter-tweet" data-width="500" data-dnt="true">
Daily Wire got an ad spot on Rachel Maddow’s show tonight for their movie “Am I Racist?” 🤣😭😂
Incredible 🤣 <a href="https://t.co/u0X5AVfegM">pic.twitter.com/u0X5AVfegM</a>
&mdash; Libs of TikTok (@libsoftiktok) <a href="https://twitter.com/libsoftiktok/status/1853627604299100456?ref_src=twsrc%5Etfw">November 5, 2024</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
<blockquote class="twitter-tweet" data-width="500" data-dnt="true">
It wasn’t just Maddow. <a href="https://twitter.com/realDailyWire?ref_src=twsrc%5Etfw">@realDailyWire</a> got an ad for &quot;Am I Racist?&quot; on <a href="https://twitter.com/JoyAnnReid?ref_src=twsrc%5Etfw">@JoyAnnReid</a> too. I bet Joy is super excited about the movie <a href="https://twitter.com/MattWalshBlog?ref_src=twsrc%5Etfw">@MattWalshBlog</a>! <a href="https://t.co/kxldMsWbui">https://t.co/kxldMsWbui</a> <a href="https://t.co/00iJ0ghhyB">pic.twitter.com/00iJ0ghhyB</a>
&mdash; Robby Starbuck (@robbystarbuck) <a href="https://twitter.com/robbystarbuck/status/1853637557600289160?ref_src=twsrc%5Etfw">November 5, 2024</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
The movie’s star <a href="https://www.dailywire.com/topic/matt-walsh" target="_blank" rel="noopener">Matt Walsh</a> shared a screenshot of one irate reaction that said, “Why the flying f*** did I see a trailer for that f***ing Matt Walsh pseudo-movie on MSNBC? Jesus f***,” with the eyeroll emoji. Walsh’s caption <a href="https://x.com/mattwalshblog/status/1853634354741674093?s=46&amp;t=BDz6oekueqrSVJ50bM62xw" target="_blank" rel="noopener">said</a>, “Sorry I thought you guys would like it.”
“That post alone was worth whatever the ad spend was lol,” one commenter said, while so many others complimented Walsh and The Daily Wire’s expert-level trolling prowess.
“It’s so easy to trigger liberals… and it’s free entertainment,” another person <a href="https://x.com/TGrammie2/status/1853648772196426171" target="_blank" rel="noopener">agree</a>d.
<a href="https://www.amiracist.com/?_gl=1*jtghwp*_gcl_au*ODQ1NjYzNTg2LjE3Mjg5MDk3OTE.*_ga*MTc2NzM0NDQ2NS4xNzI4OTA5Nzkx*_ga_CZKR9ZYKJP*MTczMDEyMDgwOS40OS4xLjE3MzAxMjA4MzkuMzAuMC4w" target="_blank" rel="noopener">MATT WALSH’S ‘AM I RACIST?’ NOW STREAMING ON DAILYWIRE+</a>
The podcast host also mentioned how the MSNBC audience is exactly the same people who should be watching the film. “Really want to thank Rachel Maddow for helping us get the word out! MSNBC’s viewers all support the DEI candidate so we figured they’d be interested in our DEI film,” he wrote in another <a href="https://x.com/MattWalshBlog/status/1853630720213991779">tweet</a>.
The ad on MSNBC was the latest troll from Walsh to promote his film. Earlier this year at the Democratic National Convention, Walsh <a href="https://x.com/JoePerticone/status/1826034047346421863?lang=en" target="_blank" rel="noopener">appeared</a> in character as a DEI expert on national TV and also got leftist reporter Don Lemon <a href="https://www.dailywire.com/news/watch-matt-walsh-lays-out-how-he-got-don-lemon-to-promote-am-i-racist" target="_blank" rel="noopener">to promote</a> his Project2025 flyers, which actually just directed people to “Am I Racist?” 
The face of Walsh’s character also <a href="https://www.dailywire.com/news/matt-walshs-character-in-am-i-racist-crashes-espns-college-gameday" target="_blank" rel="noopener">crashed</a> ESPN’s “College Gameday” in September. 
“Am I Racist?” is the most successful release in DailyWire+ history, performing even better on its first day of streaming than previous hits including Matt Walsh’s 2022 documentary “What is a Woman?” and the comedy “Lady Ballers” in 2023.
Even before it headed to the DailyWire+ streaming platform, “Am I Racist?” was a <a href="https://www.dailywire.com/news/am-i-racist-becomes-the-most-successful-launch-in-dailywire-history" target="_blank" rel="noopener">huge success</a> as the company’s first theatrical release for an in-house production. It outperformed expectations at the box office, grossing more than $12 million and debuting in the top five films in the country on its opening weekend. “Am I Racist?” also became the top-grossing documentary of the decade. 
The film featured Walsh going undercover in the world of diversity, equity, and inclusion (DEI) to expose the grift of the race hustlers profiting off people’s emotions through deception.
“Am I Racist?” has a 96% audience score on Rotten Tomatoes with more than 2,500 verified reviews.
If you missed the theatrical release of “Am I Racist?” or if you want to watch the film again, you can do so now by becoming a <a href="https://www.amiracist.com/?_gl=1*v4ve9e*_gcl_aw*R0NMLjE3MjU5OTIyMTEuQ2p3S0NBanczUC0yQmhBRUVpd0EzeVBod0tzY21ZbVhrVGVrVWEyd0taUGhFMU44dnVSUjR2VVdEeURSMVVvd2x3OHgtWmR0aV90NjhCb0NDdnNRQXZEX0J3RQ..*_gcl_au*MTA2OTM1OTAwOC4xNzI4OTMwMjA2*_ga*NTk0OTM2MjUwLjE2ODk4MDQ5MDU.*_ga_CZKR9ZYKJP*MTczMDIyNzU5Ny42NjEuMS4xNzMwMjI3OTM2LjU2LjAuMA.." target="_blank" rel="noopener">DailyWire+ member</a>.

Am I Racist?

‘Am I Racist?’ Promo Airs On MSNBC During ‘The Rachel Maddow Show’

'Am I Racist?' Promo Airs On MSNBC During 'The Rachel Maddow Show' 

Joy Reid

MSNBC

Rachel Maddow

Cookbook author <a href="https://www.dailywire.com/topic/martha-stewart">Martha Stewart</a> is very unhappy with the final version of her new <a href="https://www.dailywire.com/topic/netflix">Netflix</a> documentary, “Martha,” claiming she made requests that director R.J. Cutler did not honor.
“Those last scenes with me looking like a lonely old lady walking hunched over in the garden? Boy, I told him to get rid of those,” the 83-year-old celebrity <a href="https://www.nytimes.com/2024/10/30/movies/martha-stewart-netflix-documentary.html?partner=slack&amp;smid=sl-share">told</a> The New York Times in an interview published Wednesday. “And he refused. I hate those last scenes. Hate them.”
Stewart said she was happy with parts of the <a href="https://www.dailywire.com/topic/entertainment">project</a>, including the first half, but took issue with some elements that made the final cut. The TV personality especially didn’t care for how much of the documentary focused on her trial and time spent in prison for her involvement in an insider trading scheme. 
<a href="https://www.amiracist.com/?_gl=1*jtghwp*_gcl_au*ODQ1NjYzNTg2LjE3Mjg5MDk3OTE.*_ga*MTc2NzM0NDQ2NS4xNzI4OTA5Nzkx*_ga_CZKR9ZYKJP*MTczMDEyMDgwOS40OS4xLjE3MzAxMjA4MzkuMzAuMC4w" target="_blank" rel="noopener">MATT WALSH’S ‘AM I RACIST?’ NOW STREAMING ON DAILYWIRE+</a>
“It was not that important,” Stewart told the outlet. “The trial and the actual incarceration was less than two years out of an 83-year life. I considered it a vacation, to tell you the truth… the trial itself was extremely boring. Even the judge fell asleep. R.J. didn’t even put that in. The judge was asleep at the bench. I wrote it in my diary every day.”
The celeb called out other decisions, including Cutler’s choice not to include her grandchildren, or take most of the material used in the documentary from her personal archive. Stewart had also requested that the project include rap music.
“I said to R.J., ‘An essential part of the film is that you play rap music.’ Dr. Dre will probably score it, or [Snoop Dogg] or Fredwreck. I said, ‘I want that music.’ And then he gets some lousy classical score in there, which has nothing to do with me,” she added.
Even though she’s not happy with it, Stewart said she hopes the documentary will positively impact viewers. 
“So many girls have already told me — young women — that watching it gave them a strength that they didn’t know they had,” she told NYT. “And that’s the thing I like most about the documentary. It really shows a strong woman standing up for herself and living through horror as well as some huge success.”
Cutler has yet to address Stewart’s criticisms but has said he’s “really proud” of the film. “I admire Martha’s courage in entrusting me to make it. I’m not surprised that it’s hard for her to see aspects of it,” the director said.

Martha Stewart

Martha Stewart Trashes Her Netflix Doc, Says It Makes Her Look Like A ‘Lonely Old Lady’

Martha Stewart Trashes Her Netflix Doc, Says It Makes Her Look Like A 'Lonely Old Lady'

Celebrities

In just over a week from today, we will know who the next President of the United States is going to be. Or maybe it’ll be more like two weeks from today. Or two months. Or, it could be at exactly 2:00am on Wednesday morning when a bunch of ballots for Kamala Harris materialize magically out of the ether. It’s very difficult to predict. But one way or another, some time in the not too distant future, we will have a new president. That much we know.
We also know that, no matter what happens on November 5 — and the days and weeks that follow — the fight for our culture will continue. Hopefully we will be marching forward with a victorious spirit and a feeling of triumph, having just defeated Kamala Harris and having sent her to fade into obscurity to never again be spoken of. Because we can be sure that if she loses, the Democrat Party will throw Kamala and her whole camp into the deepest and darkest memory-hole that they can find, and pretend that she never existed. God willing, that’s our future. One where we are the winning side, and our job is to keep pushing forward, pressing our advantage, and turning our political success into cultural change.
But it’s also quite possible that things go the other way and Kamala wins — whether she actually wins or not. In that case we will not be feeling quite so victorious or triumphant. We will be condemned to four years of that hideous, ungodly cackle ringing in our ears. The auditory torture, of course, will be the least of our problems. It will be a deeply depressing reality. Yet the fight will continue in that case, too, and take on a new and greater urgency. There is no scenario — no outcome in this election, or any election — that will allow us to kick up our feet, or hang our heads, and declare the fight over. It continues, and so do we.
That’s why I think it’s good timing that my new film, “<a href="https://www.dailywire.com/videos/am-i-racist" target="_blank" rel="noopener">Am I Racist?</a>,” debuts on Daily Wire today, October 28. Right now, you can go to <a href="https://www.dailywire.com/" target="_blank" rel="noopener">DailyWire.com</a>, sign up for a membership, and watch the number one documentary of the decade, which is also one of the top 35 highest grossing documentaries of all time. “Am I Racist?” is my satirical investigation of the DEI scam, and the Left-wing race hustle that makes that scam possible. The film follows my profoundly emotional and heartfelt journey of self-discovery and racial awakening. A journey that begins with me becoming DEI certified, and ends — well, you’ll just have to see where it ends for yourself. Things get very weird, and very dark — but also, always, hilarious.
I say that it’s good timing for the film to hit the platform today — available to watch right now, after you become a member — for a couple of reasons.
<div id="attachment_812569" style="width: 1034px" class="wp-caption aligncenter"><a href="https://www.amiracist.com/?_gl=1*jtghwp*_gcl_au*ODQ1NjYzNTg2LjE3Mjg5MDk3OTE.*_ga*MTc2NzM0NDQ2NS4xNzI4OTA5Nzkx*_ga_CZKR9ZYKJP*MTczMDEyMDgwOS40OS4xLjE3MzAxMjA4MzkuMzAuMC4w"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-812569" class="size-large wp-image-812569" src="https://dw-wp-production.imgix.net/2024/10/00_AIR_16x9_OCT28_V05-1024x576.jpg" alt="Am I Racist" width="1024" height="576" /></a>DailyWire+</div>
First of all, Kamala Harris is truly our first DEI presidential candidate. She’s not the first race hustling candidate. We’ve had plenty of those in my lifetime. And she’s not the first to run on a platform grounded in Left-wing intersectional victimology. We’ve had plenty of those, too. She is the worst of the bunch, in both cases, but not the first. She is, however, the first person in the history of American politics to have been awarded a major party presidential nomination purely because she checks the necessary demographic boxes, and without a single vote being cast in her favor. Calling her a DEI candidate is not a “slur” — or at least if it is a slur, it happens to be an accurate one.
We came up with the idea for “<a href="https://www.dailywire.com/videos/am-i-racist" target="_blank" rel="noopener">Am I Racist?</a>” all the way back in the fall of 2022, shortly after my first film, “<a href="https://www.dailywire.com/videos/what-is-a-woman" target="_blank" rel="noopener">What Is A Woman?</a>” was released. We had no way of knowing back then, or at any point during the 18 months of filming, that our cinematic broadside against the DEI scam would land right before an election featuring our first DEI candidate. We thought it would be an election featuring our first fully comatose candidate in Joe Biden. Instead we have one who’s only partially comatose in Kamala Harris. But then Biden was sacked just a few weeks after we finished post production on the film. Pretty soon it became obvious that “Am I Racist?” was more relevant and more timely than we even realized.
It reminded us of that moment in March of 2022 when Senator Marsha Blackburn (R-TN) famously asked Ketanji Brown Jackson to define the word “woman.” The soon-to-be Supreme Court Justice infamously responded that she is &#8220;not a biologist&#8221; and therefore cannot answer a question that any halfway literate third grader could answer. That moment propelled the “What Is A Woman?” question into the headlines. As it happened, we had just wrapped post production on a movie with that question as its title.
<h3><a href="https://www.amiracist.com/?_gl=1*jtghwp*_gcl_au*ODQ1NjYzNTg2LjE3Mjg5MDk3OTE.*_ga*MTc2NzM0NDQ2NS4xNzI4OTA5Nzkx*_ga_CZKR9ZYKJP*MTczMDEyMDgwOS40OS4xLjE3MzAxMjA4MzkuMzAuMC4w" target="_blank" rel="noopener">MATT WALSH&#8217;S &#8216;AM I RACIST?&#8217; NOW STREAMING ON DAILYWIRE+</a></h3>
At the risk of sounding too self-serious, I don’t think that these are mere fortunate coincidences. I believe that in both cases we made the films that God wanted us to make. They were unleashed on the world right when they needed to be. Filming “Am I Racist?” was a longer and more painful process than I imagined at the start. The thing about a creative project that takes a long while to finish is that you have plenty of time — way too much time — to second guess yourself. Eventually, you start to wonder why you ever took on the project to begin with. To be honest, I’ve written three books and made two movies and the “why did I ever decide to do this?” phase seems to just be an inevitable part of the creative process. At least it is for me. But with this film, and the last one, the answer to the “why” question became very clear once it was finished and released.
“Am I Racist?” is exposing a type of evil that has now been made manifest, politically, in the candidacy of Kamala Harris. But she is just one manifestation, however dire and dangerous. Left-wing racial ideology has wreaked havoc on society much more broadly than this one person. It is an evil that not only deserves to be mocked but must be mocked. Ruthlessly and mercilessly, as we do in the film. That’s why I’m glad that the movie is hitting streaming on the Daily Wire today, a week before the election. Now is the best possible time to confront this madness for what it is, and laugh hysterically at it.
Second, the larger fight isn’t just about DEI, or race, or the election. This is a fight for the culture. What is the culture? Well, the culture is everything. It’s all of the values and beliefs and traditions and customs and characteristics that define us as a nation. That’s why I have no patience for people — especially conservatives — who roll their eyes and wave away “the culture war” as some kind of irrelevant side show. It’s not a side show. It’s the whole show. It’s the fight over who we are, and who we will be. What could possibly be more important than that? Our culture is what our country is made of. The culture matters for the same reason that the air you’re breathing right now matters.
<h3><a href="https://www.dailywire.com/episode/ep-1473-member-exclusive" target="_blank" rel="noopener">WATCH: The Matt Walsh Show</a></h3>
Culture is shaped and influenced by many things, but not by any one thing so much as art: Movies, TV shows, music, entertainment. You can’t fight for the culture if you aren’t fighting in this realm. That’s why we took on the significant expense and risk of making “Am I Racist?” and even putting it in theaters before its platform release today. It’s why the number one rule we set for ourselves while making the film was that it had to be funny and it had to be entertaining and it had to tell a story. We put that ahead of the message, ahead of our desire to inform, ahead of everything. This needed to be a real film, not a sermon wearing the thin cloak of a film. It needed to be a film that people watch and enjoy — enjoy because they enjoy it, not because they think they should enjoy it, or because they enjoy the idea of it. That’s how conservative art has worked for many years now. And for that reason, conservative art has had no cultural impact. It hasn’t mattered. We wanted to help change that.
That was the ambition that drove us to make this movie, and to make it the way we made it. It’s also what drives all of us here at the Daily Wire every day. We are here to move the culture. That is our single-minded focus. And we can’t do it without you. So go to <a href="http://dailywire.com/" target="_blank" rel="noopener" data-saferedirecturl="https://www.google.com/url?q=http://DailyWire.com&amp;source=gmail&amp;ust=1730230517000000&amp;usg=AOvVaw26kgRc2nVLs9t51MQWHBi_">DailyWire.com</a>, get your membership if you haven’t yet, and watch “<a href="https://www.dailywire.com/videos/am-i-racist">Am I Racist?</a>” Then stick around for what’s next. Because, one way or another, the fight is just beginning.

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