Marina Zenovich, the director of the upcoming documentary “I’m Chevy Chase, and You’re Not,” said she felt relieved when the actor made a snarky remark early in filming.
Zenovich <a href="https://variety.com/2025/tv/news/im-chevy-chase-youre-not-cnn-doc-snl-community-1236618483/">told</a> Variety that she wanted to explore Chase’s <a href="https://www.dailywire.com/news/is-chevy-chase-really-that-terrible-either-way-he-doesnt-care">notoriously bad reputation</a> in Hollywood, noting that multiple colleagues have gone on record describing him as mean and hard to work with. She said an early exchange with Chase gave her the opening she was looking for.
At the very beginning of the documentary, Zenovich can be heard off-camera telling Chase, “I’m just trying to figure you out.”
“No sh**. It’s not going to be easy for you,” he replied.
“Why is it not going to be easy?” Zenovich asked.
“You’re not bright enough. How’s that?” Chase said, then smiled. 
<a class="c-link" href="https://get.dailywire.com/subscribe/plus/?utm_medium=website&amp;utm_source=editorial&amp;utm_campaign=christmas&amp;utm_content=christmassale25" target="_blank" rel="noopener noreferrer" data-stringify-link="https://get.dailywire.com/subscribe/plus/?utm_medium=website&amp;utm_source=editorial&amp;utm_campaign=christmas&amp;utm_content=christmassale25" data-sk="tooltip_parent">Christmas Sale – Get 40% off New DailyWire+ Annual Memberships</a>
“I’d never done an interview where someone was so rude to me,” Zenovich told Variety, saying she was relieved he behaved that way. “But I was so worried going into that first interview with him about how I was going to say to him, like, ‘Everyone thinks you’re an a**hole.’ I thought if I did, he would throw me out of his house. So the minute he said that to me, I had a way in.”
<iframe loading="lazy" title="Comedy Icon Unfiltered | “I’m Chevy Chase And You’re Not” Official Trailer | CNN" width="500" height="281" src="https://www.youtube.com/embed/vIHEjXEI-l0?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
“I wanted to figure out who was the real person behind the conflicted, guarded and somewhat fragile man we see on camera,” the director continued. “What was behind the surface of his slightly intimidating superstar bravado? Was there any self-awareness there? Having interviewed Chevy at length, I have to say that yes, it’s all there – and a whole lot of pain and heartache too.”
While many of Chase’s co-stars refused to be interviewed for the documentary, including almost everyone involved in the NBC sitcom “Community,” several shared insights. Zenovich spoke with the actor’s friends and family, as well as celebrities including Mike Ovitz, Dan Aykroyd, Beverly D’Angelo, Goldie Hawn, Lorne Michaels, Ryan Reynolds, and Martin Short.
The documentary airs on CNN on January 1. It explores Chase&#8217;s career, beginning with his breakout role on “Saturday Night Live” and on through three failed marriages and drug addiction.

Chevy Chase

‘You’re Not Bright Enough’: Chevy Chase’s Snark Sets Tone For New Documentary

Celebrities

Documentaries

Entertainment

U.S.

A trailer for the upcoming documentary film “Melania,” based on the first lady, debuted today. The movie is scheduled for release in theaters on January 30.
The teaser highlights several behind-the-scenes moments in the days leading up to President Trump’s inauguration. “Here we go again,” Melania says in the opening moments of the trailer as she walks into the US Capitol on Inauguration Day.
At another point, the first lady answers the phone and says, “Hi, Mr. President. Congratulations,” as she looks out at the Manhattan skyline.
President Trump can be heard asking, “Did you watch it?”
“I did not. Yeah. I will see it on the news,” Melania replies. The trailer then cuts to a January photo shoot at the White House.
The short trailer also includes brief clips of the Trumps with White House staff, snapshots from Mar-a-Lago and Trump Tower, and the first lady laying a white lily by a tombstone.
<a class="c-link" href="https://get.dailywire.com/subscribe/plus/?utm_medium=website&amp;utm_source=editorial&amp;utm_campaign=christmas&amp;utm_content=christmassale25" target="_blank" rel="noopener noreferrer" data-stringify-link="https://get.dailywire.com/subscribe/plus/?utm_medium=website&amp;utm_source=editorial&amp;utm_campaign=christmas&amp;utm_content=christmassale25" data-sk="tooltip_parent">Christmas Sale &#8211; Get 40% off New DailyWire+ Annual Memberships</a>
In another scene, Melania listens to her husband practicing a speech and interjects with an additional remark. When President Trump describes himself as a “peacemaker,” she chimes in saying, “Peacemaker and unifier.”
<iframe loading="lazy" title="MELANIA | Official Trailer" width="500" height="281" src="https://www.youtube.com/embed/dxXJAqOU00g?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
Melania signed a multi-million-dollar deal with Amazon MGM Studios and is an executive producer of the project. It began filming in December 2024 and documents the 20 days around her return to the White House.
“Melania” is directed by Brett Ratner, who is best known for the “Rush Hour” franchise. 
The first lady previously <a href="https://www.cnn.com/2025/12/17/politics/melania-trump-documentary-trailer">mentioned</a> the inspiration for the documentary while accepting Fox Nation’s “Patriot of the Year” award.
“A first of its kind, capturing the 20 days of my life before the inauguration, 20 intense days of transformation from private citizen to first lady, balancing my business, my philanthropy, fostering the future, building my East Wing team and the White House staff, and, of course, caring for my family,” she said at the time.

Melania Trump

‘Melania’ Documentary Trailer Promises Inside Look At The First Lady’s Return To The White House

'Melania' Documentary Trailer Released: 'Here We Go Again'

Movies

2025 Atlantic Festival

Exposing Every Lie In The New Anti-American Documentary From Ken Burns

American History

American Revolution

Diversity

Diversity Equity and Inclusion (DEI)

Film

Film Reviews

Founding Fathers

George Washington

Matt Walsh

Opinion

Slavery

Woke Culture

Many detransitioners who speak out receive death threats. I know, because my son, Simon, is a gender apostate, and people call for his death all the time.
Gender ideologues become terrified when people like Simon prove there is life after trans identification. It turns out delusions can pass; people and families can heal. I knew this, which is why I stood up and spoke out when my son was in the throes of trans identification. When his doctor, right in front of my son, asked me, &#8220;Do you want a living daughter or a dead son?”, I told him it was the most shocking display of malpractice I had ever seen.
In college, my son’s classmates called for his death, yet they were allowed to remain on campus. My son was the one they wouldn&#8217;t allow to speak. He just wanted to tell people he had stopped believing he was trans, but the dean bellowed that he would never be allowed to speak on campus. They tried to get him expelled, his classmates screamed at him in the street, and he received threatening emails.
The gender ideologues want families like ours silenced. I&#8217;ve had a mob of trans activists scream at me, in my face, saying that I was evil and did conversion therapy on my son. I was surprised to feel calm — I knew there was nothing I had ever done in my life that was more right than helping my son find the way out of this delusion.
I loved my son then — as I love my son now — enough to tell him the truth. He was born a boy, he is a man now, and he has been male every day in between. For a while, he was angry I didn&#8217;t see it his way, but now he is thankful I held to the truth.
Puberty is hard for most kids, but it seems especially traumatic for autistic kids. When Simon was young, he would cry when anything changed — even when a restaurant or a gas station closed. When his voice began changing, he bawled abjectly — his own body had betrayed him from the inside.
Likewise, trying to find acceptance among peers is a challenge for all teenagers; try it when you can&#8217;t read nonverbal social cues or interpret your own feelings. As a child, a preteen, or a teenager, my son never knew when somebody was going to bully him. In the case of boys, he was surprised every time he was punched or threatened; in the case of girls, he was surprised to be the target of vicious rumors or a group shunning. He didn&#8217;t know how to handle it, and I couldn&#8217;t teach him. I didn&#8217;t know how to teach social skills to a kid I didn&#8217;t even know was autistic.
All of this contributed to Simon’s trans identification. My son was 14 years old when he called his mother and me into the dining room and played us a song on the piano about how he thought he was a girl inside. It was clear he didn&#8217;t want to be himself at that point. He was experiencing real distress, but he had been taught an escape rather than a solution.
I wanted to get him help for his discomfort, his sadness, his worry. It&#8217;s hard to get mental health support for a kid. Once a kid says he&#8217;s trans, though, it becomes almost impossible. You enter an upside-down world, where they believe parents hate their children, and the child tells the doctor the diagnosis. If you&#8217;re a parent who wants a therapist to help your autistic teen learn about how to perceive social and internal cues, that can all be derailed when he says he&#8217;s trans. They may want to wash their hands of him and send him to the gender center (where all patients are trans as a matter of policy). They may demand you get on board the trans train — or else.
This could be a kid who can&#8217;t tell whether he&#8217;s hungry or he&#8217;s angry. He needs help to distinguish those feelings. But if he says he feels like a woman, a therapist can&#8217;t even ask him what he means by that. Activists have gotten laws passed that can take a therapist&#8217;s license away if he doesn&#8217;t agree kids are trans whenever they say so. And if you, as a parent, aren’t careful, they could even take your kid away from you.
<iframe loading="lazy" title="Identity Crisis: Defying the Transgender Lobby to Save His Son" width="500" height="281" src="https://www.youtube.com/embed/Nk6GxP1jR-E?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
Trans-identifying boys have cheerleaders everywhere. It&#8217;s not just the therapists, or the girls who will take your boy shopping and buy him women&#8217;s clothes. There are the school groups like GSA, which used to stand for &#8220;Gay-Straight Alliance,&#8221; but now stands for &#8220;Gender and Sexuality Alliance.&#8221; These groups preach the religion of gender. Our kids are taught about gender identities in health class as if they&#8217;re as real as chromosomes or conception. Online, kids can meet people of all ages with sometimes prurient enthusiasm for their gender identification. What&#8217;s one father against all of that?
One father can be a start. I taught my son that lots of people believing an idea doesn&#8217;t make it true, it just makes it popular. Reality is what&#8217;s still there when you stop believing in it. Right now, trans ideology is popular. But sex is real, and it&#8217;s still going to be here when the trans fad passes or your kid overcomes his delusions. If you succeed in holding the line against medicalization, he may be healthy and whole when that happens.
Parents have so many roles. Sometimes you&#8217;re a guide, walking in front of your children and showing them the way. Sometimes you teach, sometimes comfort, sometimes inspire. Sometimes a father is just a lighthouse keeper, maintaining a beacon so they can find their way back.
My son found his way back from his delusion. I don&#8217;t know all the reasons why, but I know he couldn&#8217;t have done it if I had let my light go out.
* * *
Gareth Amaya Price is the father of <a href="https://www.iwfeatures.com/documentary/how-this-desister-broke-free-from-the-transgender-contagion/">Simon Amaya Price</a>, a desister. Gareth Amaya Price was featured in a <a href="https://www.iwfeatures.com/documentary/how-this-desister-broke-free-from-the-transgender-contagion/">new two-part documentary</a> produced by <a href="https://www.iwfeatures.com/">IW Features</a>, Independent Women’s grassroots storytelling and original journalism arm, as part of its “<a href="https://www.iwfeatures.com/our-stories/reclaiming-biological-reality-stories/">Identity Crisis: Real Stories About Escaping Gender Ideology”</a> series.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.
<a href="https://store.dailywire.com/">Up to 50% off razors &amp; DW Shop, up to 50% off Candle Club, up to 25% off Mayflower—bundles, gifts, &amp; last-chance holiday shipping</a>

IW doc

My Son Thought He Was A Girl. He’s Now A Detransitioner.

American Universities

Autism

Boston Children's Hospital

College

family

Fathers

Gender

gender ideology

Gender Transition

Transgender

The Daily Wire is releasing an important new documentary today. In association with Our Rescue, “<a href="https://www.dailywire.com/videos/hiding-in-plain-sight-america-s-trafficking-epidemic">Hiding in Plain Sight</a>” takes you inside the shocking world of digital predators who use everyday apps to hunt, groom, and traffic children from their own bedrooms — at a scale law enforcement has never seen before.
Few people know that better than Derek Benner, CEO of <a href="http://www.ourrescue.org">Our Rescue</a>. Benner helped lead the creation of the DHS Center for Countering Human Trafficking, the nation’s first unified task force dedicated to ending modern slavery.
As Benner points out, the crisis is closer than we think. — The Daily Wire
* * *
One of the most common questions I get as the CEO of Our Rescue is: “Does child exploitation and sex trafficking really happen here?” 
I often reply, if you ask any law enforcement officer working sex trafficking and child exploitation cases, they’ll tell you the same thing: “The biggest mistake people make is thinking this crime doesn’t happen at home, in our communities, in the United States. It does. And it’s everywhere.”
Worldwide, there are nearly 50 million people trapped in modern slavery, according to the International Labor Organization. In 2024, the Global Tips Report showed that the number of children being trafficked had increased 31% in 2022 compared to 2019, with a 38% rise recorded for girls. Before I joined Our Rescue, I spent my career at Homeland Security Investigations — leading complex efforts to combat human trafficking and child exploitation and spearheading the creation of the DHS Center for Countering Human Trafficking, the first unified, inter-agency coordination center dedicated to combating trafficking in all forms. And I can tell you, everyday law enforcement officers uncover cases of children and adults being groomed, recruited, coerced, or even sold in our own communities. The victims are not just statistics; they are neighbors, classmates, and children whose lives are being stolen in plain sight.
But beyond these trafficking cases, another fast-growing threat is here in the U.S. — the online sexual exploitation of children. Technology has opened new frontiers for predators and organized criminal groups, making it easier than ever to target American kids in their own homes.
<iframe loading="lazy" title="Hiding in Plain Sight: America’s Trafficking Epidemic | The Official Trailer" width="500" height="281" src="https://www.youtube.com/embed/AOS9VUHpDpE?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
The scale of child sexual exploitation in the United States is staggering. In 2024 alone, the National Center for Missing and Exploited Children (NCMEC) CyberTipline received over 20.5 million reports of suspected child sexual exploitation. These reports included more than 62.9 million files of Child Sexual Abuse Material (CSAM). This is not just a statistic; it represents real images, videos, and other materials depicting children enduring unimaginable harm.
Mike Prado, who heads the Cyber Crimes Center (C3) at Homeland Security Investigations (HSI), put it plainly: “This is no longer just about lone offenders. Today, organized criminal groups overseas are running sextortion schemes that deliberately target American children for profit.” Operations out of places like West Africa have pushed kids in America into such despair that some have taken their own lives within hours of first contact. That is the new face of exploitation. And it’s happening in U.S. households. Every. Single. Day.
The game has changed. “Now these offenders have access to the same technology that the government has,” Prado told me. “They don’t have to go to MIT. They don’t have to have a computer science degree to figure this stuff out.”
Two decades ago, law enforcement relied on basic email for victim identification. Smartphones weren’t widely available, the darknet was barely in use, and exploiting technology required computer science expertise. Today, both predators and our children can figure out these tools with ease. Technology is everywhere, and every device a child receives, whether for school or learning, can become a portal into the darker areas of the internet. According to a 2019 Kaspersky study, 84% of parents worldwide are worried about their children’s online safety. Yet also according to the study, on average, parents only spend a total of 46 minutes talking to their children about online security throughout their entire childhood. Ignoring that is a luxury we can’t afford anymore.
While law enforcement and government investment in combating exploitation have increased over the years, there is still much more to do to stay ahead of increasingly sophisticated offenders.
The core challenge is sheer scale. Every success is quickly met with new cases, and for every criminal network taken down overseas, another takes its place. It is the demand for Child Sexual Abuse Material (CSAM) in the U.S. that keeps this cycle in motion.
<a href="https://www.dailywire.com/videos/hiding-in-plain-sight-america-s-trafficking-epidemic"><img loading="lazy" decoding="async" class="size-large wp-image-993575 aligncenter" src="https://dw-wp-production.imgix.net/2025/10/Untitled-design-7-1024x576.jpg" alt="" width="1024" height="576" srcset="https://dw-wp-production.imgix.net/2025/10/Untitled-design-7-1024x576.jpg 1024w, https://dw-wp-production.imgix.net/2025/10/Untitled-design-7-300x169.jpg 300w, https://dw-wp-production.imgix.net/2025/10/Untitled-design-7-768x432.jpg 768w, https://dw-wp-production.imgix.net/2025/10/Untitled-design-7-1536x863.jpg 1536w, https://dw-wp-production.imgix.net/2025/10/Untitled-design-7.jpg 2048w" sizes=" (max-width: 1024px) 100vw, 1024px" /></a>
In 2024, reports involving generative artificial intelligence (AI) increased by 1,325%, highlighting how technology is being weaponized against our children. Additionally, reports of online enticement, including sextortion, rose by 192%, with nearly 100 reports of financial sextortion per day. Since 2021, NCMEC has been aware of at least 36 teenage boys who have taken their lives due to this crime.
The problem is not just the number of cases but the sophistication of the predators and the overwhelming volume of reports. In 2024, NCMEC assisted law enforcement with 29,568 cases of missing children and helped bring 91% of them home. However, the risks, especially online, are becoming more complex and widespread.
But I believe that partnerships are the key to changing the tide in this fight. Just this year, the inaugural Interstate Justice Coalition surge operation (coordinated between Our Rescue, We Fight Monsters, and Skull Games Solutions and in partnership with local law enforcement agencies) spanned across Mississippi, Tennessee, Texas, Oklahoma, and Arkansas, resulting in the identification of 32 trafficking victims, the safe recovery of 26 survivors, and the arrest of 15 traffickers.
It’s work like this — collaboration between law enforcement, nonprofits, communities, and individuals is what ultimately keeps children safe. Fighting sex trafficking and child exploitation isn’t only about arrests: It’s also about prevention and education, because the best defense is an informed community. I invite you to learn more about how you can <a href="https://ourrescue.org/join-the-fight">Join the Fight</a> against sex trafficking and child exploitation.
We must stop living like it is someone else’s problem. It’s not. It’s here, and it’s exploding at a rate our communities are not prepared to handle.
No one can fight it alone. But together we can save lives and dismantle networks that exploit and harm children.
* * *
Derek Benner is proud to serve as the CEO of Our Rescue. Formerly the Chief Mission Officer, overseeing international and domestic Operations and Survivor Care teams, he brings expertise gained from a 30-year career in federal law enforcement that includes leading Homeland Security Investigations within the Department of Homeland Security (DHS). Derek led the creation of the DHS Center for Countering Human Trafficking, the first unified, inter-component coordination center for countering human trafficking.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.
Join us now during our exclusive Deal of the Decade. Get everything for $7 a month. Not as fans. As fighters. Go to <a href="https://get.dailywire.com/subscribe/plus/">DailyWire.com/Subscribe</a> to join now.

Prison guard esicort inmate throught corridor in jail corridor for booking.

Confronting The Crisis Of Child Exploitation In America: Why We Must Act Now

Child Sex Abuse

Children

DailyWire+

Department of Homeland Security

kidnapping

Sex Trafficking

Social Media

Technology

A new documentary from the nation&#8217;s leading anti-trafficking organization now streaming on DailyWire+ exposes some of the biggest threats to America&#8217;s children.
From <a href="http://www.ourrescue.org">Our Rescue</a> and The Daily Wire, &#8220;<a href="https://www.dailywire.com/videos/hiding-in-plain-sight-america-s-trafficking-epidemic">Hiding in Plain Sight: America&#8217;s Trafficking Epidemic&#8221;</a> exposes the harsh reality of sex trafficking and child exploitation in the United States, showing that this crisis is one affecting communities across the nation. Through real survivor stories, expert perspectives, and firsthand accounts from law enforcement, Hiding in Plain Sight: America’s Trafficking Epidemic reveals how trafficking and exploitation continues to thrive in America, and what can be done to stop it.&#8221;
The film&#8217;s director, Nick Nanton, said he hopes the film wakes Americans up to this persistent threat.
“The goal was to capture the real, uncomfortable truth: trafficking isn’t just occurring overseas or in a Hollywood script. It’s happening right here at home — and it’s hiding in plain sight,&#8221; Nanton said.
“Sex trafficking and child exploitation cases are rising across the U.S., and the victims are often the most vulnerable among us, our children,&#8221; Our Rescue CEO Derek Benner said. &#8220;This film is a wake-up call. It challenges us all to recognize the signs, confront the crisis head-on, and join the fight to protect our communities.&#8221;
&#8220;This film could save your child’s life,&#8221; said Mike Richards, President and Chief Content Officer of Daily Wire Entertainment.
&#8220;Predators don’t lurk just outside anymore — they reach directly into your home through phones and social media. Even the most vigilant parents can have their child targeted. Every parent in America needs to see this film, and thanks to our members who share our mission and support our fight against the darkest evils in society and culture, we’re able to offer it to the public for free.&#8221;
You can stream &#8220;<a href="https://www.dailywire.com/videos/hiding-in-plain-sight-america-s-trafficking-epidemic">Hiding In Plain Sight</a>&#8221; now, exclusively on DailyWire+.

Hiding In Plain Sight

Shocking Exposé Of America’s Human Trafficking Epidemic Premieres On DailyWire+

Human Trafficking

A single moment in time can define the future and impact lives in ways beyond the comprehension of many Americans. For the crew and families who suffered the unimaginable loss of their Sailor, that moment in time came at 11:18 a.m. on October 12, 2000. Those of us who directly experienced that brutal Al-Qaeda terrorist attack on our ship, that moment in time loops back to play over and over in our minds. Now, each of us who was there, along with many in the Navy and the nation, will pause to reflect on the past 25 years of how that moment affected our lives. We live with the crystal-clear memory of those who chose to serve our nation and died for our freedom. Their sacrifice remains paramount in our thoughts and prayers.
USS Cole spent a year training for deployment to the Mediterranean and the Middle East with a clearly defined mission — safeguard U.S. national security through presence operations and maritime interdiction of illicit vessels smuggling oil out of Iraq. The crew was really good, but I knew I could demand better of them and was relentless in achieving more. Ultimately, our standards of performance and training were higher than any ship on the Norfolk waterfront.
Sure, there was the typical Sailor grumbling and complaining that we were spending too much time doing drills and learning watch and combat positions beyond their normal duty requirements. Little did we know that the investment in ourselves would save a $1 billion warship and most of the wounded crew.
On August 8, 2000, with families and friends tearfully waving goodbye, the ship slowly maneuvered off the pier and began a voyage into the annals of history. That day, a new benchmark of performance was set in the U.S. Navy — USS Cole got underway with a 100% qualified all-enlisted crew manning every sea and anchor detail watch position. It was an incredible achievement, never done before and never repeated since. More importantly, that accomplishment left an indelible mark on a crew, now absolutely confident they were well prepared for anything that might come their way, including combat.
<iframe loading="lazy" title="USS COLE: Al Qaeda’s Strike Before 9/11 | Official Trailer" width="500" height="281" src="https://www.youtube.com/embed/eTvFDubU86g?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
Following port visits in Spain, France, Malta, and Slovenia, we transited the Suez Canal and the Red Sea to enter the Port of Aden, Yemen, for an expected 6-8-hour brief stop for fuel. Three garbage barges were contracted to remove trash. After the first two barges departed, a third boat that looked exactly like the previous two garbage barges approached and came alongside amidship. We had no intelligence, warnings, or indications that this boat was actually manned by two Al-Qaeda suicide bombers and packed with explosives built into the hull as a waterborne improvised explosive device.
Suddenly, that singular moment in time occurred. At 25,000 feet per second, the blast shock wave pierced the hull, rapidly expanding as a powerful ball of flame into the interior of the ship. In a split second, metal was rendered unrecognizable, bodies were crushed and mangled, burned by the explosion’s wall of flame. In that instant, heroes stepped in to save lives that were forever changed, and within hours, families would be notified of the worst news possible — their loved one had been killed in the service of our country.
<div id="attachment_987153" style="width: 778px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-987153" class="size-large wp-image-987153" src="https://dw-wp-production.imgix.net/2025/10/GettyImages-1159689-768x576.jpg" alt="380160 02: (FILE PHOTO) A gaping hole mars the port sidee sustained by the Arleigh Burke class guided missile destroyer USS Cole after a terrorist bomb exploded and killed at least five people and injured 36 during a refueling operation October 12, 2000 in the port of Aden, Yemen. October 12, 2001, marks the one year anniversary of the attack on the USS Cole. (Photo Courtesy of U.S. Navy/Getty Images)" width="768" height="576" srcset="https://dw-wp-production.imgix.net/2025/10/GettyImages-1159689-768x576.jpg 768w, https://dw-wp-production.imgix.net/2025/10/GettyImages-1159689-300x225.jpg 300w, https://dw-wp-production.imgix.net/2025/10/GettyImages-1159689.jpg 1024w" sizes=" (max-width: 768px) 100vw, 768px" />Courtesy of U.S. Navy/Getty Images</div>
Training paid off within an hour as the crew valiantly stabilized the ship, preventing it from sinking and becoming a war trophy for Al-Qaeda. That first day, the crew evacuated 33 wounded off the ship within 99 minutes after the explosion. Ultimately, 32 would survive. While on our own in the immediate aftermath, we were never alone. France deployed a lifesaving medical team, flying 11 wounded to advanced medical facilities in Djibouti. That evening, staff from the U.S. Fifth Fleet headquarters in Bahrain arrived to arrange for security and get food and water out to the ship. The next morning, the British arrived with a security and damage control team from the HMS Marlborough. Later that day, two U.S. Navy ships, USS Donald Cook and USS Hawes, arrived to provide help and logistics support.
For the next 17 days, the Sailors of USS Cole exhibited initiative and ingenuity as they continually braved equipment failures, system challenges, and, at one point, the loss of our only operating generator on Sunday morning after the attack. The ship began to sink. God love Sailor ingenuity. By late morning, we had cut a hole in the side of the ship near the waterline to pump out floodwater as we feverishly worked to refill our high-pressure air tanks to restart the generator. After a harrowing 22 hours, the generator was started, and USS Cole was saved, again.
<div id="attachment_987149" style="width: 854px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-987149" class="size-large wp-image-987149" src="https://dw-wp-production.imgix.net/2025/10/GettyImages-1303030-844x576.jpg" alt="380441 07: U.S. President Bill Clinton speaks during a memorial service for the sailors of the USS Cole October 18, 2000 in Norfolk VA. Clinton attended the service to honored the wounded and dead from the U.S. navy destroyer that was bombed while on a refueling stop in the Yemeni port of Aden. (Photo by Mark Wilson/Newsmakers)" width="844" height="576" srcset="https://dw-wp-production.imgix.net/2025/10/GettyImages-1303030-844x576.jpg 844w, https://dw-wp-production.imgix.net/2025/10/GettyImages-1303030-300x205.jpg 300w, https://dw-wp-production.imgix.net/2025/10/GettyImages-1303030-768x524.jpg 768w, https://dw-wp-production.imgix.net/2025/10/GettyImages-1303030.jpg 1024w" sizes=" (max-width: 844px) 100vw, 844px" />Mark Wilson/Newsmakers</div>
Finally, after proudly sailing out of Aden harbor blasting our national anthem and Kid Rock’s “American Bad Ass” over the loudspeakers, USS Cole was floated onto the heavy lift ship, M/V Blue Marlin, and brought back to the United States for repairs. As a testament to the bravery and tenacity of that crew, USS Cole still proudly serves our nation today. This past Christmas Eve, she returned from deployment after shooting down Houthi anti-ship missiles in the Red Sea and successfully engaging Iranian ballistic missiles being fired into Israel. USS Cole remains in the fight to defend freedom.
As with any single moment in time that can shatter or change lives, the attack on USS Cole should serve as a poignant reminder that our freedom is not free. Twenty-five years ago, the courage of a crew was tested in combat, and the results speak for themselves. As a nation, we remain blessed with those who choose to raise their right hand, swear an oath to defend our Constitution and protect our freedom at the cost of their lives. Today, I could not be prouder of my crew and their accomplishments — they are the true heroes who saved USS Cole and their shipmates. Well done!
* * *
Commander Kirk Lippold, USN (Ret.), was the Commanding Officer of the USS Cole when it came under a suicide terrorist attack by al Qaeda in the Port of Aden, Yemen. During his command, he and his crew distinguished themselves by saving the American warship from sinking. This event is widely recognized as one of the most brazen acts of terrorism by al Qaeda prior to September 11, 2001.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.
<h3><a href="https://www.dailywire.com/episode/episode-1-the-attack?contentProgram=USS%20COLE%3A%20Al%20Qaeda%E2%80%99s%20Strike%20Before%209%2F11&amp;contentType=ShowEpisode&amp;elementPosition=6&amp;location=Home%20Tab&amp;row=0&amp;rowType=Home%20Featured%20Carousel">WATCH: USS Cole: Al-Qaeda’s Strike Before 9/11 on DailyWire+</a></h3>

The Cole Bombing

I Commanded The USS Cole On The Day Al-Qaeda Tried To Sink Her

Al Qaeda

Osama bin Laden

Radical Islamic Terror

Red Sea

terrorist attack

U.S. Navy

USS Cole

Yemen

It has been 24 years since the deadly attacks on the U.S. that unleashed a decade-long war against Al-Qaeda and the hunt for its leader. Those who fought that war and participated in that hunt should be remembered and honored for it. 
I had the privilege to play a small role in the endgame of that search as we delivered justice to the killer of so many innocents. It is also good to commemorate the Americans who fell in battles with Al Qaeda before we acknowledged that we were, in fact, at war with that terrorist organization. Those pre-9/11 clashes included the 1993 attack on the World Trade Center and the 1998 bombings of the American Embassies in Kenya and Tanzania. 
It was the Al Qaeda assault on the USS Cole in 2000, however, that is seen as a precursor to September 11, 2001.
In 1779, when a British officer demanded the surrender of the USS Bonhomme Richard, John Paul Jones — founder of the American Navy — famously retorted, “I have not yet begun to fight.” That retort has been the credo of American sailors ever since. And it epitomized the reaction of every crew member aboard the USS Cole to the attack on their ship.
Now, 25 years after the surprise attack, Big Media and DailyWire+ bring you &#8220;<a href="https://www.youtube.com/watch?v=eTvFDubU86g">USS Cole: Al Qaeda&#8217;s Strike Before 9/11.</a>&#8221; The three-part documentary captures the crew&#8217;s courage, professionalism, and sacrifice during and after the assault on their ship.
<div id="attachment_981571" style="width: 1034px" class="wp-caption aligncenter"><a href="https://www.dailywire.com/episode/uss-cole-al-qaeda-s-strike-before-9-11-official-trailer"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-981571" class="size-large wp-image-981571" src="https://dw-wp-production.imgix.net/2025/10/USS-Cole-16x9-keyart-1024x576.jpg" alt="" width="1024" height="576" srcset="https://dw-wp-production.imgix.net/2025/10/USS-Cole-16x9-keyart-1024x576.jpg 1024w, https://dw-wp-production.imgix.net/2025/10/USS-Cole-16x9-keyart-300x169.jpg 300w, https://dw-wp-production.imgix.net/2025/10/USS-Cole-16x9-keyart-768x432.jpg 768w, https://dw-wp-production.imgix.net/2025/10/USS-Cole-16x9-keyart-1536x864.jpg 1536w, https://dw-wp-production.imgix.net/2025/10/USS-Cole-16x9-keyart.jpg 1920w" sizes=" (max-width: 1024px) 100vw, 1024px" /></a>DailyWire+</div>
The documentary also provides insights into the efforts of the skipper of the USS Cole, Commander Kirk S. Lippold, and other military professionals, who navigate the limitations placed on their abilities to respond to terror threats in the pre-9/11 era, which are at once fascinating and deeply unsettling. Finally, the show documents the comprehensive investigation and relentless pursuit of the perpetrators in the wake of the attack.
The Al Qaeda attack on the Cole occurred on October 12, 2000. The U.S. Navy destroyer was making a routine refueling stop at the Port of Aden, Yemen, when a small boat carrying concealed explosives approached the port side of the ship. The two men on board made friendly gestures to sailors on the Cole, and then detonated their lethal cargo. The resulting blast tore a 40-foot-wide hole in the hull near the galley, at a time when many crew members were lining up for lunch. The explosion killed 17 personnel on the ship and injured 40 others. Al Qaeda claimed responsibility for the attack, which had been coordinated by operatives who had trained in Afghanistan.
<iframe loading="lazy" title="USS COLE: Al Qaeda’s Strike Before 9/11 | Official Trailer" width="500" height="281" src="https://www.youtube.com/embed/eTvFDubU86g?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
As shown in the Big Media production, the crew of the Cole responded to the attack with extraordinary bravery and professionalism, working to triage injured shipmates and to deal with the extensive damage to the vessel. Within minutes of the explosion, medical personnel were rescuing, treating, and evacuating the wounded, many of whom were trapped under collapsed bulkheads. Sailors, a number of whom were badly injured themselves, fought flooding and fires for more than 96 hours, working without adequate sleep or food, often in total darkness and with the threat of further explosions. They did this despite the loss of key leaders, demonstrating great technical skill and courage in extremely hazardous conditions. With the assistance of nearby British Royal Navy ships and medical aid from the French military, the crew members saved the lives of injured shipmates and kept their ship from sinking. Later transported back to the U.S. for repair, the Cole remains in service with the Navy today.
&#8220;USS Cole: Al Qaeda&#8217;s Strike Before 9/11&#8221; also recounts the FBI investigation into the attack on the Cole. The Bureau dispatched more than 100 agents, lab technicians, and counterterrorism personnel to Yemen. Working with local authorities, FBI officers conducted witness interviews and collected evidence that resulted in a determination that Al Qaeda was, indeed, responsible for the Cole attack. In fact, it was tied to an abortive attempt to bomb another Navy ship, the USS The Sullivans, in January 2000. By the end of 2000, two men suspected of masterminding the bombing were arrested. Both subsequently escaped from Yemeni jails but were later killed in separate American airstrikes.
Another planner of the attack, captured in 2002, was shipped to Guantanamo Bay, where he was charged with responsibility for the Cole bombing and other terror-related offenses. Additional investigations and prosecutions identified numerous unindicted Al Qaeda co-conspirators. U.S. authorities have continuously pursued the remaining suspects. 
The lessons learned from the ordeal of the USS Cole and the investigations resulted in significant changes to U.S. Navy force protection protocols and U.S. counterterrorism policy. The documentary raises a key question over whether one of the key factors that contributed to the successful terrorist bombing of the Cole — and to the 9/11 attack — was that we were paying attention to things that distracted us from the threat.
Before the first plane struck the World Trade Center, we, as a nation, had not yet begun to fight. But the men and women of the USS Cole already had. And it is right that we should honor and remember them for it. In its portrayal of their courage, heroism, and sacrifice, the Big Media telling of their story does just that.
* * *
Mark Kelton is the former CIA Chief of Counterintelligence.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.
<a href="https://get.dailywire.com/subscribe/plus/?utm_campaign=fall40&amp;utm_content=fallsale&amp;utm_medium=website&amp;utm_source=editorial">Get 40% off new DailyWire+ annual memberships with code FALL40 at checkout!</a>

USS-Cole-16×9 keyart

Before 9/11, There Was The USS Cole: New Documentary Recounts A Defining Attack

9/11

Bill Clinton

Islamic Jihad

Middle East

There’s a lot of buzz about the upcoming documentary, “John Candy: I Like Me,” which premiered Thursday at the Toronto International Film Festival (TIFF).
Candy was just 43 when he died from a heart attack in 1994 at the peak of his career, shocking the Hollywood community. The Canadian comedian worked with some of the biggest names in the business, and many, including Steve Martin, Bill Murray, Martin Short, Catherine O’Hara, Macaulay Culkin, Mel Brooks, and Dan Aykroyd, participated in the documentary.
<iframe loading="lazy" title="John Candy: I Like Me - Official Trailer | Prime Video" width="500" height="281" src="https://www.youtube.com/embed/PrcQRsrBcCk?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
The project was produced by actor Ryan Reynolds and directed by Colin Hanks, the son of actor Tom Hanks. The elder Hanks also appeared with Candy in “Splash” (1984). 
Culkin recounted how Candy served as a “paternal” presence on the set of the cult classic comedy “Uncle Buck” and was one of the first people in Hollywood to recognize that Culkin’s father was abusive.
“I think he always had that really great instinct,” Culkin recalled in the documentary’s trailer.
“I think he saw,” he continued. “Listen, even before the wave crested and the ‘Home Alone’ stuff was happening, it was not hard to see how difficult my father was. It was no secret. He was already a monster.”
“All of a sudden, the fame and the money came, and he became an infamous monster,” Culkin recalled. “He was already not a good guy. I think John was looking a little side-eyed, like, ‘Is everything alright over there? You doing good? Good day? Everything’s alright? Everything good at home? All right.’”
The actor said this was “a testament to the kind of man he was,” and said Candy “was just looking out for” him on set. He also mentioned Candy’s “paternal” presence in his life.
“It doesn’t happen that often. It actually happened less as time went on,” Culkin added. “I wish I got more of that in my life. It’s important that I remember that. I remember John caring when not a lot of people did.”
Candy’s other former co-stars and friends had glowing things to say about him as a colleague and as a person during the emotional trailer. 
“I can’t tell you what was right about John Candy, or what was wrong. But he was my friend,” Murray said. “And &#8230; I don’t wanna cry, but when you see him, when you see his face&#8230;.” he added, trailing off as he began tearing up.
Candy is famous for beloved films such as “Stripes,” “Splash,” “Spaceballs,” “Planes, Trains and Automobiles,” “Uncle Buck,” and “Cool Runnings.”
The documentary is said to include “never-before-seen home videos, intimate access to his family, and candid recollections from collaborators to paint a bigger picture of one of the brightest stars of the ’70s, ’80s and ’90s,” per the synopsis.
“It’s the story of a son, husband, father, friend and professional driven to bring joy to audiences and loved ones while battling personal ghosts and Hollywood pressures.”
“John Candy: I Like Me” becomes available on Prime Video starting October 10.

John Candy

Hollywood Gets Emotional Over Beloved Comedian In ‘John Candy: I Like Me’

Amazon Prime

There’s a new documentary about Jussie Smollett on Netflix, and as expected, the disgraced actor is still trying to claim his innocence.
“The Truth About Jussie Smollett??” has two question marks in its title on purpose, and the director says the aim of the project is to cast doubt and let viewers form their own conclusions.
“You can tilt it one way [and] it will look like one thing,” documentary filmmaker Gagan Rehill <a href="https://www.hollywoodreporter.com/movies/movie-features/jussie-smollett-truth-in-new-netflix-documentary-1236348143/">told</a> The Hollywood Reporter of the project. “You can tilt it another and there’s another story behind it.”
“I want … viewers to have a conversation, a debate about that themselves,” he added. “That’s part of the documentary for me — the after conversation, the aftermath of watching it. For that reason, I’m sort of taking myself out of the equation in terms of where I land.”
Smollett told police on January 29, 2019, that he was attacked by two men in Chicago at 2 a.m., who he claimed made racist and homophobic slurs, wrapped a rope around his neck, poured an “unknown substance” on him, and yelled that this is “MAGA country.” It was later found that Smollett had hired two Nigerian brothers to help him stage the attack.
The “Empire” star was convicted on five counts of disorderly conduct in 2021 and spent just six days in jail after appealing his 150-day sentence. Smollett was charged with 16 counts of lying to police, but those charges were dropped.
In November 2024, Smollett’s conviction was overturned by the Illinois Supreme Court, which also deemed he could not be retried.
Smollett has insisted upon his innocence all along.
<a href="https://get.dailywire.com/subscribe/plus/?utm_campaign=summer&amp;utm_content=editorialsummersale&amp;utm_medium=website&amp;utm_source=editorial" target="_blank" rel="noopener">End of Summer Sale – Get 40% off New DailyWire+ Annual Memberships</a>
“As an entertainer, as a businessman, I probably should [stop fighting the charges],” Smollett told Entertainment Tonight during a 2024 <a href="https://www.dailywire.com/news/jussie-smollett-says-he-spent-3m-appealing-hoax-case-maintains-his-original-story?author=Amanda+Harding&amp;category=News&amp;elementPosition=undefined&amp;row=0&amp;rowType=Vertical+List&amp;title=Jussie+Smollett+Says+He+Spent+%243M+Appealing+Hoax+Case%2C+Maintains+His+Original+Story">interview</a>.
“But as a human being and as a man, as a black man and as an openly gay black man, I have a problem with letting them win on something they shouldn’t be able to,” the actor continued. “I’m a grown man and something happened. I can’t tell exactly what did happen, but I can tell you what did not happen. That’s what I have to sit on. No matter how much people are yelling in my face, saying ‘You’re a liar, you’re a liar.’ No, I’m not. No, I’m not. I don’t want them to believe that, but if that is what they believe, that’s on you.”
Rehill also claimed that the truth is “up to interpretation” and may depend on which news channel you tune into.
“This film is about whether you believe Jussie or not, but it’s also about a reaction to [the news coverage of his case] as well,” Rehill told THR. “It’s just very interesting that people’s trust in mainstream media and in the police has been eroded so much that they have to open the door to alternate truths, or alternate results or verdicts.”
&#8220;Every single other person’s story has changed multiple times. Mine has never,&#8221; Smollett told Variety in a new interview. &#8220;I saw firsthand how narratives are built. I saw firsthand the way that someone can take the exact opposite of who you are and literally sell it.&#8221;
“The Truth About Jussie Smollett??” is currently streaming on Netflix.

Jussie Smollett

Jussie Smollett Is Still Whining That He’s Innocent In New Netflix Documentary

Netflix

Your average film festival won’t screen “A Minecraft Movie,” “The Fantastic Four: First Steps” or “Nobody 2.” And that’s a good thing.
Festivals give indie filmmakers a chance to shine in a crowded marketplace. They also shake up the theatrical experience by pushing audiences out of their comfort zone.
In short, prepare to be challenged. The best art does just that.
<div id="attachment_961513" style="width: 830px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-961513" class="wp-image-961513 size-large" src="https://dw-wp-production.imgix.net/2025/08/GettyImages-2172182734-820x576.jpg" alt="TORONTO, ONTARIO - SEPTEMBER 15: Mike Downie accepts the &quot;People's Choice Documentary Award&quot; for &quot;The Tragically Hip: No Dress Rehearsal&quot; onstage at the TIFF 2024 Awards Ceremony during the 2024 Toronto International Film Festival at Luma on September 15, 2024 in Toronto, Ontario. (Photo by Jeremy Chan/Getty Images)" width="820" height="576" srcset="https://dw-wp-production.imgix.net/2025/08/GettyImages-2172182734-820x576.jpg 820w, https://dw-wp-production.imgix.net/2025/08/GettyImages-2172182734-300x211.jpg 300w, https://dw-wp-production.imgix.net/2025/08/GettyImages-2172182734-768x539.jpg 768w, https://dw-wp-production.imgix.net/2025/08/GettyImages-2172182734.jpg 1024w" sizes=" (max-width: 820px) 100vw, 820px" />TORONTO, ONTARIO &#8211; SEPTEMBER 15: Mike Downie accepts the &#8220;People&#8217;s Choice Documentary Award&#8221; for &#8220;The Tragically Hip: No Dress Rehearsal&#8221; onstage at the TIFF 2024 Awards Ceremony during the 2024 Toronto International Film Festival. (Photo by Jeremy Chan/Getty Images)</div>
Yet some modern film festivals are running from that unspoken promise. And, as is often the case, it involves cowardly programmers who refuse to provoke their presumably left-leaning audiences. In other situations, the festivals won’t stand behind art that could draw the wrong kind of crowd.
Protesters, to be specific, the kind that shout, “From the river to the sea…”
The latest, most embarrassing example? The Toronto International Film Festival (TIFF), one of the industry’s most prestigious events, recently <a href="https://deadline.com/2025/08/tiff-pulls-october-7-documentary-from-lineup-1236484968/comment-page-2/#comments">yanked an October 7 documentary</a> from its line up.
“The Road Between Us: The Ultimate Rescue” recalls how retired Israel Defense Forces General Noam Tibon saved Israelis targeted for death by Hamas terrorists during that cataclysmic day.
<div id="attachment_961501" style="width: 874px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-961501" class="wp-image-961501 size-large" src="https://dw-wp-production.imgix.net/2025/08/GettyImages-1827492879-1-864x576.jpg" alt="TEL AVIV, ISRAEL - DECEMBER 02: Major General (Res.) Noam Tibon speaks during a rally calling for the remaining hostages to be released a day after the temporary truce ended outside The Museum of Modern Art known as the 'The Hostages and Missing Square' on December 2, 2023 in Tel Aviv, Israel. The rally’s speakers included recently released hostages and their families, as well as Israeli performers. The end of the weeklong ceasefire between Israel and Hamas has also meant a halt to negotiations over the return of more Israeli hostages being held in Gaza. One hundred and ten hostages - a combination of Israelis and foreign nationals - were released during the recent pause in fighting, under half the number estimated to have been taken captive by Palestinian militants on Oct. 7. (Photo by Alexi J. Rosenfeld/Getty Images)" width="864" height="576" srcset="https://dw-wp-production.imgix.net/2025/08/GettyImages-1827492879-1-864x576.jpg 864w, https://dw-wp-production.imgix.net/2025/08/GettyImages-1827492879-1-300x200.jpg 300w, https://dw-wp-production.imgix.net/2025/08/GettyImages-1827492879-1-768x512.jpg 768w, https://dw-wp-production.imgix.net/2025/08/GettyImages-1827492879-1.jpg 1024w" sizes=" (max-width: 864px) 100vw, 864px" />TEL AVIV, ISRAEL &#8211; DECEMBER 02: Major General (Res.) Noam Tibon. Alexi J. Rosenfeld/Getty Images</div>
But why cancel the documentary at all? TIFF officials initially said the film didn’t get the legal clearances for footage of Hamas soldiers attacking innocent Jews. That explanation drew instant ridicule, forcing TIFF to suggest it’s working to find a way <a href="https://deadline.com/2025/08/tiff-response-the-road-between-us-1236485877/">to solve the issues</a> and re-install the film into its lineup.
Now, an embarrassed TIFF says it will “<a href="https://nypost.com/2025/08/14/world-news/tiff-reverses-course-will-ensure-oct-7-doc-is-screened-following-swift-backlash/">ensure</a>” the film will screen at the September festival after a major media backlash.
The damage is done, no matter what kind of backpedal the festival attempts. Its absurd rationale is likely cover for the real issue – pro-Palestinian protesters would have swarmed the screening, as they’ve done countless times before.
<div id="attachment_961507" style="width: 874px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-961507" class="size-large wp-image-961507" src="https://dw-wp-production.imgix.net/2025/08/GettyImages-1711807696-864x576.jpg" alt="TOPSHOT - Palestinians transport a reportedly captured Israeli person, in Khan Yunis in the southern Gaza Strip, on October 7, 2023. One month after Israel was wracked by Hamas attacks, life has been upended for both the Palestinians and Israel after it launched a war of reprisal in the Gaza Strip. The October 7 attacks by Hamas militants who stormed across from Gaza and struck kibbutzim and southern Israeli areas killed 1,400 people, mostly civilians, and deeply scarred the nation. The health ministry in Hamas-run Gaza says nearly 9,500 have been killed, two-thirds of them women and children, and mostly civilians. (Photo by AFP) (Photo by -/AFP via Getty Images)" width="864" height="576" srcset="https://dw-wp-production.imgix.net/2025/08/GettyImages-1711807696-864x576.jpg 864w, https://dw-wp-production.imgix.net/2025/08/GettyImages-1711807696-300x200.jpg 300w, https://dw-wp-production.imgix.net/2025/08/GettyImages-1711807696-768x512.jpg 768w, https://dw-wp-production.imgix.net/2025/08/GettyImages-1711807696.jpg 1024w" sizes=" (max-width: 864px) 100vw, 864px" />Photo by -/AFP via Getty Images</div>
Jewish artists (Michael Rapaport, Matisyahu) routinely find their shows canceled due to fear of pro-Palestinian protests. Festival-based violence could have ensued, although a strong show of force would likely prevent such an occurrence.
The Heckler’s Veto won. Again. It’s one reason why protesters keep on raising their voices. They get results.
Today’s festival programmer too often chooses to censor art rather than let it shine.
A more egregious example of festival cowardice? The Sundance Film Festival threw open its arms to “Jihad Rehab,” a celebrated film focusing on Muslim terrorists and their path to redemption.
The film actually screened the documentary in January 2022, coaxing two festival employees to resign in protest. That was just the beginning of the outrage. Some Muslim filmmakers howled over the film’s inclusion, arguing the film exposed the participants to potential danger. Others suggested the film’s director, a white woman named Meg Smaker, was the wrong person to tell the story.
<div id="attachment_961509" style="width: 874px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-961509" class="size-large wp-image-961509" src="https://dw-wp-production.imgix.net/2025/08/GettyImages-2196257724-864x576.jpg" alt="PARK CITY, UTAH - JANUARY 27: (EDITORS NOTE: This image was shot with a fisheye lens.) People stand in front of the Egyptian Theatre along Main Street during the 2025 Sundance Film Festival on January 27, 2025 in Park City, Utah. (Photo by David Becker/Getty Images)" width="864" height="576" srcset="https://dw-wp-production.imgix.net/2025/08/GettyImages-2196257724-864x576.jpg 864w, https://dw-wp-production.imgix.net/2025/08/GettyImages-2196257724-300x200.jpg 300w, https://dw-wp-production.imgix.net/2025/08/GettyImages-2196257724-768x512.jpg 768w, https://dw-wp-production.imgix.net/2025/08/GettyImages-2196257724.jpg 1024w" sizes=" (max-width: 864px) 100vw, 864px" />David Becker/Getty Images</div>
Sundance later issued an apology for screening the film, and other festivals dropped “Jihad Rehab” from their lineups.
Smaker eventually won the PR war, with far-Left sites like The New York Times and The Atlantic rushing to her side. The film, retitled “The UnRedacted,” <a href="https://www.justwatch.com/us/search?q=the%20unredacted">still can’t be seen via VOD platforms, though.</a>
Still, the most recognizable film festival in the country couldn’t stand up for its own screened film. That sends a chilling signal throughout the creative community.
Pro-Palestinian pressure also got a trans-related documentary <a href="https://jewishjournal.com/commentary/columnist/editors-note/377538/french-transgender-film-gets-cancelled-because-it-made-israel-look-good/">canceled from a Belgium film festival last year</a>. “The Belle from Gaza” focused on a transgender Palestinian woman fleeing Gaza for her own safety and ending up in Tel Aviv.
Variety captured the current state of film festivals in 2023.
<blockquote>In fact, that quick-to-capitulate reflex underscores a new, unspoken modus operandi in which festivals — once the bastion of provocative, button-pushing fare — are desperate to avoid controversy and the wrath of any identity-focused Twitter mob. </blockquote>
It hasn’t gotten better since then. And there’s a second factor in play.
Modern film festivals display a sense of ideological uniformity that diminishes their cultural impact. Left-leaning features are commonplace, be it stories about abortion rights or pro-LGBTQ+ narratives.
Films that defy that ideology rarely, if ever, make the cut.
Imagine a film festival featuring “<a href="https://www.dailywire.com/videos/what-is-a-woman?row=0&amp;elementPosition=4&amp;rowType=Square+Show+Carousel">What Is a Woman?</a>” The Daily Wire’s blistering take down of progressive gender beliefs.
<div id="attachment_805851" style="width: 1034px" class="wp-caption aligncenter"><a href="https://www.dailywire.com/videos/what-is-a-woman?row=0&amp;elementPosition=4&amp;rowType=Square+Show+Carousel"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-805851" class="size-large wp-image-805851" src="https://dw-wp-production.imgix.net/2024/10/MixCollage-01-Oct-2024-04-20-PM-2436-1024x576.jpg" alt="What is a Woman?" width="1024" height="576" /></a>Matt Walsh/What is a Woman?</div>
What about “The Fall of Minneapolis,” a harrowing account of the media’s false narratives surrounding George Floyd’s 2020 death?
Or consider “What Killed Michael Brown?” That 2020 movie exposed similarly skewed narratives surrounding the Missouri resident’s 2014 death following a police interaction.
Had any of those films made the film festival cut it might have sparked protests, resignations or both. Cancellations might have followed.
Festival programmers, by insisting on ideological purity, keep these kinds of projects out of their lineups. And few audience members are challenged along the way.
<a href="https://get.dailywire.com/subscribe/plus/?utm_campaign=summer&amp;utm_content=editorialsummersale&amp;utm_medium=website&amp;utm_source=editorial">End of Summer Sale &#8211; Get 40% off New DailyWire+ Annual Memberships</a>
Even stories told by those holding unorthodox views may not get a festival closeup. Podcaster Adam Carolla has complained that his opinions have kept his apolitical racing documentaries from debuting in film festivals. The most extreme example? His 2020 documentary “Uppity,” a testament to Willy T. Ribbs, the first black race car driver to compete in the Indy 500, didn’t make the festival circuit.
The film checked enough progressive boxes to be included, and the few critics who reviewed the film raved about its content. That didn’t help Carolla crack the festival market.
Hollywood’s progressive groupthink remains a problem, keeping great stories and actors off screen. A similar sentiment holds with film festivals. A fear of social media controversy, and backbone deficit, is making matters worse.
* * *
Christian Toto is an award-winning journalist, movie critic and editor of <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>. He previously served as associate editor with Breitbart News’ Big Hollywood. Follow him at <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.

2025 Canada’s Walk Of Fame Induction Gala

Cowardice Is Killing The Spirit Of Modern Film Festivals

Hamas

Hostages

Israel

October 7

Sundance Film Festival

Toronto Film Festival

In an astonishing act, the Toronto International Film Festival (TIFF) canceled the showing of an Israeli documentary about the October 7, 2023, Hamas massacre of Israelis because the filmmakers did not receive permission from the Hamas terrorists whose own clips of the massacre are in the film.
“The Road Between Us: The Ultimate Rescue” revolves around Maj. Gen. Noam Tibon’s efforts to save his son Amir and his family when Hamas terrorists in Kibbutz Nahal Oz attacked them.
“The movie features footage taken from the cameras of terrorists, who filmed their atrocities as they marauded through Israeli communities. Over a quarter of Nahal Oz’s 400 residents were killed or taken hostage that day,” <a href="https://www.timesofisrael.com/toronto-film-fest-nixes-oct-7-doc-screening-said-to-cite-hamas-ownership-of-massacre-clips/">The Times of Israel</a> noted.
<a href="https://get.dailywire.com/subscribe/plus/?utm_campaign=summer&amp;utm_content=editorialsummersale&amp;utm_medium=website&amp;utm_source=editorial">End of Summer Sale &#8211; Get 40% off New DailyWire+ Annual Memberships</a>
A TIFF spokesperson told <a href="https://deadline.com/2025/08/tiff-pulls-october-7-documentary-from-lineup-1236484968/">Deadline</a>, which broke the story, “The invitation for the Canadian documentary film The Road Between Us: The Ultimate Rescue was withdrawn by TIFF because general requirements for inclusion in the festival, and conditions that were requested when the film was initially invited, were not met, including legal clearance of all footage. The purpose of the requested conditions was to protect TIFF from legal implications and to allow TIFF to manage and mitigate anticipated and known risks around the screening of a film about highly sensitive subject matter, including potential threat of significant disruption.”
According to Deadline, the festival wanted the filmmakers to “identify the source of the footage and confirmation of legal clearance,” including “a legal reporting letter confirming clearance of the footage.”
“We are shocked and saddened that a venerable film festival has defied its mission and censored its own programming by refusing this film,” the filmmakers told Deadline. “Ultimately, film is an art form that stimulates debate from every perspective that can both entertain us and make us uncomfortable. A film festival lays out the feast and the audience decides what they will or won’t see. We are not political filmmakers, nor are we activists; we are storytellers. We remain defiant, we will release the film, and we invite audiences, broadcasters, and streamers to make up their own mind, once they have seen it.”
“The Toronto Film Festival has succumbed to pressure and threats, and has chosen to silence and erase October 7,” Noam Tibon said. “My message to the festival management: The truth cannot be erased. The atrocities committed by Hamas cannot be erased or denied. &#8230; The festival management’s claim that the film cannot be screened because ‘permissions to use’ the footage of the Nukhba terrorists were not obtained is absurd and bizarre, and constitutes further harm to the victims.”
 “It is inconceivable that TIFF allows a small group of extremists — using intimidation and threats of violence — to dictate which films Canadians can see at the festival. This shameful decision sends an unequivocal message: Toronto’s Jewish community is no longer safe or welcome,” the Canadian Centre for Jewish and Israeli Affairs declared.

Tiff – Toronto International Film Festival

Canadian Film Festival Cancels October 7 Documentary Claiming Hamas Has Footage Rights

Toronto Film Festival Cancels October 7 Documentary Because Film Didn't Get Permission From Hamas

Menu