Some belated sequels crash and burn on arrival. Think “Zoolander 2,” “Blues Brothers 2000,” “Terminator: Dark Fate” and “Independence Day: Resurgence.”
All duds or box office disappointments.
“The Devil Wears Prada 2” won’t suffer that fate, despite the 20-year gap between the two films. In fact, the sequel might mimic another recent blockbuster that lured women back to theaters in droves.
The 2023 smash “Barbie.”
That film wasn’t just a box office juggernaut. It convinced women to dress up in the grand Barbie tradition to enjoy the experience with their best gal pals. It became a cultural flashpoint, a chance to bond over childhood memories and sisterhood.
Will “Prada 2” be a spiritual sequel to that mega-hit?
<div id="attachment_1076167" style="width: 399px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1076167" class="size-large wp-image-1076167" src="https://dw-wp-production.imgix.net/2026/04/Prada-2-389x576.jpg" alt="Photo by 20th Century Studios/20TH CENTURY STUDIOS - copyright: 2026 20th Century Studios. All Rights Reserved. IMDB." width="389" height="576" srcset="https://dw-wp-production.imgix.net/2026/04/Prada-2-389x576.jpg 389w, https://dw-wp-production.imgix.net/2026/04/Prada-2-202x300.jpg 202w, https://dw-wp-production.imgix.net/2026/04/Prada-2-768x1138.jpg 768w, https://dw-wp-production.imgix.net/2026/04/Prada-2-1037x1536.jpg 1037w, https://dw-wp-production.imgix.net/2026/04/Prada-2.jpg 1086w" sizes=" (max-width: 389px) 100vw, 389px" />Photo by 20th Century Studios. All Rights Reserved.</div>
The safest bet is “absolutely.” Box Office Pro predicts the sequel will <a href="https://www.boxofficepro.com/long-range-forecast-may-box-office-kicks-off-with-the-devil-wears-prada-2-animal-farm-hokum/">land in the $80-95 million range</a>, a hefty debut for a comedy. Word of mouth might do the rest.
For contrast, the original scored $27.5 million over a Fourth of July weekend.
Why the optimism? Let’s start with the film’s first teaser, which didn’t share much in its brief running time. The <a href="https://www.youtube.com/watch?v=PMd1at7OwiE">under-60 second</a> clip became last year&#8217;s <a href="https://www.forbes.com/sites/maryroeloffs/2025/12/24/anticipated-sequels-and-remakes-dominated-the-years-most-watched-movie-trailers/">most viewed trailer</a>, more than sneak peeks at “Sinners,” “Superman” or “A Minecraft Movie.”
That’s despite the original film’s solid but hardly massive $124 million at the U.S. box office (globally, it brought in a hefty $323 million). Yet we had to wait 20 years for a sequel, despite the rising star status of featured players Anne Hathaway (as put-upon assistant Andy) and Emily Blunt as the exasperated Emily.
A new Fandango poll shows “Prada 2” as <a href="https://www.instagram.com/p/DW4NzTbCZfA/">the third most anticipated film of the summer</a>, behind “Toy Story 5” and “Spider-Man: Brand New Day.”
The sequel reunites them with Oscar-winner Meryl Streep as the venomous Miranda Priestly and Stanley Tucci. The May 1 release finds Miranda struggling to keep up with the digital age, something that wasn’t a major issue in the original yarn inspired by Lauren Weisberger’s bestselling novel.
<div id="attachment_1076173" style="width: 874px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1076173" class="size-large wp-image-1076173" src="https://dw-wp-production.imgix.net/2026/04/Prada-2-1-864x576.jpg" alt="Photo by 20th Century Studios/20TH CENTURY STUDIOS - copyright: 2026 20th Century Studios. All Rights Reserved. IMDB." width="864" height="576" srcset="https://dw-wp-production.imgix.net/2026/04/Prada-2-1-864x576.jpg 864w, https://dw-wp-production.imgix.net/2026/04/Prada-2-1-300x200.jpg 300w, https://dw-wp-production.imgix.net/2026/04/Prada-2-1-768x512.jpg 768w, https://dw-wp-production.imgix.net/2026/04/Prada-2-1-1536x1024.jpg 1536w, https://dw-wp-production.imgix.net/2026/04/Prada-2-1-1800x1200.jpg 1800w, https://dw-wp-production.imgix.net/2026/04/Prada-2-1-1200x800.jpg 1200w, https://dw-wp-production.imgix.net/2026/04/Prada-2-1.jpg 2048w" sizes=" (max-width: 864px) 100vw, 864px" />Photo by 20th Century Studios. All Rights Reserved. IMDB.</div>
The marketing team behind the sequel is keeping most of the details under wraps, a wise move.
The sequel does expand the original cast, adding Kenneth Branagh, “Bridgerton’s” Simone Ashley, Lucy Liu, Justin Theroux, B.J. Novak and Pauline Chalamet.
So why is “The Devil Wears Prada 2” not a sign of Hollywood desperation but a sly acknowledgement of what audiences crave?
Some movies simply grow over the years, boosted by streaming access and stories that speak to something profound within us.
The technology in the original “Prada” may be dated — remember that screeching pager tune whenever Miranda needed Andy’s help? The themes, by contrast, are timeless.
“The Devil Wears Prada” nailed the hopes and dreams of young women who flirt with a brand of fame that can be intoxicating. Andy didn’t care about fashion until she worked within the industry 24/7. And, when she got her hands on some of the clothes collecting in her company’s closet, she was hooked.
And she looked fabulous.
Audiences got lost in Andy’s “Pygmalion”-like makeover. We’ll look past the running gag that Andy was both frumpy and overweight at the film’s start. Hathaway has always been lithe and lovely.
<div id="attachment_1076201" style="width: 879px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1076201" class="size-large wp-image-1076201" src="https://dw-wp-production.imgix.net/2026/04/Prada-2006-869x576.jpg" alt="Copyright: TM and2006 Twentieth Century Fox. All rights reserved." width="869" height="576" srcset="https://dw-wp-production.imgix.net/2026/04/Prada-2006-869x576.jpg 869w, https://dw-wp-production.imgix.net/2026/04/Prada-2006-300x199.jpg 300w, https://dw-wp-production.imgix.net/2026/04/Prada-2006-768x509.jpg 768w, https://dw-wp-production.imgix.net/2026/04/Prada-2006-1536x1019.jpg 1536w, https://dw-wp-production.imgix.net/2026/04/Prada-2006.jpg 2048w" sizes=" (max-width: 869px) 100vw, 869px" />Copyright: TM and2006 Twentieth Century Fox. All rights reserved.</div>
And as much as the Left wants to deny biology, women by and large want to look beautiful in the best fashions possible. It’s why those “Sex and the City” films featured Carrie Bradshaw luxuriating in that monstrous, overstuffed closet.
It’s pure escapism.
Plus, we’ve all had bosses as demanding as Streep’s Miranda Priestly, even if they couldn’t chill us with one withering look. Yes, she was a monster, but who couldn’t admire her drive, talent and ruthless efficiently? It helped that Streep’s performance epitomized the power of the softly spoken villain.
She could destroy someone with a lifted eyebrow or well-manicured insult. The fact that Andy survived her chronic attacks, growing stronger by the day, proved intoxicating.
And then there’s poor Adrien Grenier. He played Hathaway’s frustrated beau in the original film, but he won’t be back for an encore. Could the <a href="https://www.buzzfeed.com/morganmurrell/anne-hathaway-responded-devil-wears-prada-nate-theory">negative memes</a> around his character be to blame? Or the fact that Grenier opted out of Hollywood, Inc. in the intervening years following his “Entourage” closeup?
That’s showbiz. So is Hollywood’s occasional ability to give audiences what they want. Yes, the industry will crank out woke reboots and insult audiences when they’re summarily rejected.
See “Starfleet Academy” for Exhibit A.
Nostalgia still sells, and movie studios know it. The original “Prada” arrived at a time when culture war battles didn’t distract us from our daily lives. The film lacked the gerrymandered diversity casting we too often see today.
No lectures. No “you go, girl” feminist talking points to stop the movie cold. Andy struggled with being Miranda’s assistant, but her intelligence and wit eventually made her an invaluable part of the Runway magazine team.
But did she sell her soul in the process? Her beau thought so, but audiences had her back from start to finish.
And they’ll have it again soon enough.
<div id="attachment_1076185" style="width: 874px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1076185" class="size-large wp-image-1076185" src="https://dw-wp-production.imgix.net/2026/04/GettyImages-2270419682-864x576.jpg" alt="SEOUL, SOUTH KOREA - APRIL 08: Meryl Streep attends &quot;The Devil Wears Prada 2&quot; Seoul Premiere at Times Square on April 08, 2026 in Seoul, South Korea. (Photo by Han Myung-Gu/WireImage)" width="864" height="576" srcset="https://dw-wp-production.imgix.net/2026/04/GettyImages-2270419682-864x576.jpg 864w, https://dw-wp-production.imgix.net/2026/04/GettyImages-2270419682-300x200.jpg 300w, https://dw-wp-production.imgix.net/2026/04/GettyImages-2270419682-768x512.jpg 768w, https://dw-wp-production.imgix.net/2026/04/GettyImages-2270419682.jpg 1024w" sizes=" (max-width: 864px) 100vw, 864px" />Han Myung-Gu/WireImage</div>
The film is guaranteed a big opening weekend, but the only way to dampen the box office potential is to lean into Hollywood’s worst impulses. Identity Politics. Speeches. Political asides that erupt out of the blue.
Or, the film’s stars will use “Prada’s” publicity tour to politicize the film. Streep is already attempting just that by <a href="https://radaronline.com/p/meryl-streep-slams-melania-trump-controversial-jacket/">insulting fashion icon turned First Lady Melania Trump</a>.
Some movies are critic-proof. “The Devil Wears Prada 2” is both critic and culture war proof, assuming Hollywood can get out of its own way.
* * *
Christian Toto is an award-winning journalist, movie critic, and editor of <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>. He previously served as associate editor with Breitbart News’ Big Hollywood. Follow him at <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>.

“The Devil Wears Prada 2” Press Conference & Seoul Premiere

Why ‘The Devil Wears Prada 2’ Could Succeed Where Woke Hollywood Keeps Failing

Box Office

Entertainment

Film

Hollywood

Meryl Streep

Movies

“The Super Mario Galaxy Movie” just pulled in impressive box office numbers despite being trashed by the critics.
The follow-up to 2023’s smash hit “Super Mario Bros. Movie” from lllumination Studios and Nintendo earned $130.9 million over the weekend and $190.1 million in its first five days, per <a href="https://apnews.com/article/super-mario-galaxy-movie-box-office-58b52a8aa469d6e7fed889c6762dd3aa">Associated Press</a>. It’s not surprising, considering that it’s a family-friendly title with massive name recognition being released over a holiday weekend.
It’s worth noting, however, that the sequel was given a 41% critics score on Rotten Tomatoes and a markedly better 89% audience rating.
“We all have a finite amount of time on this Earth, and I cannot think of a single reason why you should spend any of yours on The Super Mario Galaxy Movie,” the critic from Mashable <a href="https://mashable.com/article/super-mario-galaxy-movie-review">wrote</a>.
Wall Street Journal reviewer Kyle Smith <a href="https://www.wsj.com/arts-culture/film/the-super-mario-galaxy-movie-review-the-plumbers-pump-their-brand-f3291bbc">advised</a> that it was “notably weaker” than the first film, which was itself “barely watchable.” The New York Times, meanwhile, lamented the “flat empty nothingness” of the narrative.
The Guardian’s Peter Bradshaw <a href="https://www.theguardian.com/film/2026/mar/31/the-super-mario-galaxy-movie-review-sequel-video-game-chris-pratt-charlie-day">described it</a> as &#8220;a bland screensaver of a movie that’s actually worse than AI&#8221; in his 1-star review. Kevin Maher from The Times also didn&#8217;t mince words, <a href="https://www.thetimes.com/culture/film/article/super-mario-galaxy-movie-review-5w6crmhgr">asking</a> if the kids movie marked &#8220;the end of cinema.&#8221; 
&#8220;&#8230;the film is torturous to sit through and, for me, provoked periods of actual physical discomfort,&#8221; the critic added.
The video game-themed film features the same voice actors behind the original, including Chris Pratt, Jack Black, Anya Taylor-Joy, and Charlie Day. “Mario ventures into space, exploring cosmic worlds and tackling galactic challenges far from the familiar Mushroom Kingdom,” the logline says.
It opened across 4,252 theaters over Easter weekend, including 421 IMAX screens.
“It’s exactly the kind of broad, crowd-pleasing release that brings people into theaters,” AMC Chairman and CEO Adam Aron said in a statement, per AP.
While critics came after it for not having enough depth, other viewers say that’s what made the movie so successful.
“A bright, colorful, and action packed story filled with all the Nintendo characters we know and love. It’s simply a good time at the movies,” one verified Rotten Tomatoes reviewer said.
“If you enjoyed the first you’ll be at home. If you want a Pixar movie with sad bits and life lessons and shoe in adult jokes you ain’t getting it here. It’s a fun ride start to end,” another agreed.
“This is a kids movie. I don&#8217;t know what fantastical storytelling these adults need from a child&#8217;s video game adaptation but it&#8217;s entertaining and light…. Let the kids be kids, these movies don&#8217;t have to be masterpieces and they don&#8217;t have to pander to childish adults who just refuse [to]  grow up. Mario belongs to children, not to your generation,” echoed a third.

Super Mario Galaxy

Critics Trashed Mario, But American Families Are Proving Them Wrong

Rotten Tomatoes

U.S.

The MCU is yesterday’s news. The NCU, or Nintendo Cinematic Universe, is just beginning.
Ever since Robert Downey Jr. tinkered with that iron suit back in 2008, Marvel movies have dominated Hollywood. “Iron Man” changed the movie-making landscape. In recent years, however, superhero romps no longer light up the box office like they once did.
Even “Superman” <a href="https://www.worldofreel.com/blog/2025/10/8/report-superman-box-office-isnt-the-success-warner-bros-claimed">struggled to turn a profit last year.</a>
Meanwhile, “The Super Mario Galaxy Movie” spun from Nintendo’s beloved video game franchise, could <a href="https://variety.com/2026/film/news/super-mario-galaxy-movie-biggest-opening-day-2026-1236705460/">make $180 million (or more) in its opening weekend.</a>
Video game movies are having a moment, and Hollywood won’t be the same moving forward.
<div id="attachment_1072101" style="width: 874px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1072101" class="size-large wp-image-1072101" src="https://dw-wp-production.imgix.net/2026/04/GettyImages-2268776924-864x576.jpg" alt="KYOTO, JAPAN - MARCH 28: Chris Meledandri, Jack Black and Shigeru Miyamoto pose for a photo as Universal Pictures, Nintendo and Illumination present the premiere of &quot;The Super Mario Galaxy Movie&quot; at Minamiza Theater on March 28, 2026 in Kyoto, Japan. (Photo by Tomohiro Ohsumi/Getty Images for Universal Pictures, Nintendo and Illumination)" width="864" height="576" srcset="https://dw-wp-production.imgix.net/2026/04/GettyImages-2268776924-864x576.jpg 864w, https://dw-wp-production.imgix.net/2026/04/GettyImages-2268776924-300x200.jpg 300w, https://dw-wp-production.imgix.net/2026/04/GettyImages-2268776924-768x512.jpg 768w, https://dw-wp-production.imgix.net/2026/04/GettyImages-2268776924.jpg 1024w" sizes=" (max-width: 864px) 100vw, 864px" />Tomohiro Ohsumi/Getty Images for Universal Pictures, Nintendo and Illumination</div>
The superhero film genre may have run its course organically, but Hollywood hastened its decline. The genre peaked with 2019’s “Avengers: Endgame,” which made an astonishing $2.8 billion worldwide.
It’s been downhill ever since, with MCU gatekeepers injecting girlbossery and DEI platitudes into the saga. That helped crush “The Marvels” and “Eternals,” while slowing the MCU’s winning streak.
Even respectable entries like last year’s “Thunderbolts” and “The Fantastic Four: First Steps” proved financially underwhelming, at least by previous standards.
So Hollywood needed another source of IP (Intellectual Property) gold. Why not video games? Well, Hollywood had tried that repeatedly, often with ghastly results.
Think 1993’s “Super Mario Bros.,” a colossal misfire starring John Leguizamo and Bob Hoskins, 1999’s “Wing Commander” bust, and even 2005’s “Doom” with Dwayne Johnson.
<div id="attachment_1072117" style="width: 405px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1072117" class="size-large wp-image-1072117" src="https://dw-wp-production.imgix.net/2026/04/GettyImages-55990924-395x576.jpg" alt="BERLIN - OCTOBER 24: Actor Dwayne 'The Rock' Johnson gestures during a photo call for his newest movie &quot;Doom&quot; on October 24, 2005 in Berlin, Germany (Photo by Andreas Rentz/Getty Images)" width="395" height="576" srcset="https://dw-wp-production.imgix.net/2026/04/GettyImages-55990924-395x576.jpg 395w, https://dw-wp-production.imgix.net/2026/04/GettyImages-55990924-206x300.jpg 206w, https://dw-wp-production.imgix.net/2026/04/GettyImages-55990924.jpg 702w" sizes=" (max-width: 395px) 100vw, 395px" />Andreas Rentz/Getty Images</div>
More clunkers? The 2005 catastrophe “Alone in the Dark” and 2003’s “House of the Dead,” both courtesy of hack auteur Uwe Boll.
Something was missing, be it A-list actors, competent directors, or the kind of FX to pull off the visually impossible.
Slowly, Hollywood began treating video game adaptations with a critical element — respect. The 2018 film “Rampage” wasn’t a sensation, but by then Johnson was a star attraction, and the film’s budget gave it the gravitas the source material required.
The 2021 comedy “Free Guy” cast likable Ryan Reynolds as an NPC (non-player character) in way over his head. The film packed big laughs with video game elements to the tune of $331 million worldwide.
Reynolds may be gently progressive off-screen, but he knows how to put on a show without pushing Heartland viewers away. Few actors can match his marketing savvy.
The “Sonic the Hedgehog” films, based on the Sega speedster, have all made serious coin, aided by slick video game elements and the unchecked Id of star Jim Carrey.
<div id="attachment_146292" style="width: 544px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-146292" class="size-full wp-image-146292" src="https://dw-wp-production.imgix.net/2020/09/Jim-Carrey.jpg" alt="Jim Carrey attends the LA special screening of Paramount's &quot;Sonic The Hedgehog&quot; at Regency Village Theatre on February 12, 2020 in Westwood, California. (Photo by Rich Fury/WireImage via Getty Images)" width="534" height="314" srcset="https://dw-wp-production.imgix.net/2020/09/Jim-Carrey.jpg 534w, https://dw-wp-production.imgix.net/2020/09/Jim-Carrey-300x176.jpg 300w" sizes=" (max-width: 534px) 100vw, 534px" />Rich Fury/WireImage via Getty Images</div>
Another secret to video game movies’ recent success? Respecting the audience. These films haven’t pushed a progressive agenda on unsuspecting audiences. No lectures, unnecessary woke asides, or clunky identity politics casting.
Even <a href="https://deadline.com/2025/08/snoop-dogg-scared-movies-grandchildren-same-sex-disney-pixar-lightyear-1236497251/">Snoop Dogg can watch these mostly PG-friendly films</a> with his grandson.
The new wave of video game-inspired films, while far from artistically relevant, cater to fans via Easter Eggs and other source material nods. And, when the fans speak, they listen.
Recall the outrage over the character design shown in the initial “Sonic the Hedgehog” teaser from 2019. <a href="https://www.hollywoodreporter.com/movies/movie-news/sonic-hedgehog-release-delayed-fan-outcry-1213486/">Fans mocked the FX</a> behind the titular hero, and the studio quickly addressed the matter by tweaking the film.
That probably cost a pretty penny, and it pushed the release date forward several months. The results spoke for themselves. The film earned $148 million in the U.S. alone and sparked a new franchise.
A fourth “Sonic” film will <a href="https://www.hollywoodreporter.com/movies/movie-news/sonic-4-amy-rose-hammer-sequel-production-hedgehog-1236519779/">debut next year</a>, adding A-lister Kristen Bell to the saga (her voice, to be precise).
Video game adaptations were suddenly vital, but they still couldn’t approach MCU-like box office grosses. Then along came “The Super Mario Bros. Movie” in 2023. That animated romp rang up $1.3 billion at global theaters, cementing video game movies as the new Hollywood drug.
The industry couldn’t get enough, and that was before “A Minecraft Movie” debuted two years later. That film, starring Jack Black and Jason Momoa, earned $424 million stateside and nearly $1 billion globally.
<a href="https://deadline.com/2026/03/minecraft-movie-2-cast-kirsten-dunst-1236760538/">A sequel is in the works</a>. Of course.
<div id="attachment_906779" style="width: 1034px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-906779" class="size-large wp-image-906779" src="https://dw-wp-production.imgix.net/2025/04/MixCollage-11-Apr-2025-03-17-PM-8107-1024x576.jpg" alt="Jack Black, Jason Momoa, Sebastian Hansen in ‘A Minecraft Movie’. Photo by Courtesy Warner Bros. Pictures/Courtesy Warner Bros. Pictures. Copyright 2025 Warner Bros. Entertainment Inc. All Rights Reserved. IMDB." width="1024" height="576" srcset="https://dw-wp-production.imgix.net/2025/04/MixCollage-11-Apr-2025-03-17-PM-8107-1024x576.jpg 1024w, https://dw-wp-production.imgix.net/2025/04/MixCollage-11-Apr-2025-03-17-PM-8107-300x169.jpg 300w, https://dw-wp-production.imgix.net/2025/04/MixCollage-11-Apr-2025-03-17-PM-8107-768x432.jpg 768w, https://dw-wp-production.imgix.net/2025/04/MixCollage-11-Apr-2025-03-17-PM-8107-1536x865.jpg 1536w, https://dw-wp-production.imgix.net/2025/04/MixCollage-11-Apr-2025-03-17-PM-8107-2048x1153.jpg 2048w" sizes=" (max-width: 1024px) 100vw, 1024px" />Courtesy Warner Bros. Pictures. Copyright 2025 Warner Bros. Entertainment Inc. IMDB.</div>
That film’s “<a href="https://www.nytimes.com/2025/04/10/movies/chicken-jockey-minecraft-movie.html">chicken jockey</a>” sequence sparked a viral video sensation. Not only were Gen Alpha types seeing the film in theaters, but they went cartoonishly wild during that farcical moment.
Suddenly, it was cool to be in a theater again. Hollywood is now paying full attention to a competing media landscape, and many more video game adaptations are on the way. This May brings us “Mortal Kombat II,” while a “Resident Evil” reboot by “Weapons” director Zach Cregger is coming in September.
Bigger titles abound in 2027, including “The Legend of Zelda,” “Call of Duty,” and “Elden Ring.” Any one could spark a new film franchise. Maybe all three will do just that.
The potential seems endless, at least for now. The same once could be said for superhero movies given the endless amount of source material, but the MCU is so desperate for a cultural reboot that it reunited virtually every hero under the sun for December’s “Avengers: Doomsday.”
Can that film light a fire under the Men in Tights genre anew? Or have video games taken the box office crown and won’t give it back?
Movies are a natural fit for video game adaptations, but the small screen is also seeing a benefit. Hit shows like HBO Max’s “The Last of Us” and Prime Video’s “Fallout” show how games can also inspire TV sensations.
The video game manufacturers couldn’t be happier about the Hollywood synergy. It’s boosting both <a href="https://www.hollywoodreporter.com/business/business-news/tv-adaptations-video-games-new-players-1236372468/">game awareness and sales</a>, meaning these companies will gladly sell the film and TV rights to their properties … for the right price.
It’s one Hollywood studios will gladly pay.
* *
Christian Toto is an award-winning journalist, movie critic, and editor of <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>. He previously served as associate editor with Breitbart News’ Big Hollywood. Follow him at <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>.

Super Mario Bros

The Next Box Office Boom Is Here And It Looks Nothing Like Marvel

Marvel

Nintendo

Video Games

“Supergirl” star Milly Alcock is already facing pushback after preemptively blaming potential criticism of the film on misogyny. 
The remarks have drawn comparisons to Rachel Zegler&#8217;s pre-release comments ahead of Disney&#8217;s &#8220;Snow White,&#8221; which sparked similar backlash.
Fans are calling out Alcock for her recycled feminist arguments after her recent <a href="https://www.vanityfair.com/hollywood/story/milly-alcock-vanities">interview</a> with Vanity Fair. 
“It definitely made me aware that simply existing as a woman in that space is something that people comment on,” the 25-year-old actress said when asked about the “inevitable backlash” she’d face. 
“We have become very comfortable having this weird ownership of women’s bodies. I can’t really stop them. I can only be myself,” Alcock added.
Alcock assumed people wouldn’t like the movie because she’s a woman, but her description of the plot points to a different criticism fans have raised. She said her character, Kara Zor-El/Supergirl, is “given this incredible responsibility and doesn’t know how to deal with it.” 
“She’s not trying to save the world—she’s just trying to save her own,” Alcock told Vanity Fair. “This film is an excellent reminder that the world can be crumbling around you, but you can be the hero of your own story.”
The interview inspired many negative reactions on social media, with critics calling out Alcock for complaining about backlash that hadn’t even happened yet.
“These movies are so bad that they have to start attacking the fans before the movie even comes out,” one person <a href="https://x.com/newspolitics/status/2039035489760460880?s=43">observed</a>.
“Actors really need to go back to just promoting the movie and staying away from anything else, because this type of discourse does nothing but harm its chances,” another person <a href="https://x.com/reviewsdino2/status/2039357302365446654">agreed</a>.
“I suspect she&#8217;ll face backlash about ‘simply existing’ in a movie that doesn&#8217;t look interesting and which is part of a cinematic universe that&#8217;s already struggling with the disinterest of general audiences following a lackluster Superman and various TV shows that few people even noticed happened… but saying it&#8217;s ‘simply existing as a woman’ certainly works better for generating some sort of buzz,” a third commenter <a href="https://x.com/HarfangDneiges/status/2039323848621916611">wrote</a>. 
Another comment <a href="https://x.com/RecruitBoss/status/2039048717525762381">noted</a>, “This is called pre-release critical armor. Any criticism of this movie will be branded as sexist or misogynistic. They use race and gender as critical armor to protect their poorly written scripts from legitimate criticism.”
Zegler became a legend following the disastrous release of Disney&#8217;s &#8220;Snow White&#8221; in 2025. The movie was bad, but additionally, the lead actress made it all worse by disparaging fans and the original storyline ahead of its release. The negative press for Zegler is believed to have contributed to the abysmal box office results.
The “Supergirl” description from Warner Bros. says, “When an unexpected and ruthless adversary strikes too close to home, Kara Zor-El, aka Supergirl, reluctantly joins forces with an unlikely companion on an epic, interstellar journey of vengeance and justice.”
The film opens in theaters nationwide on June 26.

Milly Alcock

Another ‘Snow White’? The Fight Superhero Star Picks With Fans Before Movie Hits Theaters

Celebrities

Feminism

Warner Bros

“Project Hail Mary” is the hottest ticket in town, and it’s got the receipts to prove it.
The Ryan Gosling-led film about a middle school science teacher sent to outer space to save humanity is breaking records right and left. “Project Hail Mary” raked in $80.5 million domestically and more than $140 million worldwide during its opening weekend, making the biggest opening ever for Amazon MGM.
The incredible reviews and word of mouth recommendations helped the film, which is based on Andy Weir’s novel of the same name, outperform high expectations. Currently, the movie has a 95% critic’s rating and 96% audience score on review aggregator <a href="https://www.rottentomatoes.com/m/project_hail_mary">Rotten Tomatoes</a>.
Fans are especially excited that the non-franchise film is heartwarming, family friendly, smart, non-woke, original, and reminiscent of how movies used to be.
Amazon MGM took a real gamble on this one, building physical sets and using a real rock-shaped puppet rather than relying on green screens and CGI to create the look and feel. This all meant spending a <a href="https://www.hollywoodreporter.com/movies/movie-news/drew-goddard-project-hail-mary-high-potential-1236540318/#:~:text=Project%20Hail%20Mary%20came%20with,down%20swinging%20with%20this%20movie.%E2%80%9D">reported</a> $248 million, the most on any of the studio’s films to date. But it was worth it and audiences are responding to that authenticity in a big way.
“Project Hail Mary” was the first live-action project in 12 years for directors Phil Lord and Chris Miller, who were famously fired from the “Star Wars” spinoff “Solo.”
“It did seem like a crazy idea to make a movie with the hunkiest actor of his generation and a rock puppet,” Lord <a href="https://www.audacy.com/kcbsradio/entertainment/ap-ent-film-project-hail-mary-1st-ld-writethru">said</a> in a joint interview with Miller. “I guess we’re interested in difficult things.”
Screenwriter Drew Goddard was nominated for an Oscar for his adaptation of Weir’s other sci-fi novel “The Martian” (2015).
Part of “Project Hail Mary” gaining so much traction so quickly comes from social media recommendations, which were going strong all weekend.
“Took the wife and kids to see Project Hail Mary. We all really enjoyed it,” Daily Wire podcast host Matt Walsh <a href="https://x.com/mattwalshblog/status/2035403288154120599?s=43">said</a> of the film. “Its greatest achievement is that it’s an actual family movie. Not too babyish for adults and not too grown up for the kids. Reminds me of the PG movies they used to make all the time in the 80s and 90s. Very much a spiritual descendent of ET. Maybe Hollywood will take the hint and start making real family films again.”

Project Hail Mary

Non-Woke ‘Project Hail Mary’ Blasts Off With Massive Opening Weekend

Amazon

Hollywood is still in denial that &#8220;Melania,&#8221; a documentary about first lady Melania Trump and wife of President Donald Trump, is outperforming expectations, floating conspiracy theories that include claims the film&#8217;s positive audience reviews are fake. But the owner of Rotten Tomatoes says those glowing fan responses are 100% real.
“There has been no bot manipulation on the audience reviews for the ‘Melania’ documentary,” Versant, the parent company of the popular review aggregator, said in a <a href="https://variety.com/2026/film/news/melania-rotten-tomatoes-audience-score-bots-1236654401/">statement</a> to Variety. “Reviews displayed on the Popcornmeter are VERIFIED reviews, meaning it has been verified that users have bought a ticket to the film.”
“Melania” currently has one of the largest disparities between critics’ and audience scores on the site, with reviewers <a href="https://www.rottentomatoes.com/m/melania" target="_blank" rel="noopener">giving the film</a> a 7% rating and moviegoers giving it a 99% rating. About 75% of the audience was women aged 55 and older. 
Avowed leftist late-night host Jimmy Kimmel is one of Hollywood’s most perplexed, as he mentioned during his monologue on Wednesday. 
“As of tonight, Melania has a score of 5% on Rotten Tomatoes from the critics. That is very low. To put that in perspective, that is 1% lower than ‘Gigli.’ The audience score for ‘Melania’ is 99% positive, which is 1% higher than ‘The Godfather.’ And I’m sure Donald J. Corleone had nothing to do with that at all,” he said. 
“We need to get to the bottom of this,” Kimmel went on. “Send in Tulsi Gabbard and the FBI! Seize the ticket machines, the popcorn buckets, the box office receipts, at every multiplex in America!”
Movie industry insiders projected an abysmal opening weekend for “Melania,” but were quickly proven wrong when it raked in around $7 million.
At the premiere in Washington, D.C. last week, Melania told reporters that success, to her, didn’t depend on box office numbers.
“I’m very proud of the film, so people may like it, may [not] like it, and that’s their choice,” the first lady told CNN.
“We achieved what we want to achieve,” Melania later added. “For myself, it’s already successful. I’m very proud of what we did.”
“Melania” is directed by Brett Ratner, who is best known for the “Rush Hour” franchise. The documentary provides a glimpse into Melania&#8217;s behind-the-scenes world during the 20 days leading up to her husband&#8217;s second inauguration.
The verified reviewers on Rotten Tomatoes had plenty of positive things to say. 
“An inside look at inaugural preparations, done in style,” one verified reviewer wrote. “Also getting to know our First Lady in a more personal way. The lady who is smart, elegant, stylish, beautiful &amp; someone who loves this country &amp; appreciates all that it offers.”
“Wow. Thought I may like it for the fashion take on it. But it was so much more. Absolutely loved it. Regardless if you like her or not- this documentary was really, really good,” another moviegoer agreed.

Melania

Rotten Tomatoes Confirms ‘Melania’ 99% Audience Score Is Real, Not Bots

Documentaries

Melania Trump

The first lady debuted her new autobiographical film, “Melania,” at the Trump-Kennedy Center on Thursday night, saying she already considers it a success regardless of critical reception or box office performance.
“I’m very proud of the film so people may like it, may don’t like it, and that’s their choice,” Melania Trump told <a href="https://www.cnn.com/2026/01/29/politics/melania-trump-documentary-premiere-red-carpet">CNN</a> outside the premiere. “We achieved what we want to achieve,” Melania added later. “For myself, it’s already successful. I’m very proud of what we did.”
President Donald Trump also attended the premiere, walking a red carpet that was black to match the film’s black-and-white aesthetic. 
“She’s very smart, very measured — sometimes, when I’m not so measured, she measures you,” Trump said to one reporter about his wife of more than 20 years. 
“I think they knew she was smart, but perhaps, maybe they’ll get her to see something that elevates her above just the word ‘smart,’” the president said at another point, as the Washington Post <a href="https://www.washingtonpost.com/style/power/2026/01/29/melania-trump-documentary-premiere-kennedy-center/">reported</a>. “She’s got a lot of high quality.”
“It really brings back a glamour that you just don’t see anymore,” he told the outlet. “Our country could use a little bit of that.”
<iframe loading="lazy" title="MELANIA | Official Trailer" width="500" height="281" src="https://www.youtube.com/embed/dxXJAqOU00g?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
The media were not invited to view the film, but several government officials in attendance had glowing things to say about the first lady. 
“She’s one of the most gracious people,” House Speaker Mike Johnson (R-LA) said of Melania.
“She’s not the caricature that we’ve been fed,” Health and Human Services Secretary Robert F. Kennedy Jr. agreed.
Melania signed a multimillion-dollar deal with Amazon MGM Studios and served as executive producer on the project. Filming began in December 2024 and documents the 20 days leading up to her return to the White House.
“Melania” is directed by Brett Ratner, who is best known for the “Rush Hour” franchise.
The first lady previously mentioned the inspiration for the documentary while accepting Fox Nation’s “Patriot of the Year” award.
“A first of its kind, capturing the 20 days of my life before the inauguration, 20 intense days of transformation from private citizen to first lady, balancing my business, my philanthropy, fostering the future, building my East Wing team and the White House staff, and, of course, caring for my family,” she <a href="https://www.dailywire.com/news/melania-documentary-trailer-promises-inside-look-at-the-first-ladys-return-to-the-white-house">said</a> at the time.
“Melania” began screening in theaters nationwide on Friday.

First Lady Says ‘Melania’ Documentary Is ‘Already Successful’

First Lady Says 'Melania' Documentary Is 'Already A Success' 

Donald Trump

The Bible-based animated film “David,” which was released on December 19 by Angel Studios, has surpassed box office expectations and shattered records for an independent film.
Angel Studios reported on Sunday that “David” earned $22 million over the opening weekend at the domestic box office, per <a href="https://www.forbes.com/sites/timlammers/2025/12/21/david-opening-sets-new-record-for-faith-based-angel-studios/">Forbes</a>. This broke the studio’s record set by the hit film “Sound of Freedom” (2023), which earned $19.6 million during its opening, and the animated “The King of Kings” from earlier this year, which raked in $19.4 million.
&#8220;David&#8221; also has the &#8220;highest-grossing faith-based animated theatrical opening of all-time,&#8221; according to a press release from Angel Studios.
The huge results also put “David” second overall at the box office this week, behind only James Cameron’s “Avatar: Fire and Ash.”
“King David – one of the greatest stories ever told – is powerfully reimagined for the big screen with this epic family musical,” 2521 Entertainment co-founder and Chief Creative and Content Officer David L. Hunt said in a statement. “Kids will grow up fondly remembering how their parents took them to the theater to experience this film. Moments like these become family memories that can last a lifetime.”
<iframe loading="lazy" title="DAVID | Final Trailer | In Theaters This Christmas | Angel" width="500" height="281" src="https://www.youtube.com/embed/gWgyI6_lR0A?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
“Families are searching for values-driven films that honor hope, and our Angel Guild members embraced David from the very beginning,” Angel Studios’ theatrical head Brandon Purdie said. “We greatly value the support of our outstanding exhibitors and look forward to a robust, extended theatrical run as this popular animated musical continues to warm hearts and inspire families this Christmas.”
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“David” tells the familiar bible story of David and Goliath. As the film description says, “From the songs of his mother’s heart to the whispers of a faithful God, David’s story begins in quiet devotion. When the giant Goliath rises to terrorize a nation, a young shepherd armed with only a sling, a few stones, and unshakable faith steps forward. Pursued by power and driven by purpose, his journey tests the limits of loyalty, love, and courage — culminating in a battle not just for a crown, but for the soul of a kingdom.”
The movie currently has a 68% critic’s score and 98% audience score on <a href="https://www.rottentomatoes.com/m/david_2025">Rotten Tomatoes</a>.

David

Bible-Based Film ‘David’ Smashes Box Office Records

Biblical Based Film 'David' Smashes Box Office Records

Angel Studios

Bible

Christianity

A recent article in The New York Times puzzles over the bad news at the Hollywood box office. An occasional hit like “Wicked: For the Good” may keep the industry afloat, but for the most part, no one’s going to the theater.
“25 Movies, Many Stars, 0 Hits: Hollywood Falls to New Lows,” says the Times <a href="https://www.nytimes.com/2025/11/14/business/media/box-office-collapse-hollywood.html?searchResultPosition=6">headline</a>. And the subhead: “It has been a brutal three months for dramas and comedies.”
The article goes on to blame the pandemic, the internet, streaming, and so on. My witty friend Stephen Green over at PJMedia made a better <a href="https://pjmedia.com/vodkapundit/2025/11/17/dear-hollywood-have-you-tried-not-sucking-n4946090">suggestion</a>: “Dear Hollywood. Have you tried not sucking?”
Stephen’s right, of course. But The New York Times can’t see the problem, because The New York Times embodies the problem.
An example.
Another friend of mine, the very talented rebel writer-director Cyrus Nowrasteh, recently directed the film “Sarah’s Oil,” which he co-wrote with his also talented wife, Betsy. Based on a true story, the film tells the tale of a black girl in Jim Crow Oklahoma fighting against bigotry to find and keep the oil on her land. The picture is well-made, touching, and inspiring.
Given a smallish release, the film surprised the industry by doing excellent business. It has an 83% fresh rating from critics on Rotten Tomatoes, and a stunning 98% rating from actual human beings.
But here’s an excerpt from one of its few bad reviews in — you guessed it — the New York Times. Natalia Winkelman writes:
<blockquote>Sarah’s Oil is a movie that will surprise nobody. Viewers might even make out a regressive strain reinforcing the feel-good mood: Let alone the incidental worship of fossil fuel… the movie’s emotional core is a Black girl’s belief in her white protector.</blockquote>
Horrors!
Could there be a more small-minded, small-souled reaction to a poignant story of a child’s triumph over prejudice? Miss Winkelman could just as easily have written: “No opinions allowed in the arts but my opinions! No ideas but those approved by the cultural establishment!”
<a href="https://thenewjerusalem.substack.com/"><img loading="lazy" decoding="async" class="size-large wp-image-1010467 aligncenter" src="https://dw-wp-production.imgix.net/2025/12/New-Jerusalem-slug-1024x191.jpg" alt="" width="1024" height="191" srcset="https://dw-wp-production.imgix.net/2025/12/New-Jerusalem-slug-1024x191.jpg 1024w, https://dw-wp-production.imgix.net/2025/12/New-Jerusalem-slug-300x56.jpg 300w, https://dw-wp-production.imgix.net/2025/12/New-Jerusalem-slug-768x143.jpg 768w, https://dw-wp-production.imgix.net/2025/12/New-Jerusalem-slug.jpg 1100w" sizes=" (max-width: 1024px) 100vw, 1024px" /></a>
But those ideas are not just anti-art, they’re anti-human. No women who act like feminine women. No men who act like manly men. No stories that explore themes of freedom, individualism, traditional marriage, motherhood, fatherhood or faith.
As a result, you get films like “Nosferatu,” a gorgeous and talented remake that falls apart because it can’t include the God who makes vampire stories make sense; “Frankenstein,” a gorgeous and talented remake that falls apart because it can’t stick to Mary Shelley’s superior plot and its theme of rebellion against God and womanhood; “Running Man,” a gorgeous and talented remake that falls apart because it can’t point to what’s ailing society because imagine what Miss Winkelman would say about that!
No new stories. Just good old stories ruined by bad new ideas. The human spirit yearns to hear tales of freedom and male-female love and faith. The querulous clerisy only wants to wallow in their own dyspeptic imaginations.
You want good movies? Break these losers’ monopoly on the arts.
* * *
This article was originally posted on “<a href="https://thenewjerusalem.substack.com/?utm_source=substack&amp;utm_medium=email" target="_blank" rel="noopener">The New Jerusalem</a>” on Substack.
Andrew Klavan is the host of “The Andrew Klavan Show” at The Daily Wire. Klavan is the bestselling author of numerous books, including the Cameron Winter Mystery series. The fifth installment, <a href="https://www.amazon.com/After-That-Cameron-Winter-Mysteries/dp/1613166869/ref=sr_1_1?crid=3EGZUC370LG46&amp;dib=eyJ2IjoiMSJ9.Y_NI0mDOKeowShheDQTVx5NH-fAeimJoCD56_T0Acpl8C0mup7uJf-nGGSRLEItaaekoDnvS2vWLMa4Zd2UBXQ8Y-g-P502jOWz-Y8IX3ZQsdlO7WMLrg1xIhNoKmjCorSWUR4C2l_RbiZ7apJ1MfPzGOrrEf7AdAXX6xwnJRVP_XqUfWuMuVthTWscaU3P4vgmS86-96n-721enHfX12CFQWTajqFbVnrsDkexfUf4.6_gTH6h1Bb9Pn375QdF_VAVZSayDvjQBBKGXE-MTiFo&amp;dib_tag=se&amp;keywords=klavan&amp;qid=1754049918&amp;sprefix=%2Caps%2C80&amp;sr=8-1" target="_blank" rel="noopener">After That, The Dark,</a> is NOW AVAILABLE. Follow him on X: <a href="https://x.com/andrewklavan" target="_blank" rel="noopener">@andrewklavan</a>
The views expressed in this satirical piece are those of the author and do not necessarily represent those of The Daily Wire.
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Why Hollywood Sucks

Andrew Klavan

Film Reviews

The New York Times

After a string of high-profile failures, Disney finally scored a win with the animated sequel “Zootopia 2” over Thanksgiving weekend.
The movie broke records for the House of Mouse. It raked in over $559 million globally since its premiere on Wednesday, earning the highest international earnings ever for an animated film, and the highest international earnings for a sequel. “Zootopia 2” also earned the fourth-highest earnings among all films, according to <a href="https://deadline.com/2025/11/zootopia-2-box-office-records-1236631348/">Deadline</a>. 
The animated sequel boasted a $156 million estimated gross total domestically over the five-day holiday, putting it second in line behind “Moana 2,” which earned $225 million domestically in 2024. 
“Disney has made it an event that comes virtually every year over the Thanksgiving holiday,” Paul Dergarabedian, head of marketplace trends at Comscore, said of the results, per <a href="https://www.cnn.com/2025/11/30/business/zootopia-sequel-thanksgiving-box-office">CNN</a>. “Families just embraced (‘Zootopia 2’) in such a profound way.”
<iframe loading="lazy" title="Zootopia 2 | Final Trailer" width="500" height="281" src="https://www.youtube.com/embed/5AwtptT8X8k?feature=oembed" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe>
The analyst noted that the second-highest earner, “Wicked: For Good,” also performed strongly for its second week.
“They did not really detract at all from each other … This performance was born out of having a perfectly curated, perfectly strategized release of these two movies,” Dergarabedian added.
The original “Zootopia” was released in 2016. The story follows a bunny cop, Judy Hopps (Ginnifer Goodwin), who must work with sarcastic con artist fox Nick Wilde (Jason Bateman) to solve a mystery in a city full of talking animals. In the follow-up, Nick is Judy’s partner as they take on another case.
While Disney has been pushing the envelope with leftist themes and LGBT storylines, it’s worth noting that “Zootopia 2” didn’t necessarily follow that script. While some viewers pointed out how the plot of both movies could be seen as taking a progressive stance on topics such as racism and colonialism, there are no same-sex kissing scenes or LGBT-identifying characters. 
The film currently has a 91% critic score and 96% audience score on <a href="https://www.rottentomatoes.com/m/zootopia_2">Rotten Tomatoes</a>. 
“‘Zootopia 2’ is pure delight, every bit as exciting and heartwarming and imaginative as the Oscar-winning original and maybe even funnier,” said film critic Nell Minow of RogerEbert.com.

Zootopia 2

Disney Rebounds With ‘Zootopia 2,’ Breaking Box Office Records

Disney Rebounds With 'Zootopia 2' Bringing In $156M At Box Office

Animation

Disney

Hollywood movies just had their worst performing summer season since 1981 when adjusting for inflation and excluding the extraordinary circumstances of the COVID-19 pandemic.
Overall, the movies released during this time brought in $3.67 billion, the lowest total not counting 2020 and 2021, and adjusting numbers for inflation. 
The summer began on a high note with a strong Memorial Day weekend performance led by “Lilo &amp; Stitch” and “Mission: Impossible — The Final Reckoning.” But by summer’s end, the momentum was gone, and Labor Day weekend was a disaster from a financial standpoint.
Entertainment commentators are blaming this on a whole host of problems, with none agreeing on a single cause. But one thing that’s not up for debate is that lately, the movie industry is struggling in a big way.
Underperforming titles released this summer, which The New York Times <a href="https://www.nytimes.com/2025/11/14/business/media/box-office-collapse-hollywood.html">described</a> as playing to “near empty auditoriums,” include “After the Hunt,” starring Julia Roberts, Sydney Sweeney’s boxing biopic “Christy,” and “Die My Love,” led by big-name stars Jennifer Lawrence and Robert Pattinson.
These movies aren’t just bombing with fans &#8212; they’re also costing the studios millions. “After the Hunt” cost $70 million to make and brought in a paltry $3.3 million, the outlet noted. “Christy” also flopped hard with an abysmal $1.3 million opening weekend. The sports film had a more modest budget of $15 million, but after <a href="https://ew.com/sydney-sweeney-christy-sets-record-for-worst-drop-in-second-weekend-11853251">dropping to 900 screens</a> in its second week and collecting a $90-per-theater average, it’s safe to say the film won’t be recouping even that.
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A lot of the blame is being put on a shortened theater-to-streaming timeframe, which is currently 17 days compared to the old standard of 90 days. This disincentivizes moviegoers to visit theaters, especially for genres like comedy and romance that don’t require large screens and surround sound to get the full effect.
While audiences complain at the overabundance of remakes, franchise films, and superhero movies, which on the whole aren’t performing as well as they used to, industry insiders point to the numbers as proof of why these are still being made. Original films are some of the worst performing of the bunch. This makes it a risky proposition for studios to even try.
One Variety critic <a href="https://variety.com/2025/film/columns/where-have-all-the-indie-hits-gone-bugonia-after-the-hunt-1236570489/">mentioned</a> some other factors, like Netflix “rob[bing]” theaters of films which could have potentially drawn people to theaters and television shows taking the place of indie movies.
In August, an unnamed studio executive <a href="https://www.hollywoodreporter.com/movies/movie-news/global-summer-box-office-overseas-2025-domestic-1236357631/">told</a> The Hollywood Reporter they are “very, very nervous for the future” of the industry based on the results and said they “don’t think there is enough of an audience” for future theater openings.

Spilled popcorn on floor in cinema

Hollywood Just Had Its Worst Summer Box Office In Over 40 Years

Movie Theaters

Before director James Cameron became <a href="https://www.businessinsider.com/james-cameron-reflects-king-of-the-world-titanic-oscars-speech-2023-3">&#8220;king of the world&#8221;</a> he sat on the hottest of hot seats.
Cameron’s 1997 film “Titanic” arrived with enough bad buzz to sink a battleship. Time magazine ran a cover story on the bloated, $200 million affair with the words, <a href="https://variety.com/2025/film/news/titanic-trailer-james-cameron-bad-buzz-blockbuster-1236552019/">“Glub, Glub, Glub” as the tag line.</a>
All signs suggested the headstrong director behind “Terminator” and “True Lies” had bitten off far more than he could chew, and Hollywood was ready to rub his nose in an epic failure.
What happened next? “Titanic” became the biggest blockbuster of all time, at least up until he dethroned himself (twice) with 2009’s “Avatar” and “Avatar: The Way of Water” (2022).
One man is responsible for three of the most popular American films in U.S. history. This Cameron fella knows what he’s doing and, more importantly, what moviegoers crave. He better, since Hollywood is banking on his latest film to give theaters one last jolt before 2025 wraps.
And, up until now, it hasn’t been a blockbuster year for movies. Can Cameron save Hollywood with “Avatar: Fire and Ash?”
The December 19 release is the third film in the enviro-friendly franchise. Once again, Zoe Saldana, Sam Worthington, Sigourney Weaver, and Stephen Lang bring the world of Pandora to life, along with endless zeroes and ones. The CGI-heavy franchise slathers recognizable stars with endless digital effects.
<div id="attachment_1000779" style="width: 1034px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1000779" class="size-large wp-image-1000779" src="https://dw-wp-production.imgix.net/2025/11/Untitled-design-9-1024x425.jpg" alt="“Avatar: Fire and Ash.” 2025. Sam Worthington. Photo by 20th Century Studios/20TH CENTURY STUDIOS - Copyright 20th Century Studios. All Rights Reserved. IMDB." width="1024" height="425" srcset="https://dw-wp-production.imgix.net/2025/11/Untitled-design-9-1024x425.jpg 1024w, https://dw-wp-production.imgix.net/2025/11/Untitled-design-9-300x125.jpg 300w, https://dw-wp-production.imgix.net/2025/11/Untitled-design-9-768x319.jpg 768w, https://dw-wp-production.imgix.net/2025/11/Untitled-design-9-1536x638.jpg 1536w, https://dw-wp-production.imgix.net/2025/11/Untitled-design-9.jpg 2048w" sizes=" (max-width: 1024px) 100vw, 1024px" />“Avatar: Fire and Ash.” Photo by 20th Century Studios/20TH CENTURY STUDIOS &#8211; Copyright 20th Century Studios. All Rights Reserved. IMDB.</div>
The latest “Avatar” installment finds the Sully clan dealing with a new threat along with a familiar foe. A violent Na’vi faction dubbed the Ash People has aligned with the evil Colonel Quaritch (Lang), setting up more action-packed sequences in the bustling saga.
That’s roughly all we know about the film. Team Cameron knows less is more when it comes to movie marketing.
Plenty is riding on the film, including the saga’s future. Cameron has said if “Fire and Ash” underperforms, <a href="https://www.worldofreel.com/blog/2025/10/3/james-cameron-says-avatar-3-has-to-make-a-lot-of-money-for-the-franchise-to-continue">parts 4 and 5 could be in jeopardy</a>. He’s betting “Fire and Ash” will come close to replicate his past successes, partially based on early box office predictions. The film is expected to rake in <a href="https://boxofficetheory.com/6-week-box-office-tracking-wicked-for-good-and-zootopia-2-check-ins-plus-other-updates/">at least $110 million</a> in its opening frame.
He’s not alone in wishing for the best.
The box office isn’t the same as it once was, not even when “The Way of Water” helped theaters bounce back from the pandemic shutdowns three years ago. For every “A Minecraft Movie” or “Sinners,” there are many 2025 films that either flopped or dramatically underperformed in 2025.
“Christy.” “The Alto Knights.” “Good Fortune.” “Snow White.” “Elio.” “Tron: Ares.” Even some hits have been misses. “One Battle After Another” is approaching $70 million at the U.S. box office, but the film’s price tag (a reported $130 million) means it’ll lose plenty for Warner Bros.
One report suggests <a href="https://variety.com/2025/film/box-office/one-battle-after-another-lose-100-million-dollars-theaters-1236552914/">that figure could be $100 million.</a>
Variety reports that this year is <a href="https://variety.com/2025/film/box-office/october-box-office-record-low-ticket-sales-smashing-machine-tron-ares-flop-1236567987/">currently 2.9 percent ahead</a> of 2024, hardly a boastful account. Stateside revenues are still more than 22 percent behind 2019. That’s the last year before the COVID-19 pandemic shuttered movie houses and sent patrons scrambling to streaming services.
That, plus the continued rise of social media, video games, and streaming platforms, leaves cinema uniquely vulnerable as 2026 approaches.
<div id="attachment_1000763" style="width: 1034px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1000763" class="size-large wp-image-1000763" src="https://dw-wp-production.imgix.net/2025/11/Avatar-imdb-1024x424.jpg" alt="“Avatar: Fire and Ash.” Photo by 20th Century Studios/20TH CENTURY STUDIOS - Copyright 20th Century Studios. All Rights Reserved. IMDB." width="1024" height="424" srcset="https://dw-wp-production.imgix.net/2025/11/Avatar-imdb-1024x424.jpg 1024w, https://dw-wp-production.imgix.net/2025/11/Avatar-imdb-300x124.jpg 300w, https://dw-wp-production.imgix.net/2025/11/Avatar-imdb-768x318.jpg 768w, https://dw-wp-production.imgix.net/2025/11/Avatar-imdb-1536x636.jpg 1536w, https://dw-wp-production.imgix.net/2025/11/Avatar-imdb.jpg 2048w" sizes=" (max-width: 1024px) 100vw, 1024px" />“Avatar: Fire and Ash.” Photo by 20th Century Studios/20TH CENTURY STUDIOS &#8211; Copyright 20th Century Studios. All Rights Reserved. IMDB.</div>
There’s something else about Cameron’s “Avatar” franchise that isn’t discussed enough. Do people actually care about the saga and its heroic figures? How many Halloween costumes have been inspired by the series? Does “Avatar” merchandise sales spike when a new film hits theaters?
Comic-Con Nation genuflects to “Star Wars,” “Star Trek,” the MCU, and other geek-friendly IPs. Does “Avatar” hold sway over that demographic in a similar fashion? Are names like Neytiri, Jake Sully, and Miles Quaritch as recognizable as Han, Luke, and Leia? What about Kirk, Spock, and Dr. McCoy?
Hardly.
Cameron has spent much of his career defying the odds, and his “Avatar” films do so in another remarkable way. The phrase, “get woke go broke” finally pierced the Hollywood bubble in recent years. The industry has dialed back on its progressive messaging, realizing audiences would rather be entertained than lectured.
Yet the “Avatar” saga is unabashedly pro-environment and, on more than a few occasions, anti-human. We’re meant to root for the Na’vi, not Colonel Quaritch and his human foot soldiers.
<div id="attachment_1000753" style="width: 792px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" aria-describedby="caption-attachment-1000753" class="size-large wp-image-1000753" src="https://dw-wp-production.imgix.net/2025/11/Avatar.-Cameron-co-782x576.jpg" alt="“Avatar: Fire and Ash.” Sam Worthington, Zoe Saldana, James Cameron. Photo by 20th Century Studios/20TH CENTURY STUDIOS - Copyright 20th Century Studios. All Rights Reserved. IMDB." width="782" height="576" srcset="https://dw-wp-production.imgix.net/2025/11/Avatar.-Cameron-co-782x576.jpg 782w, https://dw-wp-production.imgix.net/2025/11/Avatar.-Cameron-co-300x221.jpg 300w, https://dw-wp-production.imgix.net/2025/11/Avatar.-Cameron-co-768x566.jpg 768w, https://dw-wp-production.imgix.net/2025/11/Avatar.-Cameron-co-1536x1131.jpg 1536w, https://dw-wp-production.imgix.net/2025/11/Avatar.-Cameron-co.jpg 2048w" sizes=" (max-width: 782px) 100vw, 782px" />Photo by 20th Century Studios/20TH CENTURY STUDIOS &#8211; Copyright 20th Century Studios. All Rights Reserved. IMDB.</div>
The director’s green activism infects every frame of his “Avatar” films, and he makes no apologies about it. That hasn’t impacted the franchise’s box office receipts, though. Not yet, at least.
Cameron’s undeniable skills can take eco-lectures and dress them up in clear-eyed action sequences and relatable themes. The pro-family sentiment of “The Way of Water,” for example, was impossible to miss.
Look past the director’s progressive streak and you’ll find a populist lurking in plain sight.
And while most filmmakers have wisely left 3D technology behind, Cameron clings to the format while pushing cinema technology forward. Each new “Avatar” film represents a leap in what’s possible on the big screen.
Who knows what “Fire and Ash” will deliver come December.
Boy, could the industry use another Cameron miracle to christen the New Year’s box office dreams and, in theory, prove the “rising tide lifts all boats” axiom anew. It wouldn’t be the first time Cameron defied the odds, but they haven’t been stacked so tall in ages.
* * *
Christian Toto is an award-winning journalist, movie critic, and editor of <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>. He previously served as associate editor with Breitbart News’ Big Hollywood. Follow him at <a href="https://www.hollywoodintoto.com/" target="_blank" rel="noopener">HollywoodInToto.com</a>.
The views expressed in this piece are those of the author and do not necessarily represent those of The Daily Wire.

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