<a href="https://www.dailywire.com/topic/comedian">Comedian</a> Michelle Buteau went after <a href="https://www.dailywire.com/topic/dave-chappelle">Dave Chappelle</a> for daring to joke about <a href="https://www.dailywire.com/topic/transgender">transgender</a> people. 
The 47-year-old New Jersey native, who has appeared in Hollywood films and reality TV shows, made the remarks during her new Netflix comedy special, &#8220;Michelle Buteau: A Buteau-ful Mind at Radio City Music Hall.&#8221;
Buteau’s set included a graphic joke about her &#8220;beautiful, black, lesbian friend,” which she submitted as an example of how comedians should joke about people who fall under the LGBT acronym.
&#8220;What I’m saying is it can be done. It can be done. We can tell jokes and stories and not disparage a whole community,&#8221; Buteau said, per <a href="https://www.cnn.com/2025/01/01/entertainment/michelle-buteau-dave-chappelle/index.html">CNN</a>. &#8220;We can do that, we can make it funny. You just have to work at it, right? So if you guys ever run into Dave Chappelle, can you let him know that sh**?”
Buteau said she doesn’t think she will ever run into Chappelle “because he is the GOAT.”
“And he is the GOAT, if that means going off about trans people. Dave, it’s not funny. It’s dangerous,” the comedian went on. “I can’t believe somebody would make millions and millions of dollars for making people feel unsafe. That is so wild to me.”
Buteau said she wants “to make millions and millions of dollars for making people feel safe, seen, secure, heard, and entertained.”
Chappelle was ripped in 2021 for making jokes that the mainstream media and others deemed “transphobic” in his Netflix comedy special “The Closer.” 
Leftists were so enraged that one transgender employee reportedly organized a walkout in protest. That person was later <a href="https://www.dailywire.com/news/dave-chappelle-wins-grammy-award-for-netflix-special-that-enraged-trans-people">fired</a> for “sharing confidential, commercially sensitive information outside the company.”
In his Netflix special, Chappelle claimed to be “team TERF,” an acronym for trans-exclusionary radical feminist. He defended J.K. Rowling’s stance that biological sex that men cannot be women.
Chappelle went on to win a Grammy Award for “The Closer.”

Michelle Buteau

Comedian Says It’s ‘Dangerous’ For Dave Chappelle To Joke About Trans People

Comedian Says It's 'Dangerous' For Dave Chappelle To Joke About Trans People

comedian

Comedy

Dave Chappelle

Netflix

Social Issues

Transgender

U.S.

The audience at NBC&#8217;s <a href="https://www.dailywire.com/topic/saturday-night-live" target="_blank" rel="noopener">&#8220;Saturday Night Live&#8221;</a> cheered upon hearing the name of <a href="https://www.dailywire.com/topic/luigi-mangione" target="_blank" rel="noopener">Luigi Mangione</a>, the man who is <a href="https://www.dailywire.com/news/luigi-mangione-indicted-for-murder-in-new-york-faces-terrorism-charges" target="_blank" rel="noopener">charged with</a> murdering UnitedHealthcare CEO Brian Thompson in New York City earlier this month.
It happened when &#8220;Weekend Update&#8221; anchor Colin Jost began to talk about Mangione being <a href="https://www.dailywire.com/news/luigi-mangione-waives-extradition-taken-into-nypd-custody" target="_blank" rel="noopener">transported</a> back to New York City by authorities after he was captured in Pennsylvania. Jost barely managed to mention Mangione&#8217;s name before the audience cheered and he stopped mid-joke to acknowledge the elation in the room.
<blockquote class="twitter-tweet" data-width="500" data-dnt="true">
SNL Weekend Update mentions CEO kiIIer Luigi Mangione and the crowd applauds &amp; cheers <a href="https://t.co/Hn6k2kTBp2">pic.twitter.com/Hn6k2kTBp2</a>
&mdash; End Wokeness (@EndWokeness) <a href="https://twitter.com/EndWokeness/status/1870707787157959091?ref_src=twsrc%5Etfw">December 22, 2024</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
&#8220;Yea. Yea. Definitely, &#8216;Woo!'&#8221; Jost quipped, looking around the room and eliciting a round of laughter. &#8220;You&#8217;re wooing for justice right?&#8221;
Jost then returned to his joke.
&#8220;Luigi Mangione dropped his extradition fight and was flown from Pennsylvania to New York to face multiple charges. In related news, Bumble exploded,&#8221; he said, referring to a dating app.
The popular &#8220;End Wokeness&#8221; account shared a clip of the moment on X, prompting some criticism.
&#8220;Revolting. Sickening. Vile,&#8221; <a href="https://x.com/StephenM/status/1870822869946843344" target="_blank" rel="noopener">said</a> Stephen Miller, senior adviser to President-elect Donald Trump.
&#8220;So disgusting… and Colin Jost just smirks away as if it’s all one big giggle. Shameful moment for SNL,&#8221; <a href="https://x.com/piersmorgan/status/1870836817433600356" target="_blank" rel="noopener">said</a> British broadcaster Piers Morgan.
&#8220;Yup,&#8221; <a href="https://x.com/Timcast/status/1870835079800594746" target="_blank" rel="noopener">said</a> podcast host Tim Pool. &#8220;This was always the left.&#8221;
&#8220;Too many leftists are sick, evil monsters,&#8221; <a href="https://x.com/mrddmia/status/1870717645731098728" target="_blank" rel="noopener">said</a> Mike Davis, a former Senate staffer who now leads the Article III Project. &#8220;They only respect power. Power is their god. So we must use power to crush them. Legally, financially, and politically. No mercy.&#8221;
Mangione, 26, faces a bevy of state and federal counts for murder and other crimes that could lead to prison time or even the death penalty if there are convictions. A lawyer for Mangione has <a href="https://www.cbsnews.com/news/luigi-mangione-healthcare-ceo-shooting-what-we-know/" target="_blank" rel="noopener">indicated</a> his client plans to fight the charges.
Some people have come to idolize Mangione in part for his physical appearance and because of frustration with the health insurance industry.
The New York Post <a href="https://nypost.com/2024/12/16/us-news/fans-of-ceo-slay-suspect-luigi-mangione-are-actually-tattooing-his-face-to-their-bodies/" target="_blank" rel="noopener">reported</a> instances of people getting his face tattooed on their bodies. And a group of Mangione&#8217;s supporters even <a href="https://www.dailywire.com/news/luigi-mangione-waives-extradition-taken-into-nypd-custody" target="_blank" rel="noopener">showed up</a> to a courthouse in Pennsylvania last week when he waived his extradition to New York.
NYPD Commissioner Jessica Tisch chided those who celebrated Thompson&#8217;s killing.
&#8220;Let me say this plainly, there is no heroism in what Mangione did. This was a senseless act of violence. It was a cold and calculated crime that stole a life and put New Yorkers at risk,&#8221; Tisch said. &#8220;We don’t celebrate murders and we don’t lionize the killing of anyone. And any attempt to rationalize this is vile, wreckless, and offensive to our deeply held principles of justice.&#8221;

Colin Jost

‘SNL’ Audience Cheers For Man Charged With Murdering UnitedHealthcare CEO

Crime

Luigi Mangione

Murder

New York City

Saturday Night Live

I used to enjoy Bill Burr’s work.
On occasion, I still do. He&#8217;s a comedian, which means he&#8217;s very hit or miss. Once upon a time, I was such a fan that I actually bought tickets for me, my wife, and two of my friends to go see him.
It turned out to be one of the worst shows I have ever seen in my life because Burr has become woke. Over time, I think he became embarrassed that many people on the Right thought he was very funny, so he decided he was going to go woke.
The show I saw was so bad that he got frustrated with the audience. The audience was not laughing at his jokes because his jokes were basically about how Floridians were a bunch of anti-gay racists. And Floridians reacted badly because that&#8217;s not true. There are a lot of gay people who live in Florida and many Hispanics, blacks, and Jews live there as well.
He ended up cutting his show early and walking off the stage. The reason was, he was totally disconnected from the audience.
That disconnect has continued. Not long ago, he appeared on Bill Maher&#8217;s show where he declared solidarity with the pro-Hamas students on campuses.
Now, he is proclaiming he is very happy that CEOs are walking around in fear for their lives.
We tend to give comedians more leeway to say edgy things because they’re trying to be funny.
<h3><a href="https://www.dailywire.com/episode/ep-2102-member-exclusive" target="_blank" rel="noopener">WATCH: The Ben Shapiro Show</a></h3>
But it&#8217;s not clear to me that Burr is attempting to be funny. This week, he explained that he is perfectly fine with CEOs having to live with full-time security because they fear they might be shot. Because, after all, they are murderers too.
Burr openly cheered the murder of the UnitedHealthcare executive because he says CEOs should live in fear if they don&#8217;t act in the way that he would have them act — in a system that he has no fixes for, by the way.
He <a href="https://www.mediaite.com/podcasts/bill-burr-explains-why-hes-ok-with-ceos-fearing-for-their-lives-after-ny-shooting-a-lot-of-you-are-mass-murderers/" target="_blank" rel="noopener">stated</a>:
<blockquote>You know what’s annoying me about this kid who killed this CEO? None of these news programs are talking about the incredible lack of empathy from the general public about this because of how these insurance companies treat people when they at their most vulnerable, after we’ve all given them our money every f***ing month, and now we finally need you and all you do is deny us…
You know, I gotta be honest with you, OK? I love that f***ing CEOs are fucking afraid right now. You should be! By and large, you’re all a bunch of selfish greedy f***ing pieces of s***; and a lot of you are mass murderers. You just don’t pull the trigger. That’s why it looks clean.</blockquote>
What he said is truly evil. He&#8217;s saying you should live in fear if you&#8217;re the CEO of a company that does things that Burr deems to be bad or wrong.
Now, we have laws on the books, for example, that prevent crimes like fraud and embezzlement. We have laws on the books that punish criminal activity. If you don&#8217;t like the system, and many people don&#8217;t, the proper response to that system would be legislation. In a democratic republic, the way to fix problems is to have open discussions of the details of those problems and then craft regulatory or legal fixes.
You do not say that it is a good thing that CEOs should live in fear of their lives because Burr deems them morally inferior.
Bill Burr’s blue collar class routine act is a bunch of horses***. The man is worth $14 million, and he makes his money creating crap movies for Netflix at this point. If we&#8217;re going to have a functioning country, you can&#8217;t justify the murder of people who run their businesses legally in ways with which you disagree.
It is one thing to disagree with executives. You can call them whatever you want. But to start justifying that they should live in fear or suggesting that they should be murdered? What is the limiting principle here?
The alleged shooter in this case was echoing Ted Kaczynski, the Unabomber. The Unabomber suggested that if you were, for example, an oil executive, maybe you should be murdered, because after all, there were externalities to the oil industry.
Why not the banking industry? Maybe Burr doesn&#8217;t like the banks. After all, that bank denied grandma her loan. So, with his logic, maybe the CEO of the bank should be tracked down and murdered.
This is full-stop evil. It is evil. I don&#8217;t care what complaints exist with the health insurance company, the notion that the solution to those complaints is the murder of the executives is sick. If you were living in a tyrannical society with no legal correctives or alternatives in terms of Medicaid — which does exist — and no alternatives in terms of other health insurance programs, then an argument could be made for there to be a full-scale monarchic tyranny.
But that&#8217;s not the system in which we live. And promulgating that lie leads to greater violence. It leads to justification of all violence.
It&#8217;s not just Bill Burr. It is also Jimmy Kimmel, who decided last night to devote an entire segment celebrating the good looks of the alleged shooter. He <a href="https://www.dailywire.com/news/jimmy-kimmel-laughs-shares-staffers-texts-about-ceo-killer-being-hot" target="_blank" rel="noopener">said</a>, 
<blockquote>So many women and so many men are going nuts over how good-looking this killer is. There’s a huge wave of horny washing over us right now. It’s like when one of the guys you work with says, ‘I had a dream about you last night.’ When it’s the FedEx guy with the big muscles and the rolled-up sleeves, you’re like, ‘Ohh.’ But if it’s the bald IT guy wearing Crocs with black socks, you’re on the phone with HR.</blockquote>
He continued:
<blockquote>It&#8217;s kinda that same dynamic. … I have never experienced anything like this. These are screengrabs of actual exchanges between our members of our staff and their friends, relatives, whatever.
I&#8217;ve changed the names to protect the guilty. Lorraine C. asks, “Do you guys think the United Health Care Co killer is hot?” Friend replies, Yes, I love Luigi. I think he&#8217;s gay though. … And one more from a young woman in our segment department. “Texting all my friends in New York that I hope they get called to jury duty.” “God, I want to do jury duty so bad.”</blockquote>
Hilarious, hilarious stuff. Glorifying the alleged murderer of the UnitedHealthcare CEO.
What a delight these people are.

Hulu’s “Hularious” Stand-Up Comedy Celebration

Bill Burr Goes Full A**hole

Ben Shapiro

Bill Burr

Corporations

Health Care

Health Insurance

Opinion

Many viewers were not laughing at the Weekend Update bit on the most recent episode of “<a href="https://www.dailywire.com/topic/saturday-night-live">Saturday Night Live</a>” as it made jokes about the <a href="https://www.dailywire.com/topic/crime">murder</a> of UnitedHealthcare CEO Brian Thompson.
Saturday night&#8217;s episode of the sketch comedy show included hosts Colin Jost and Michael Che making a few jokes about the circumstances surrounding Thompson&#8217;s death on December 4, including the NYPD&#8217;s search for the shooter and reactions to the exec’s <a href="https://www.dailywire.com/topic/assassination">assassination</a>.
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&#8220;This week, New York City officials sent a tough message on crime,&#8221; Jost said, mocking law enforcement for not having a suspect in custody yet. &#8220;&#8216;If you shoot somebody in the middle of the street, you better get on your bike, hop on a bus, and get the heck out of here, mister.'&#8221;
&#8220;The manhunt continues for the assassin who gunned down the CEO of UnitedHealthcare on Wednesday,&#8221; Jost went on. &#8220;And it really says something about America that a guy was murdered in cold blood and the two main reactions were, &#8216;Yeah, well, healthcare stinks!&#8217; And also, &#8216;Girl, that shooter hot.'&#8221;
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Jost also mentioned the lighting of the Christmas tree at Rockefeller Center, which happened the same day Thompson was murdered. &#8220;It&#8217;s also so crazy that the shooting happened three blocks from here in broad daylight, and the guy just bicycled away. Probably because they have every cop in the city guarding our Christmas tree,” he said.
&#8220;The NYPD now believes the suspect left the city on a bus from Port Authority. Thanks, but a Port Authority passenger who looks like a murderer actually widens the search,&#8221; Jost went on.
&#8220;New York City police say that they were able to get the smiling picture of the suspect after the man apparently was caught on camera at a local hostel, flirting with a female employee, whose name has been reported as ‘Lucky S. Bechalive,'&#8221; Che said.
Reactions to the bit have been mixed, with many saying the bit was in poor taste as Thompson was a husband and father to two young sons.
&#8220;Long time viewer of SNL. I don&#8217;t consider myself particularly [sensitive] to any topic, but in today&#8217;s Weekend Update edition they made jokes about the United Health CEO gunned down in NYC. That was really distasteful and disrespectful. SNL, you need to do better,&#8221; one X user <a href="https://x.com/JCarrilloH/status/1865631926880494014">wrote</a>.
“Disgusting. I couldn’t watch this segment. The victim’s family and friends are very much grieving right now,” one commenter wrote in response to a YouTube clip of the segment. 
“Agreed,” said another. “I don’t usually watch SNL, and I can see by the segment and comments supporting it, that I will no longer be watching it. Joking about someone’s murder like that is absolutely disgusting… a family is grieving right now.”
Thompson was gunned down last Wednesday morning by a masked assassin. Some people on social media openly celebrated the CEO’s death as they insisted it was retribution for corruption and greed in the healthcare industry.
On Monday, police <a href="https://www.nytimes.com/live/2024/12/09/nyregion/unitedhealthcare-ceo-shooting-news">arrested</a> Luigi Mangione at a Pennsylvania McDonald&#8217;s on firearms charges. Law enforcement described him as &#8220;a strong person of interest&#8221; in connection with the murder.
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Saturday Night Live – Season 50

‘SNL’ Slammed For Making Jokes About Murder Of UnitedHealthcare CEO

'SNL' Slammed For Making Jokes About Murder Of UnitedHealthcare CEO

assassination

Entertainment

Television

Comedian <a href="https://www.dailywire.com/topic/eddie-murphy">Eddie Murphy</a> is going to become family with his friend and co-star, fellow <a href="https://www.dailywire.com/topic/entertainment">comedic actor </a>Martin Lawrence.
Murphy’s son, Eric Murphy, proposed to Martin&#8217;s daughter, Jasmin Lawrence, last week, the happy couple announced in a video shared on Instagram over the weekend.
The video includes the song “Spend My Life with You” by Eric Benét playing in the background. It shows a room decorated with candles and roses, and a floor covered in flower petals. The video then cuts to Jasmin walking into the room to see the setup.
Eric got down on one knee and held out the ring box, to which Jasmine said, “It’s beautiful. Oh my gosh,” and then, “Yes!” Eric and Jasmin celebrated their engagement with a kiss at the end.  
“We’re engaged!! God truly blessed us with a love that feels like destiny,&#8221; the Instagram post caption says. 
“We couldn’t be more excited for this next chapter,” it continues. “Special thank you to everyone who made this moment so beautiful!!&#8221;
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Jasmin discussed how the pair met during a conversation with InTouch Weekly in 2022. &#8220;It wasn&#8217;t even our dads, and they&#8217;ve done two movies together, they&#8217;re friends,&#8221; she <a href="https://www.youtube.com/watch?v=9OYbx4LFg2Y">said</a> at the time, adding that her uncle was responsible for making the match.
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&#8220;We became really good friends because we bonded on a lot of things,&#8221; she continued. &#8220;And over time, it just, you know, became more.&#8221;
Lawrence joked about the couple during an appearance on “Jimmy Kimmel Live!” in 2022, saying they were going to have &#8220;a comedy super-baby&#8221; in the future, per <a href="https://people.com/eddie-murphy-son-eric-martin-lawrence-daughter-jasmin-engaged-8549264">People</a>. 
&#8220;We haven&#8217;t talked about it,&#8221; Lawrence said at the time about his and Murphy’s reaction to the couple. &#8220;We kind of just stay out of their business and let them do their own thing, and respect their thing.&#8221;
&#8220;I&#8217;m gonna try to get Eddie to pay for it,&#8221; he quipped about the potential of a wedding.
Murphy responded publicly, <a href="https://popculture.com/celebrity-couples/news/eddie-murphy-shuts-down-martin-lawrence-over-paying-daughters-wedding/">telling</a> Canadian outlet Etalk, &#8220;That&#8217;s not how it goes.&#8221;
&#8220;My daughter [Bria] just got married, and I had to pay — really had to pay,&#8221; the comedian said. &#8220;You have to do the same, Martin.&#8221;
&#8220;Don&#8217;t try to switch it up — don&#8217;t try to change no sh**, do no Hollywood switch,&#8221; Murphy went on. &#8220;You&#8217;re paying for the wedding. If it goes down, Martin is paying. And the wedding better be wonderful.”

Eddie Murphy and Martin Lawrence

Eddie Murphy’s Son Gets Engaged To Martin Lawrence’s Daughter: ‘Feels Like Destiny’

Eddie Murphy's Son Gets Engaged To Martin Lawrence's Daughter: 'Feels Like Destiny'

Celebrities

Eddie Murphy

Hollywood

Former talk show host <a href="https://www.dailywire.com/topic/ellen-degeneres">Ellen DeGeneres</a> has reportedly had it with the United States and has already moved into a home in rural England with her wife Portia De Rossi following President-elect Donald Trump’s victory.
Sources with knowledge told <a href="https://www.thewrap.com/ellen-degeneres-moved-great-britain-left-united-states-donald-trump/">The Wrap</a> that the 66-year-old comedian/actress and Rossi purchased the home in South West England &#8212; two hours outside of London &#8212; before voters in America went to the polls and voted to send Trump back to the White House.
An insider reportedly told <a href="https://www.tmz.com/2024/11/20/ellen-degeneres-and-portia-de-rossi-move-to-england-after-trump-election-win/#continued">TMZ</a> that the main reason for the move was because of Trump’s victory against Vice President Kamala Harris. The two were reportedly &#8220;very disillusioned&#8221; with Trump winning, and immediately decided &#8220;to get the hell out,” a source told the outlet.
Multiple reports also claimed that DeGeneres planned to put up their sprawling estate in Montecito, California, that she bought in 2019, the outlet noted.
During the election, the actress put her support behind Harris and reportedly donated $3,300 to her campaign, <a href="https://pagesix.com/2024/11/20/celebrity-news/ellen-degeneres-and-portia-de-rossi-get-the-hell-out-of-us-after-donald-trumps-presidential-win/?utm_source=twitter&amp;utm_campaign=pagesix&amp;utm_medium=social">Page Six</a> reported. 
“There’s nothing more powerful than a woman whose time has come!” DeGeneres wrote on <a href="https://www.instagram.com/p/C-_1EZcxtj0/">Instagram</a>. “I can’t wait for @KamalaHarris to be our next president.”
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HUGE LOSS: Ellen DeGeneres and her wife, Portia de Rossi, have moved to the U.K. and intend to stay there permanently following Donald Trump&#8217;s election as president. <a href="https://t.co/N1xVG4gyuy">pic.twitter.com/N1xVG4gyuy</a>
— Breaking911 (@Breaking911) <a href="https://twitter.com/Breaking911/status/1859366372557373860?ref_src=twsrc%5Etfw">November 20, 2024</a></blockquote>
Earlier this year, the former host of “The Ellen DeGeneres Show” announced that she was walking away from show business with her final stand-up comedy special for Netflix, “<a href="https://www.dailywire.com/news/ellen-degeneres-laughs-off-idea-shes-mean-in-final-stand-up-special">Ellen DeGeneres: For Your Approval</a>.”
<a href="https://www.amiracist.com/?_gl=1*jtghwp*_gcl_au*ODQ1NjYzNTg2LjE3Mjg5MDk3OTE.*_ga*MTc2NzM0NDQ2NS4xNzI4OTA5Nzkx*_ga_CZKR9ZYKJP*MTczMDEyMDgwOS40OS4xLjE3MzAxMjA4MzkuMzAuMC4w" target="_blank" rel="noopener">MATT WALSH’S ‘AM I RACIST?’ NOW STREAMING ON DAILYWIRE+</a>
During the special, <a href="https://www.dailywire.com/news/ellen-degeneres-announces-final-stand-up-special-premiere-date">DeGeneres</a> laughed off the idea that she was ever mean after being canceled due to “toxic” workplace claims on her talk show after 19 seasons. A Buzzfeed report published in 2020 about “The Ellen Show” claimed it was a “toxic” workplace — full of intimidation and even alleged sexual abuse.
“Alright, let me catch you up on what’s been going on with me since you last saw me,” DeGeneres said in the special. “I got chickens. … Oh yeah, I got kicked out of show business for being mean.”
At one point, she talked about how this was her second ousting from show business, the first being in 1997 when she came out as a lesbian.
“Kicked me out before because I told them I was gay. No gay people in show business. They kick you out. Can’t be gay and be in show business,” Ellen joked. “Eventually they’re going to kick me out a third time for being old — mean, old, and gay, the triple crown.”
Near the end of the hour-plus special, DeGeneres looped back around again to being labeled mean and said that she&#8217;d &#8220;spent an entire lifetime trying to make people happy. And I’ve cared far too much what other people think of me.”
“So after a lifetime of caring, I just can’t anymore. So, I don’t,” DeGeneres said. “I have a choice of people remembering me as someone who is mean or someone who is beloved … beloved, I chose that.”
DeGeneres closed the show by saying, “I’m so glad I got to say goodbye on my terms.”

Ellen DeGeneres

Ellen DeGeneres Reportedly Moves To England After Trump Victory

California

Donald Trump

Ellen Degeneres

England

World

The Southern Poverty Law Center is &#8220;doxxing&#8221; the staff of the site Not the Bee, the website affiliated with The Babylon Bee that writes lighthearted news stories highlighting the absurdities of the Left.
SPLC published its piece on The Babylon Bee on Tuesday afternoon. It revealed the identities of six authors from Not The Bee from around the country who contribute to the site. SPLC published their names, where they lived, and their professions, which ranged from fitness instructor to high school teacher.
The Babylon Bee&#8217;s leadership team got ahead of SPLC&#8217;s story on Tuesday morning. Dan Dillon, CEO of Not The Bee, which publishes true stories so absurd that they seem like parodies, said SPLC managed to extract the identities of contributors who write under pseudonyms, and contacted the website saying it plans to publish their identities.
“They&#8217;ve taken personal information about our authors and pieced together a story that is meant to ‘expose’ our anonymous staff to their employers and the general public,” he said on X. “While we take the actual issue of doxxing very seriously and will defend those on staff that wish to stay anonymous, what we don&#8217;t take seriously is this organization that&#8217;s behind the attack. They are angry, bitter, resentful hacks that feel like their ability to pummel people into worldview submission is slipping away.”
Seth Dillon, CEO of The Babylon Bee, said that his companies are still working to figure out how exactly the identities were extracted by SPLC, but he already knows exactly why it was done.
&#8220;They did it because they’re left-wing activists masquerading as journalists,&#8221; Dillon said. &#8220;They did it because they lack principles. They did it because they’re vindictive bullies who&#8217;ve admitted their aim is to &#8216;completely destroy&#8217; individuals and organizations they disagree with by making them pay a steep price for speaking freely.&#8221;
<blockquote class="twitter-tweet">
The discredited, scandal-ridden smear factory known as the SPLC is about to publish a hit piece doxxing several of our “Not the Bee” writers who wished to remain anonymous so they could speak freely, without fear. The SPLC extracted sensitive information from our site, then used… <a href="https://t.co/toQLfga5SU">pic.twitter.com/toQLfga5SU</a>
— Seth Dillon (@SethDillon) <a href="https://twitter.com/SethDillon/status/1858869596146811053?ref_src=twsrc%5Etfw">November 19, 2024</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
SPLC was founded in 1971 by mail-order salesman Morris Dees. Dees had worked for notorious segregationist George Wallace, but with the advent of widespread revulsion at white supremacy, he saw an opportunity to apply his trade to raising money to oppose groups like the KKK. “Whether you’re selling cakes or causes, it’s all the same,” Dees would say of SPLC&#8217;s business model.
Since such groups were, even then, essentially eradicated, it began declaring increasingly moderate groups — often Christian ones — to be “extremists,” keeping the fundraising going.
According to its 2022 <a href="https://projects.propublica.org/nonprofits/organizations/630598743/202430449349301428/full" target="_blank" rel="noopener">tax form</a>, it took in $170 million that year, and had about $700 million stashed away as “private investment funds.” $26 million was stored in “Central America and the Caribbean.” The <a href="https://freebeacon.com/issues/southern-poverty-law-center-transfers-millions-in-cash-to-offshore-entities/" target="_blank" rel="noopener">Free Beacon</a> reported in 2019 that tax documents from 2014 showed it transferring millions of dollars to the Cayman Islands, a tax haven.
The group now has little to do with poverty in the South, and according to a former employee’s <a href="https://www.newyorker.com/news/news-desk/the-reckoning-of-morris-dees-and-the-southern-poverty-law-center" target="_blank" rel="noopener">2019 essay</a>, almost all of its employees were white and straight. Dees was fired in 2019 after minority and female staffers said he engaged in racism and sexual harassment.
SPLC now functions as a smear factory, allowing reputable groups like legacy media outlets to call center-right groups extremists without engaging in defamation because they attribute it to SPLC, a nominal expert, instead of saying it themselves. In 2012, a left-wing gunman stormed the conservative think tank Family Research Council because he saw it listed as “anti-gay” by SPLC. He was later convicted of terrorism for the attack.
In 2018, SPLC’s insurance company <a href="https://www.theatlantic.com/politics/archive/2018/06/maajid-nawaz-v-splc/562646/" target="_blank" rel="noopener">paid</a> British activist Maajid Nawaz $3.4 million because the group falsely named him an “anti-Muslim extremist.” Last year, a judge ruled that a defamation suit from the Dustin Inman Society could proceed after SPLC called it an “anti-immigrant hate group… vilifying all immigrants,” when the Society says it simply opposes illegal immigration.
Among the blog authors doxxed by SPLC were names such as &#8220;Planet Moron.&#8221;
The request for comment posted by Not The Bee said, “This is Creede Newton, a journalist with the Southern Poverty Law Center’s Intelligence Project.” It said that it had identified the real name of the pseudonymous “Planet Moron”’ and planned to publish the employment and residency information of the author because he is a “prolific writer on culture-war issues.”
Prominent conservatives defended The Babylon Bee ahead of the SPLC piece. Daily Wire Editor Emeritus Ben Shapiro praised Dillon for going after SPLC rather than waiting for the smear to come out.
&#8220;This is the right strategy,&#8221; Shapiro wrote on X.
<blockquote class="twitter-tweet">
This is the right strategy <a href="https://t.co/D93GP4xl0P">https://t.co/D93GP4xl0P</a>
— Ben Shapiro (@benshapiro) <a href="https://twitter.com/benshapiro/status/1858887276383645900?ref_src=twsrc%5Etfw">November 19, 2024</a></blockquote>
<script src="https://platform.twitter.com/widgets.js" async="" charset="utf-8"></script>
Chris Rufo, a journalist and activist, said on X that the fact that SPLC was going after a comedy site “proves that ‘systemic racism’ is such a marginal problem in American life that organizations supposedly dedicated to fighting it do things like this instead.”

SPLC

Left-Wing ‘Smear Factory’ SPLC Doxxes Babylon Bee-Linked Writers

Social Media Censorship

Southern Poverty Law Center (SPLC)

Actor, producer, and writer Allen Covert says he spent his “entire adult life” working at Happy Madison, the Adam Sandler shingle that gave us “Happy Gilmore,” “Grown Ups” and more comic hits.
“It’s the only real job I’ve ever had,” said Covert.
Now, following his 60th birthday, he’s decided it’s time to branch out on his own. Covert has a new Hollywood goal after breaking free from Happy Madison – bring back the bawdy comedy.
Covert’s expansive credits include “Little Nicky,” “The Wrong Missy,” “Murder Mystery,” “Hubie Halloween” along with his many comic cameos in Sandler smashes like &#8220;The Wedding Singer,&#8221; “Happy Gilmore,” and “The Waterboy.”
<div id="attachment_829489" style="width: 460px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-829489" class="wp-image-829489 size-full" src="https://dw-wp-production.imgix.net/2024/11/MV5BMTg3OTUwNzA3M15BMl5BanBnXkFtZTYwNjY0MzA3._V1_.jpg" alt="Allen Covert, Adam Sandler, and Drew Barrymore in &quot;The Wedding Singer.&quot; (1998). Juno Pix. New Line Cinema. Robert Simonds Productions. IMDB." width="450" height="302" srcset="https://dw-wp-production.imgix.net/2024/11/MV5BMTg3OTUwNzA3M15BMl5BanBnXkFtZTYwNjY0MzA3._V1_.jpg 450w, https://dw-wp-production.imgix.net/2024/11/MV5BMTg3OTUwNzA3M15BMl5BanBnXkFtZTYwNjY0MzA3._V1_-300x201.jpg 300w" sizes="(max-width: 450px) 100vw, 450px" />Allen Covert, Adam Sandler, and Drew Barrymore in &#8220;The Wedding Singer.&#8221; (1998). Juno Pix. New Line Cinema. Robert Simonds Productions. IMDB.</div>
Covert’s comedy resume speaks for itself, but he also has a focus group of four to fall back on. His children.
“They watch old comedies. They literally say to me, ‘Why don’t they make movies like this anymore?’” he said.
They can’t blame Daddy for the comedy drought. Even though fans tell him how much they love his comedies, Covert says, “Not one studio is making one right now. They’re not making comedy, period.”
It’s an exaggeration, but only a slight one. Big-screen comedies are on the decline, with most of the funny stuff heading straight to streaming. Think this year’s “Ricky Stanicky” (Prime Video) or the upcoming “Dear Santa” (Paramount+).
<div id="attachment_829503" style="width: 495px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-829503" class="wp-image-829503 size-full" src="https://dw-wp-production.imgix.net/2024/11/MV5BMTM4NDk2NDY5MF5BMl5BanBnXkFtZTYwMDg1MDU3._V1_.jpg" alt="2536. Alex (Allen Covert) shows his grandma Lilly (Doris Roberts) how to play &quot;Demonik,&quot; the video game he has secretly created. Photo Credit: Darren Michaels. TM and copyright 2005 Level 1 Entertainment LLC. All rights reserved. Not for sale or duplication. Twentieth Century Fox. Happy Madison. IMDB." width="485" height="314" srcset="https://dw-wp-production.imgix.net/2024/11/MV5BMTM4NDk2NDY5MF5BMl5BanBnXkFtZTYwMDg1MDU3._V1_.jpg 485w, https://dw-wp-production.imgix.net/2024/11/MV5BMTM4NDk2NDY5MF5BMl5BanBnXkFtZTYwMDg1MDU3._V1_-300x194.jpg 300w" sizes="(max-width: 485px) 100vw, 485px" />Allen Covert and Doris Roberts in &#8216;Grandma&#8217;s Boy&#8217;. Photo Credit: Darren Michaels. TM and copyright 2005 Level 1 Entertainment LLC. All rights reserved. Twentieth Century Fox. Happy Madison. IMDB.</div>
Covert grew up on bawdy teen comedies like “Fast Times at Ridgemont High.” Their rebellious shtick made Covert and his pals howl. It also gave them a common cultural touchpoint. Now, the veteran film producer laments that Gen Zers lack a similar release valve.
“My daughter just graduated high school. [Her generation] hasn’t had a single comedy that’s theirs. Four years of high school. Not one movie they can look back on and go, ‘Remember when we all saw, ‘Can’t Hardly Wait?’ Now, they get ‘Kissing Booth.’”
The latter is a Netflix original. Covert has no problem with the streaming giant, having worked repeatedly with the platform in recent years. He says nothing can replace the theatrical experience.
“There’s something very bonding about sitting in a room with strangers and laughing your a**es off,” he said. “It’s different than sitting at home with three of your friends.”
<div id="attachment_829473" style="width: 877px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-829473" class="wp-image-829473 size-large" src="https://dw-wp-production.imgix.net/2024/11/GettyImages-1306440-867x576.jpg" alt="" width="867" height="576" srcset="https://dw-wp-production.imgix.net/2024/11/GettyImages-1306440-867x576.jpg 867w, https://dw-wp-production.imgix.net/2024/11/GettyImages-1306440-300x199.jpg 300w, https://dw-wp-production.imgix.net/2024/11/GettyImages-1306440-768x510.jpg 768w, https://dw-wp-production.imgix.net/2024/11/GettyImages-1306440.jpg 1024w" sizes="(max-width: 867px) 100vw, 867px" />Allen Covert and Beefy act in a scene from &#8220;Little Nicky.&#8221; (Photo by M. Aronowitz/New Line/Newsmakers)</div>
The veteran comedy producer (“Grown Ups”) and occasional star (“Grandma’s Boy”) wants to do something about it.
So, where did all the comedies go? Covert points the finger at several culprits, including the invincible Iron Man.
“IP and big-budget blockbusters,” he said. “Everyone is like, we want Marvel films where we can create our universe and every movie makes $500 million to a billion dollars,” he said. “Comedies fell by the wayside at studios.”
The Hollywood groupthink stifles genres that fall out of favor, or as he put it, a “small group of people who pick what gets bought.”
Another reason for the big screen comedy vacuum is obvious to most cultural observers. The new woke rules prevent certain jokes and topics from making the final cut.
“That’s 1,000 percent true,” Covert said without hesitation.
<div id="attachment_829481" style="width: 871px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-829481" class="wp-image-829481 size-large" src="https://dw-wp-production.imgix.net/2024/11/GettyImages-509577442-861x576.jpg" alt="" width="861" height="576" srcset="https://dw-wp-production.imgix.net/2024/11/GettyImages-509577442-861x576.jpg 861w, https://dw-wp-production.imgix.net/2024/11/GettyImages-509577442-300x201.jpg 300w, https://dw-wp-production.imgix.net/2024/11/GettyImages-509577442-768x514.jpg 768w, https://dw-wp-production.imgix.net/2024/11/GettyImages-509577442.jpg 1024w" sizes="(max-width: 861px) 100vw, 861px" />THE TONIGHT SHOW WITH JAY LENO &#8212; Episode 3062 &#8212; Pictured: (l-r) Comedian Allen Covert during an interview with host Jay Leno on December 16, 2005 &#8212; (Photo by: Paul Drinkwater/NBCU Photo Bank/NBCUniversal via Getty Images via Getty Images)</div>
That explains why some comedy actors, like <a href="https://www.usatoday.com/story/entertainment/celebrities/2024/09/12/will-ferrell-snl-drag-janet-reno/75192512007/" target="_blank" rel="noopener">Will Ferrell</a> and <a href="https://variety.com/2019/film/festivals/berlin-film-festival-jonah-hill-wants-to-challenge-traditional-masculinity-1203134534/" target="_blank" rel="noopener">Jonah Hill</a>, have apologized for their jokes in recent years.
“If you made a really horrible joke in the past that’s blatantly racist and discriminatory everyone should apologize for that,” he said. “If you made a comedy that’s maybe gotten a little less palatable to the community over time, who cares? I’ll never apologize for a joke.”
“If you do something wrong you get your ass out there and apologize,” he added.
Covert is that rare Hollywood conservative, but he’s been able to produce, write, and co-star in films for years without punishment.
“I’ve never experienced any type of, ‘He’s a conservative. We can’t work with him.’ I was never the lead guy … I was part of a company that was hugely successful,” he said of Happy Madison and his longtime collaborator, Sandler. “My experience in Hollywood as a conservative is probably different than others.”
<div id="attachment_829483" style="width: 819px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-829483" class="size-large wp-image-829483" src="https://dw-wp-production.imgix.net/2024/11/GettyImages-456306578-809x576.jpg" alt="" width="809" height="576" srcset="https://dw-wp-production.imgix.net/2024/11/GettyImages-456306578-809x576.jpg 809w, https://dw-wp-production.imgix.net/2024/11/GettyImages-456306578-300x214.jpg 300w, https://dw-wp-production.imgix.net/2024/11/GettyImages-456306578-768x547.jpg 768w, https://dw-wp-production.imgix.net/2024/11/GettyImages-456306578.jpg 1024w" sizes="(max-width: 809px) 100vw, 809px" />MALIBU, CA &#8211; SEPTEMBER 28: Actors Adam Sandler and Allen Covert attend Rock4EB, Malibu, with Jackson Browne &amp; David Spade sponsored by Suja Juice &amp; Sabra Hummus at Private Residence on September 28, 2014 in Malibu, California. (Photo by Christopher Polk/Getty Images)</div>
Covert has several scripts in near-ready shape for his new endeavor, but he’s still meeting some resistance behind the scenes.
“’What’s the hook?,’ they ask. ‘It’s kids having fun in high school. That’s the hook,” he said. “Kids need this … kids are depressed and anxious. Everyone’s telling them the world’s ending. I wanna tell kids, ‘Have fun … worry about the world ending when you’re 25.”
He still faces an uphill battle despite his comedy resume.
“A lot of people are ready for this. I just don’t think the people in charge are right now,” he said, noting the swirling winds of change in Hollywood haven’t helped. “It’s such a confusing upheaval time in the business. I don’t think they’re able to concentrate on what people wanna see.”
Covert, whose cult hit “Grandma’s Boy” has him recognized in places as far away as South Africa, said he’s ready to meet the pent-up demand for the next great teen comedy.
“I make raw, crazy movies. I make sweet movies — whatever kind of movie needs to be made.”
* * *
Christian Toto is an award-winning journalist, movie critic and editor of <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>. He previously served as associate editor with Breitbart News’ Big Hollywood. Follow him at <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.
<h3><a href="https://www.amiracist.com/?_gl=1*jtghwp*_gcl_au*ODQ1NjYzNTg2LjE3Mjg5MDk3OTE.*_ga*MTc2NzM0NDQ2NS4xNzI4OTA5Nzkx*_ga_CZKR9ZYKJP*MTczMDEyMDgwOS40OS4xLjE3MzAxMjA4MzkuMzAuMC4w" target="_blank" rel="noopener">MATT WALSH&#8217;S &#8216;AM I RACIST?&#8217; NOW STREAMING ON DAILYWIRE+</a></h3>

Netflix Special Screening Of “”The Out-Laws””

‘Grandma’s Boy’ Star Wants Raunchy Comedies Back On The Big Screen

'Grandma’s Boy' Star Wants Raunchy Comedies Back On The Big Screen

actors

Adam Sandler

Movie Theaters

Movies

<a href="https://www.dailywire.com/topic/cnn" target="_blank" rel="noopener">CNN</a> Republican commentator Scott Jennings roasted late-night comedians for their obvious descent — fueled by President-elect Donald Trump&#8217;s landslide victory on Tuesday — into naked Democratic activism, arguing that &#8220;at some point, people might expect it to be funny.&#8221;
Jennings ripped into the comedians — name-dropping Jimmy Kimmel, who was brought to tears after Trump won — and argued that they were alienating half the country by telling them that only the Trump-hating people in their audience really mattered.
WATCH:
<blockquote class="twitter-tweet" data-width="500" data-dnt="true">
&quot;At some point, people might expect it to be funny&quot;: <a href="https://twitter.com/ScottJenningsKY?ref_src=twsrc%5Etfw">@ScottJenningsKY</a> ROASTS late night Regime comics <a href="https://t.co/AB9ngrInLq">pic.twitter.com/AB9ngrInLq</a>
&mdash; Jorge Bonilla (@BonillaJL) <a href="https://twitter.com/BonillaJL/status/1856186886928171030?ref_src=twsrc%5Etfw">November 12, 2024</a></blockquote>
<script async src="https://platform.twitter.com/widgets.js" charset="utf-8"></script>
Jennings noted that liberal comedian and HBO host Bill Maher — who has repeatedly swiped at his own side for going too far with regard to gender surgeries, COVID lockdowns, and more — seemed to understand that going all-in on activism instead of comedy — and in the process, potentially alienating half the country &#8212; was not the wisest course of action.
&#8220;The rest of these people have become pathetic. I mean, they stopped being comedians and they started becoming political activists. I mean, Jimmy Kimmel out here crying? I mean, it’s pathetic,&#8221; Jennings said. &#8220;And so my my question is, if you’re going to have a late-night comedy show, at some point, people might expect it to be funny and not just a constant political screed against one party, and I don’t — I don’t know that this activism for four more years is sustainable if you’re going to market something as comedy, but the actual product is nothing more than sort of a lowbrow political activism.&#8221;
<a href="https://www.amiracist.com/?_gl=1*jtghwp*_gcl_au*ODQ1NjYzNTg2LjE3Mjg5MDk3OTE.*_ga*MTc2NzM0NDQ2NS4xNzI4OTA5Nzkx*_ga_CZKR9ZYKJP*MTczMDEyMDgwOS40OS4xLjE3MzAxMjA4MzkuMzAuMC4w" target="_blank" rel="noopener">MATT WALSH’S ‘AM I RACIST?’ NOW STREAMING ON DAILYWIRE+</a>
&#8220;These people represent the way a lot of people feel, so it’d actually be interesting if the Trump folks could actually make us feel like, ‘we’re not going to take away your rights,’ and that doesn’t make sense, you think it doesn’t make sense a lot of people actually think that makes sense. That’s the way a lot of people feel,&#8221; Touré protested.
&#8220;That is their audience,&#8221; CNN host Abby Phillip said.
“Is that their mission? To be activists and not comedians?” Jennings pressed.
“Well, sometimes the comedian does stop telling jokes and says serious things,&#8221; Touré replied.
Jennings pushed on, adding, &#8220;During the Biden years, there was nobody who provided more comedy fodder possible than Joe Biden.&#8221;
That was enough for the rest of the panel, who all began protesting at once that Biden had been on the receiving end of plenty of criticism and mockery.

JIMMY KIMMEL

Scott Jennings Roasts Late-Night Comedians: ‘At Some Point, People Might Expect It To Be Funny’

Scott Jennings Roasts Late-Night Comedians: 'At Some Point, People Might Expect It To Be Funny'

2024 Election

Jimmy Kimmel

Media

Politics

Stephen Colbert

Late-night host Stephen Colbert ditched his usual comedy on Wednesday night, opting for a subdued and slightly depressing monologue — which he said was aimed at letting his audience know that if they were upset about the results of Tuesday&#8217;s presidential election, they were not alone.
Colbert, apparently banking on none of his audience members having voted for former President Donald Trump, opened the show by saying, &#8220;Hey there, how are you doing? If you watch this show regularly, I’m guessing you’re not doing great. Yeah, me neither.&#8221;
WATCH;
<iframe loading="lazy" title="You Are Not Alone / The World Reacts To America&#039;s Decision" width="500" height="281" src="https://www.youtube.com/embed/Xbj3xXSPTXY?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
&#8220;The Late Show&#8221; host began by promising to eventually get to the jokes but said that he first wanted to let his audience know that he was feeling the same things that they were. He also thanked them for being there, noting that he didn&#8217;t want to be alone either.
<a href="https://www.amiracist.com/?_gl=1*jtghwp*_gcl_au*ODQ1NjYzNTg2LjE3Mjg5MDk3OTE.*_ga*MTc2NzM0NDQ2NS4xNzI4OTA5Nzkx*_ga_CZKR9ZYKJP*MTczMDEyMDgwOS40OS4xLjE3MzAxMjA4MzkuMzAuMC4w" target="_blank" rel="noopener">MATT WALSH’S ‘AM I RACIST?’ NOW STREAMING ON DAILYWIRE+</a>
&#8220;Today, some people said to me, &#8216;Sorry you have to do a show tonight,&#8217; which is nice of them to say, but I don’t have to do a show. I get to do a show tonight,&#8221; Colbert said. &#8220;I’m so grateful to be with all of these talented people, those people over here, those people that you’ll never see, with the audience in the Ed Sullivan, with you people at home, because especially at times like this, what do we most want to be? Not alone. So thanks for being here.&#8221;
We’re gonna do a comedy show, it’s a comedy show, we’re gonna do some jokes in just a minute because that’s what we do, and I’ll let you in on a little secret. No one gets into this business because everything in their life worked out great, so we’re built for rough roads. You guys ready?&#8221;
Colbert did eventually pivot to the comedy, at which point he immediately began to attack Trump: &#8220;Who knows what the next four years are going to be like. What we do know is that we are going to be governed by a monstrous child surrounded by cowards and grifters.&#8221;

THE LATE SHOW WITH STEPHEN COLBERT

‘I’m Guessing You’re Not Doing Great’: Stephen Colbert Ditches Comedy For Melodrama Over Trump

'I'm Guessing You're Not Doing Great': Stephen Colbert Ditches Comedy For Melodrama Over Trump

Haunting the Kamala Harris campaign is a ghost, the ghost of president present.
I&#8217;m talking, of course, about Joe Biden. Remember him? He&#8217;s still at least technically alive, wandering the landscape in search of cameras. Every time he opens his mouth, something bad happens to Kamala Harris.
The Kamala Harris campaign does not want to be associated with Biden. They&#8217;re embarrassed by him, but they still have to pretend he is important — because, otherwise, she&#8217;d be responsible for everything.
The Harris campaign doesn’t believe the president is helpful. You can see why, because every time Biden says something, it is awful.
Biden makes dumb statements all the time. On Tuesday, he suggested he wanted to take comedian Tony Hinchcliffe for a swim. (I don&#8217;t know what that meant. Was he being romantic or murderous?) 
Biden <a href="https://www.youtube.com/watch?v=rKHm0q88ynM">stated</a>:
<blockquote>That&#8217;s why today I&#8217;m proud to announce we&#8217;re delivering $3 billion in funding for my Inflation Reduction Act to help clean up and modernize ports in 27 different states and territories from Pennsylvania, Georgia, Michigan and beyond, including, yes, Puerto Rico. I’d like to take that guy for a swim out there.</blockquote>
Why is that important? It’s important because for the last several days, since the Madison Square Garden rally on Sunday, the Democrats have been suggesting that Tony Hinchcliffe — a comedian unrelated to the Trump campaign who made a bad joke about Puerto Rico being a floating island of garbage — was a stand-in for the entire Trump campaign. Yet Hinchcliffe is a comedian who is not, in fact, running for president and has nothing to do with the Trump campaign in any capacity, formal or informal. He was just there, he spoke, and that was it.
<h3><a href="https://www.dailywire.com/episode/ep-2074-member-exclusive" target="_blank" rel="noopener">WATCH: The Ben Shapiro Show</a></h3>
If they wanted to make a three-day controversy about how Puerto Rico is an “island of garbage” (because a comedian said so) and attribute that to Trump, who denounced it, they should have been ready for Biden to say something nasty.
And Biden, the current sitting president of the United States — who called his political opponents enemies of the Republic in a speech in front of a blood-red Independence Hall, suggesting that ultra-super MAGA Republicans were effectively traitors to the country and who labeled Donald Trump a Nazi — did just that.
In a Zoom interview Biden was conducting from his basement, he decided to call half of Americans “garbage.” First, looking at what he said is important, and next, explaining how the White House and media are trying to spin this one is equally important. The cover-up is as bad as the crime.
What Biden said was truly awful. It was worse than Hillary Clinton’s “deplorables,” worse than Obama’s “bitter clingers.” Democrats have labeled their political opponents the trash heap of humanity for years. This was the apotheosis of that — a direct outgrowth of believing that Trump is a Hitler figure and all of his followers are brownshirts. If those statements continue to be made over and over — such as repeating that Trump is a Nazi and he holds Nazi rallies — saying his followers are garbage is not a leap, which is what Biden said. 
Biden <a href="https://apnews.com/article/biden-trump-supporters-garbage-puerto-rico-comic-e62ccf9108ba0ca8d1ee694f91a6867e">said</a>, “And just the other day, a speaker at his rally called Puerto Rico a ‘floating island of garbage.’ … The only garbage I see floating out there is his supporters — his — his demonization of Latinos is unconscionable, and it’s un-American. It’s totally contrary to everything we’ve done, everything we’ve been.”
The cover-up for Biden has been astounding. This is not a Rorschach test. This is not a blob on a piece of paper. You can hear clearly what he&#8217;s saying. There is no doubt about what he&#8217;s saying because it&#8217;s on tape.
“The only garbage I see out there is his supporters.” Inflection: down. End of sentence. It&#8217;s clear he was saying that you, I, and all the people who support Donald Trump are garbage. Everyone who does not support Kamala Harris is garbage.
There is no other way to read it or hear it. But don&#8217;t worry, the media were going to do their work. The media pretended — all joking aside — that there was an apostrophe in that sentence.
Now, I know you&#8217;re thinking, “Wait, where&#8217;s the apostrophe? I don&#8217;t understand.”
Here is how the media have been attempting to characterize this, and it is astonishing. They are trying to claim that what he actually said was, “The only garbage I see floating out there is his supporter’s.” “Supporter’s.” Singular with an apostrophe “s”. They are claiming Biden was only talking about Tony Hinchcliffe: “The only garbage out there is Tony Hinchcliffe garbage.”
Politico’s Jonathan LeMire attempted to <a href="https://x.com/JDVance/status/1851430778254876701" target="_blank" rel="noopener">rewrite</a> what Biden said by adding an apostrophe.
<h3><a href="https://www.amiracist.com/?_gl=1*jtghwp*_gcl_au*ODQ1NjYzNTg2LjE3Mjg5MDk3OTE.*_ga*MTc2NzM0NDQ2NS4xNzI4OTA5Nzkx*_ga_CZKR9ZYKJP*MTczMDEyMDgwOS40OS4xLjE3MzAxMjA4MzkuMzAuMC4w" target="_blank" rel="noopener">MATT WALSH&#8217;S &#8216;AM I RACIST?&#8217; NOW STREAMING ON DAILYWIRE+</a></h3>
So they attempted to use phantom apostrophes to save Joe Biden from himself. They&#8217;re simply rewriting Biden in real time. And Biden put out <a href="https://x.com/JoeBiden/status/1851436643498037614" target="_blank" rel="noopener">a statement</a> later in which he claimed he was talking about Hinchcliffe.
Who else doesn&#8217;t believe him? Josh Shapiro, the governor of Pennsylvania, who was overlooked as Kamala Harris&#8217;s vice presidential pick. He <a href="https://x.com/RealSaavedra/status/1851441958641606738" target="_blank" rel="noopener">said</a>, “I would never insult the good people of Pennsylvania or any Americans, even if they chose to support a candidate that I didn&#8217;t support.”
But Kamala Harris won’t denounce Joe Biden because she&#8217;s afraid of him and the base of the Democratic Party who actually do believe that Trump supporters are garbage.
This is a feature of the Democratic Party, not the bug. This is part and parcel of the entire Democratic agenda: People who support Donald Trump, according to Joe Biden and most of the rest of the Democratic Party, are garbage.
It&#8217;s perfectly obvious what Biden was saying. But the media and Democrats want to make you believe he didn’t say it.
Absolute trash.
And they think we are morons.

President Biden Speaks In Baltimore On His Investing In America Agenda

Biden Calls Half Of Americans ‘Garbage’

Biden Calls Half Of Americans 'Garbage'

Joe Biden

Kamala Harris

The following is an edited transcript of an interview between Daily Wire Editor-in-Chief John Bickley and Justin Folk, director of the hit comedic documentary &#8220;<a href="https://www.amiracist.com/" target="_blank" rel="noopener">Am I Racist?</a>&#8220;on a special <a href="https://www.dailywire.com/podcasts/morning-wire/creating-documentaries-that-challenge-narratives-from-what-is-a-woman-to-am-i-racist-10-27-24" target="_blank" rel="noopener">Sunday Extra edition of Morning Wire</a>.
The Daily Wire’s new Matt Walsh-starring comedy “<a href="https://www.amiracist.com/">Am I Racist?</a>” is now the most successful documentary to hit theaters in a decade — despite major headwinds from legacy media and a hostile Hollywood. We sat down with the director, Justin Folk, to discuss his film’s box office run, its launch on Daily Wire+, and why getting conservative content in theaters is now more crucial than ever.
* * *
JOHN: Joining us to discuss the box office run of the Matt Walsh comedy “<a href="https://www.amiracist.com/">Am I Racist?</a>” is its director Justin Folk. Justin, great to have you on the show.
JUSTIN: Yeah, thanks for having me. It&#8217;s good to be on with you guys. Listen to you guys a lot, actually.
JOHN: We love to hear that. Look, you directed the Daily Wire&#8217;s first big documentary hit, “<a href="https://www.dailywire.com/videos/what-is-a-woman">What Is A Woman?</a>” This film is sort of a sequel in some ways, but it’s also very different on many levels – that includes this time you took your film to theaters. That&#8217;s a major risk, but it appears to have paid off here. First, how much has the film brought in from theaters at this point?
JUSTIN: Well, we&#8217;ve passed the $12 million mark at the box office, which is very, very exciting and actually quite historic for a documentary. I believe we&#8217;re the top documentary of the decade. And to achieve that sort of level of success in the theaters out of the gate for The Daily Wire, I think, was a big achievement and I&#8217;m really proud of it. I know the team is proud of it. Ultimately, there were a lot of people involved in that effort. But at the base of it all, we had to make a good film for that to happen. You mentioned that this film is different than “<a href="https://www.dailywire.com/videos/what-is-a-woman">What is a Woman?</a>,” and that&#8217;s by design. We didn&#8217;t want to come out with a half-hearted sophomore effort, and we knew we had to do something different. We knew we had to kind of go bigger. “What is a Woman?” is a little bit more of a straightforward documentary. This one is much more of a comedy and we felt like the issue of race demanded a different approach. With what we&#8217;re seeing with all the race hustlers and the people who are dividing us as a society, we just felt like ridicule would be one of the best tools we could use when making this film.
JOHN: Right. Speaking of ridicule, describing the film was actually a bit of a struggle sometimes for people. Some called it a “mockumentary,” which is not actually correct, but it did include a lot of mocking of things, as you said. If you could sum up the approach to this film, what were you trying to attain?
JUSTIN: Well, first of all, let&#8217;s start with the category. It would officially be categorized as a comedic documentary, which isn&#8217;t a very sexy term. I don&#8217;t think those two things usually go together. So I think it&#8217;s hard for people to kind of understand what this is. But it&#8217;s comedic and so there&#8217;s a lot of laughs, there&#8217;s a lot of jokes in there, but it&#8217;s a documentary, too, because these are very real situations that we put Matt Walsh in and we wanted things to play out with real people. So that approach was something we basically started with. We knew the success of “What Is Woman?” was achieved by allowing people to kind of talk, to say what they really feel about things, and that was very eye-opening for Americans. In terms of race, same thing here, we wanted these people pushing this race agenda to just say in their own words what they felt and what they wanted for the rest of us as Americans. We felt that would be powerful for Americans just to see and then to decide for themselves if this is the right path. The approach involved taking Matt, dropping him into the situation with these people, and essentially having Matt believe them, then chart the course based on all of their prescriptions. And that&#8217;s what Matt did. He basically became one of them, and in doing so, I think we revealed the ideology underneath and what&#8217;s behind it all. When Matt adopted this character as an anti-racist grifter himself, you got to see what&#8217;s behind it philosophically and what it all leads to. And that was our goal, to have Matt become one of them, essentially.
<div id="attachment_796413" style="width: 1034px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-796413" class="size-large wp-image-796413" src="https://dw-wp-production.imgix.net/2024/09/MixCollage-15-Sep-2024-07-18-AM-8749-1-1024x576.jpg" alt="Am I Racist? movie starring Matt Walsh. Screenshot courtesy: DailyWire." width="1024" height="576" />The Daily Wire</div>
JOHN: You know, it strikes me that this the “Yes, and&#8230;” approach that you learn in improv – the entire film is Matt performing a “Yes, and&#8230;” which really opens the door for letting some of these DEI “experts” go deeper into their ideology than they normally would if you started to question their approach. And it clearly worked here. Did you expect this kind of reception in theaters, this degree of success?
JUSTIN: You know, I was hoping for this level of success, this reception. The thing that surprised me was how consistent the response was in terms of being positive and in terms of people understanding the humor. If I had a fear, it was that we were making a film that only the demographic males 25 to 55 would really enjoy, but the rest — women and older people — it would maybe just kind of go over their head. But that hasn&#8217;t been the case. I had the fortunate ability to go to some of these pre-screenings before the film came out, and I got to watch the audience react to a lot of the jokes and a lot of the things that were in the film. And it was universal. It was across the board, the reaction that we got from people in the audience – whether they were young or old or male or female. And that just gave me a big sense of pride that we made something that everybody can enjoy. Now some people think some jokes are funnier than others, and some people really love some moments in the film compared to others. But really it was, as a filmmaker, you try to make something that would be universally accepted and liked, and that was just great confirmation for what we did.
<iframe style="width: 100%; max-width: 660px; overflow: hidden; border-radius: 10px;" src="https://embed.podcasts.apple.com/us/podcast/creating-documentaries-that-challenge-narratives-from/id1576594336?i=1000674596692" height="175" frameborder="0" sandbox="allow-forms allow-popups allow-same-origin allow-scripts allow-storage-access-by-user-activation allow-top-navigation-by-user-activation"></iframe>
JOHN: Now one of the controversies for the film early on involved critic reviews. This film has gotten outstanding audience reviews from the start, but was shunned by major media critics. Where did the critic reviews stand at this point? Did you get some of the legacy critics to actually weigh in?
JUSTIN: We had a couple mainstream critics eventually limp in with a review. And I think they did that because they were sort of called out for, for ignoring this film. Initially they were staying away from it. We have our theory why they were staying away from it, and that involves the fact that it was a good film – and I don&#8217;t think they wanted to give Matt Walsh that platform. We did have a lot of, I guess, mid-tier critics review the film, and it was very, very well-accepted by them. And these are people with no ax to grind. These are people who don&#8217;t work for a major media entity, and they were just quite honest with their review and they just were like, “Wow, this is a very, very powerful and very funny film.” Some of them even got backlash for doing so. We can kind of understand why some of these mainstream critics ignored it because we knew they would actually face a lot of backlash.
<div id="attachment_796125" style="width: 1034px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-796125" class="size-large wp-image-796125" src="https://dw-wp-production.imgix.net/2024/09/MixCollage-13-Sep-2024-06-00-PM-700-1024x576.jpg" alt="Am I Racist? movie starring Matt Walsh. Screenshot courtesy: DailyWire." width="1024" height="576" srcset="https://dw-wp-production.imgix.net/2024/09/MixCollage-13-Sep-2024-06-00-PM-700-1024x576.jpg 1024w, https://dw-wp-production.imgix.net/2024/09/MixCollage-13-Sep-2024-06-00-PM-700-300x169.jpg 300w, https://dw-wp-production.imgix.net/2024/09/MixCollage-13-Sep-2024-06-00-PM-700-768x432.jpg 768w, https://dw-wp-production.imgix.net/2024/09/MixCollage-13-Sep-2024-06-00-PM-700-1536x864.jpg 1536w, https://dw-wp-production.imgix.net/2024/09/MixCollage-13-Sep-2024-06-00-PM-700-2048x1152.jpg 2048w" sizes="(max-width: 1024px) 100vw, 1024px" />Screenshot courtesy: DailyWire.</div>
JOHN: Yeah. At what stage did you begin to plan for a theater launch? Was this the plan all along or did this sort of become more concrete later on?
JUSTIN: Listen, there&#8217;s a lot of risk involved in going to the theater, and there are a lot of things that need to fall into place. And I&#8217;ve got to give credit to The Daily Wire team. I&#8217;ve got to give credit to Jeremy Boreing for navigating all that – Jon Lewis, Dave Coleman and the whole team. First of all, we had to convince theaters to take us. We had to convince the exhibitors themselves that this is something that they would want to have in their theaters and would actually do good business. And so there was a lot of hurdles along the way, and, meticulously, Daily Wire got over all those hurdles, and positioned this film in such a way that the exhibitors would take it. Also all the marketing that took place, there&#8217;s just so much involved in going to the theater. There&#8217;s a ton of risk, and that risk is something you definitely have to consider when launching into this. But I&#8217;m glad we did. I think we proved what we set out to do. And I just feel very fortunate that we were able to have people see this in theaters, where they could sit together in a group and laugh.
JOHN: About that, how significant is it for conservatives in particular to get content into theaters like this?
JUSTIN: As conservatives, we have to play on the battlefield that the rest of society plays on. We have a tendency to kind of shrink back into our silos and speak to only our people. And, listen, as conservatives, we have the best ideas, we have the winning ideas, and those ideas need to be played out on the main stage. And in the case of theaters, theaters are a main stage. Theaters are a place where a lot of people go for their entertainment. These are people, some of them, that aren&#8217;t really engaged in politics. These are people that have busy lives and don&#8217;t pay attention too much to a lot of the issues. And so we need to reach those people. And so, we need to perform the way the Left does when it comes to getting our ideas out there to the mainstream, and theaters is one way we can do that. And so, listen, not every conservative film is meant for the theaters. Different films have different purposes. In our case, we really went hard. We kind of went hard to the paint with the fact that we wanted to make this an entertaining movie first, and then have our ideas tucked in alongside. And, you know, that makes our film very palatable for a movie theater environment. But, listen, I think it&#8217;s very important that conservatives take some of that ground back from the Left and have our ideas play out on the main stage.
JOHN: Yeah, and seeing this reach over 1,600 theaters was a massive deal, just almost symbolically. The film is now going to be available on demand exclusively on the Daily Wire+ platform. In general, do theater runs help or hurt streaming performance in the industry?
JUSTIN: Theater runs. are extremely helpful. In fact, a lot of distributors refer to theatrical releases as a big marketing campaign. And I think that&#8217;s the truth here because it allows you to get your film out there in the public in a way that you wouldn&#8217;t normally have it out there. And so the theatrical release of “Am I Racist?” I think is only going to help really raise awareness with the general public, and then point those people back to Daily Wire+ to go watch it, if they didn&#8217;t get a chance to see it in theaters. And so, yeah, I think the theatrical release is really going to help this film. I think it&#8217;s going to really drive a lot of attention to it for the home entertainment platform and the <a href="https://www.dailywire.com/videos/am-i-racist-official-trailer">Daily Wire+</a> platform. I&#8217;m excited about that because a lot of people didn&#8217;t get a chance to see it. People have busy lives, but at least they heard about it. And now they can go watch it on <a href="https://www.dailywire.com/videos/am-i-racist-official-trailer">Daily Wire+</a>. the good news there is they can watch as many times as they want, it&#8217;s not a one time viewing. And I do recommend that with this particular film. This is the type of film that you&#8217;re going to want to watch a couple of times just to catch all the great performances that Matt has throughout.
<div id="attachment_812569" style="width: 1034px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-812569" class="size-large wp-image-812569" src="https://dw-wp-production.imgix.net/2024/10/00_AIR_16x9_OCT28_V05-1024x576.jpg" alt="Am I Racist" width="1024" height="576" />DailyWire+</div>
JOHN: Yeah, I found that myself, there&#8217;s so many little details that you miss the first time around. For you personally, this is a unique film. It&#8217;s unorthodox in many ways. As a filmmaker, what did you learn in the making of this particular film?
JUSTIN: There&#8217;s a lot I learned in making any film, and it seems like every time we go out and do something we&#8217;re endeavoring to do something very difficult, and we&#8217;re diving into a topic. And when you dive into a topic, you have to sort of live it while you&#8217;re making it – and in this case, it was even more so, because Matt had to live this character, and so we had to essentially think like the other side. Matt had to adopt their beliefs and let them play out. So I learned a lot about the topic itself. I also learned a lot about America and how we view the issue of race, and how there are actually way more people who think rationally about this issue than I think we realize. It&#8217;s just that they&#8217;ve been taken advantage of. They&#8217;ve been polite. I think these people who are pushing this DEI agenda have taken advantage of so many people in this country who don&#8217;t want to be mean, who don&#8217;t want to be called a bigot. And so one of the things I learned was actually a hopeful thing, which was most people don&#8217;t go along with this stuff. They don&#8217;t go along with this racial division. That was sort of a hopeful thing I learned along the way. We found that common, everyday people don&#8217;t really buy what&#8217;s being sold by these so-called “race experts.” And so that was a very uplifting realization for me.
JOHN: Some of the more powerful moments in the film came from just regular folks dismissing the racially divisive talking points. Final question, what&#8217;s next for you? Any plans to work further with Walsh or any other Daily Wire talent? Can you answer this question?
JUSTIN: Absolutely. I mean, I can say that we are working on stuff and it&#8217;s been a pleasure to work with Matt on these last two films. We have such a great team. It&#8217;s a small, tight knit team of just great professionals who are just the best at what they do. And I&#8217;ll be honest with you, it&#8217;s a lot of fun making these movies with Matt. It&#8217;s not always easy, it&#8217;s a challenging thing to do what we&#8217;ve been doing, but it has been a ton of fun and we would love to keep that going.
JOHN: Well, we hope you do. Justin, thank you so much for talking with us. It&#8217;s been a pleasure.
JUSTIN: Thanks, John. Great to be on.
JOHN: That was Justin Folk, director of “Am I Racist?” available starting this week exclusively on Daily Wire+ – and this has been a <a href="https://www.dailywire.com/podcasts/morning-wire/creating-documentaries-that-challenge-narratives-from-what-is-a-woman-to-am-i-racist-10-27-24" target="_blank" rel="noopener">Sunday Extra edition of Morning Wire</a>.

Am I Racist? Movie Premiere

EXCLUSIVE: ‘Am I Racist?’ Director Talks Race Hustlers, Ridicule, And Conservatives In Media

EXCLUSIVE: 'Am I Racist?' Director Talks Race Hustlers, Ridicule, And Conservatives In Media

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