<a href="https://www.dailywire.com/topic/beyonce">Beyoncé</a> fans were delighted to see an advertisement for her upcoming <a href="https://www.dailywire.com/topic/music">album</a>, &#8220;Cowboy Carter,&#8221; being projected onto the <a href="https://www.dailywire.com/topic/arts">Guggenheim Museum</a> in New York City just over a week before its March 29 release. The only problem is that the projection was not authorized by the venue.
Advertisements for the album were seen projected on several museums besides the Guggenheim, including the Whitney Museum, New Museum, and the Museum of Art and Design.
Museum reps shared in a <a href="https://www.artnews.com/art-news/news/promotion-beyonce-cowboy-carter-album-guggenheim-whitney-new-museum-1234700495/">statement</a> with ARTnews that they did not authorize their building for that usage. They said Guggenheim staff “was not informed about and did not authorize this activation. However, we invite the public — including Beyoncé and her devoted fans — to visit the museum May 16–20 when we present projections by artist Jenny Holzer on the facade of our iconic building to celebrate the opening of her major exhibition.”
The projected image said, “This ain’t a country album. This is a ‘Beyoncé’ album,” and included the album’s title and release date.
The Grammy Award-winning singer also posted a photo of the Guggenheim’s coordinates to her Instagram Story on Wednesday night, per <a href="https://www.billboard.com/music/music-news/beyonce-cowboy-carter-nyc-museums-ad-1235638373/">Billboard</a>.
The Guggenheim referenced Beyoncé’s new song, “Texas Hold ‘Em,” when <a href="https://www.instagram.com/p/C4xphCdu6ux/?hl=en">posting</a> Franz Marc’s 1910 painting “Three Horses Drinking” to Instagram on Thursday morning. The image caption began with, “This ain’t Texas,” which is a line from the song. The museum&#8217;s social account also shared an image of the unauthorized projection in Instagram Stories, adding a text overlay that said, “Hey beyonce!,” with a bee emoji.
Earlier this week, Beyoncé shared the official album cover for Cowboy Carter and discussed some of her motivation behind it on Instagram earlier this week.
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“I feel honored to be the first Black woman with the number one single on the Hot Country Songs chart. That would not have happened without the outpouring of support from each and every one of you. My hope is that years from now, the mention of an artist’s race, as it relates to releasing genres of music, will be irrelevant,” she wrote in the caption. 
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“This album has been over five years in the making,” the post continued. “It was born out of an experience that I had years ago where I did not feel welcomed…and it was very clear that I wasn’t. But, because of that experience, I did a deeper dive into the history of Country music and studied our rich musical archive. It feels good to see how music can unite so many people around the world, while also amplifying the voices of some of the people who have dedicated so much of their lives educating on our musical history.”

Beyonce

Guggenheim Museum Rep Says They ‘Did Not Authorize’ Beyoncé Album Promotion Projected On Their Building

Guggenheim Museum Rep Says They 'Did Not Authorize' Beyoncé Album Promotion Projected On Their Building

Celebrities

Country Music

Music

New York City

An art museum in <a href="https://www.dailywire.com/topic/england" target="_blank" rel="noopener">England</a> has issued a warning to patrons that images of a British countryside in paintings can evoke what it labeled &#8220;dark,&#8221; &#8220;nationalist feelings.&#8221;
The Fitzwilliam Museum, owned by the University of Cambridge, decided to overhaul some of its displays, something that the museum&#8217;s director Luke Syson insisted is not being &#8220;woke.&#8221;
&#8220;I would love to think that there’s a way of telling these larger, more inclusive histories that doesn&#8217;t feel as if it requires a push-back from those who try to suggest that any interest at all in [this work is] what would now be called &#8216;woke,'&#8221; Syson told the Telegraph, as reported by <a href="https://www.yahoo.com/news/paintings-british-countryside-evoke-dark-140508085.html">Yahoo</a> News.
The paintings have been moved around into categories in an effort to make the museum &#8220;inclusive.&#8221;
&#8220;Being inclusive and representative shouldn&#8217;t be controversial; it should be enriching,&#8221; Syson said.
One of the signs in the Nature Gallery, showing the work of artist John Constable&#8217;s paintings of English hills, noted that the artwork can stir feelings of &#8220;pride towards a homeland.&#8221;
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&#8220;The Fitzwilliam Museum has suggested that paintings of the British countryside evoke dark &#8220;nationalist feelings&#8221;. The museum, owned by the University of Cambridge, has undertaken an overhaul [&#8230;] in a move that its director insisted was not “woke”.&#8221;<a href="https://t.co/1t09LcYqEP">https://t.co/1t09LcYqEP</a>
— Kristian Niemietz (@K_Niemietz) <a href="https://twitter.com/K_Niemietz/status/1768550114660958412?ref_src=twsrc%5Etfw">March 15, 2024</a></blockquote>
&#8220;Landscape paintings were also always entangled with national identity,&#8221; the sign read.
&#8220;The countryside was seen as a direct link to the past, and therefore a true reflection of the essence of a nation,&#8221; it added. &#8220;Paintings showing rolling English hills or lush French fields reinforced loyalty and pride towards a homeland.&#8221;
However, another part of the sign told visitors that &#8220;there is a darker side&#8221; to the images of the British countryside. 
&#8220;The darker side of evoking this nationalist feeling is the implication that only those with a historical tie to the land have a right to belong,&#8221; it added.
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Constable is known for his famous landscapes of the Suffolk countryside, the <a href="https://www.nationalgallery.org.uk/artists/john-constable#:~:text=Constable%20is%20famous%20for%20his,worked%20up%20in%20the%20studio.">National Gallery</a> in London noted. Interestingly enough, as popular as his paintings are now, the London Gallery noted that &#8220;they were not particularly well received in England during his lifetime.&#8221;
In another part of the museum, the sign for the new Identity Gallery told patrons that portraits of wealthy and uniformed sitters &#8220;became vital tools in reinforcing the social order of a white ruling class, leaving very little room for representations of people of color, the working classes or other marginalized people,” the outlet noted.
And that, &#8220;portraits were often entangled, in complex ways, with British imperialism and the institution of transatlantic slavery.&#8221;
In the Migration and Movement gallery, signage noted that &#8220;while some people chose to leave their homes, global conflict, discrimination and European colonialism meant others fled or were exiled by force.&#8221;

Museum Painting

Art Museum Warns That Images Of British Countryside Can Evoke ‘Dark’ ‘Nationalist’ Feelings

England

General

Museum

Wokeness

World

The Biden administration may have lied to the public about an ethics agreement related to <a href="https://www.dailywire.com/topic/hunter-biden" target="_blank" rel="noopener">Hunter Biden</a>’s art career, according to House Oversight and Accountability Chairman James Comers (R-KY).
The committee on Tuesday <a href="https://oversight.house.gov/release/comer-statement-on-interview-with-hunter-bidens-art-gallerist%EF%BF%BC/" target="_blank" rel="noopener">interviewed</a> Georges Bergès, Hunter’s art gallerist, and asked him about who was purchasing Hunter’s art and what his relationship was with the White House. According to Comer, Bergès said that he never made any ethics agreement with the White House, which has claimed there was an ethics agreement between the gallerist and the Biden administration to not discuss the sales. 
“The Biden White House appears to have deceived the American people about facilitating an ethics agreement governing the sale of Hunter Biden’s art. Hunter Biden’s gallerist never had any communication with the White House about such an agreement to make sure there was any sort of ethics compliance at all, and he provided information to the committee revealing how Hunter Biden’s amateur art career is an ethics nightmare,” Comer said. 
Bergès said that Hunter &#8220;knew the identities of the individuals who purchased roughly 70% of the value of his art, including Democrat donors Kevin Morris and Elizabeth Hirsh Naftali,&#8221; according to Comer. 
“The vast majority of Hunter Biden’s art has been purchased by Democrat donors, one of whom was appointed by President Biden to a prestigious commission after she purchased Hunter Biden’s art for tens of thousands of dollars shortly after Joe Biden’s inauguration. The White House has a lot of explaining to do about misleading the American people,” Comer said. 
Naftali, <a href="https://www.dailywire.com/news/foreign-post-handed-to-hunter-bidens-art-buyer-is-notorious-for-corruption-used-to-buy-foreign-influence">who paid Hunter Biden</a> for a piece of his hyper-expensive artwork, was appointed by President <a href="https://www.dailywire.com/topic/joe-biden">Joe Biden </a>to the Commission for the Preservation of America’s Heritage Abroad. 
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Morris, who previously helped pay Hunter’s unpaid taxes, reportedly purchased $875,000 worth of art from Hunter in January 2023. “However, Kevin Morris only paid Mr. Bergès 40% commission of the $875,000 purchase and Hunter Biden and Kevin Morris figured out the financial implications. Mr. Bergès admitted he has never done an art deal like that before,” House investigators noted. 
According to Comer, Bergès was introduced to Hunter by Hollywood video producer Lanette Phillips, who has hosted fundraisers for President Joe Biden. Bergès also reportedly told House lawmakers that he had met with the president in person and over the phone and was at a wedding at the White House. 
The interview was conducted as part of the House investigation into corruption and influence peddling within the Biden family.

Hunter Biden Dec 13

‘An Ethics Nightmare’: Hunter Biden Art Gallerist Interviewed By House Investigators

Biden Administration

Executive

Hunter Biden

James Comer

Joe Biden

Politics

White House

If you want these happy little trees, you’ll need a lot of green. Beloved TV artist Bob Ross’s first-ever on-air <a href="https://www.dailywire.com/topic/arts">painting</a> is up for sale and costs almost $10 million.
The late host of <a href="https://www.dailywire.com/topic/pbs">PBS</a>’s “The Joy of Painting” became massively popular for his friendly, calm demeanor and his insistence that anyone can become an artist. Now Modern Artifact Gallery in <a href="https://www.dailywire.com/topic/minneapolis">Minneapolis</a> is selling “A Walk in the Woods,” the first of over 400 paintings Ross made on the show. Ross painted it for the premiere episode which aired on January 11, 1983.
“It is season one, episode one of what you would call the rookie card for Bob Ross,” gallery owner Ryan Nelson said of the work, per <a href="https://www.theguardian.com/us-news/2023/sep/21/bob-ross-first-tv-painting-sale-a-walk-in-the-woods">The Guardian</a>. Nelson added that he doesn’t expect the work to sell quickly because of the cost. 
“What this piece represents is the people’s artist,” the gallery owner continued. “This isn’t an institution that’s telling you that Bob Ross is great. It’s not some high-brow gallery telling you that Bob Ross is great. This is the masses, the population in the world that are saying that Bob Ross is great.”
“A Walk in the Woods” was originally sold for an undisclosed amount to a volunteer to raise funds for the local PBS station. The painting was displayed in her home for almost four decades before she contacted Nelson about purchasing it. He bought it last year, then gave it the “not for sale” price of $9.89 million, the outlet noted. 
“Ryan would prefer to take [the painting] out, tour it around to museums and things like that so people can enjoy it and appreciate it,” Nelson’s publicist said. “He will take offers but he’s not in a hurry to sell it.”
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Ross, who died in 1995, had a passion for removing pretentious attitudes from the art world. As he said in the first episode, “We have avoided painting for so long because I think all of our lives we’ve been told that you have to go to school half your life, maybe even have to be blessed by Michelangelo at birth, to ever be able to paint a picture. And here, we want to show you that that’s not true. That you can paint a picture.”

painter

Bob Ross’s First Ever On-Air Painting On Sale For $9.8M

Bob Ross's First Ever On-Air Painting On Sale For $9.8M

Minneapolis

Television

U.S.

A Danish <a href="https://www.dailywire.com/topic/arts">artist</a> is being asked to return money he was given to complete an art installation after he submitted two blank canvases as the finished project.
The Kunsten Museum of Modern Art in <a href="https://www.dailywire.com/topic/denmark">Denmark</a> lent artist Jens Haaning 532,549 Dutch krone, equivalent to about $76,400, so he could recreate two earlier pieces that physically depicted the average income of a Danish citizen versus an Austrian citizen, per <a href="https://www.npr.org/2023/09/18/1200192209/danish-artist-jens-haaning-blank-canvases-ordered-to-repay-loan-kunsten">NPR</a>. 
But rather than affixing the money to the canvases, Haaning pocketed the cash and turned in blank canvases he dubbed “Take the Money And Run.” 
The museum initially accepted the canvases and displayed them as part of its “Work It Out” show in 2021, expecting the artist to return the money afterward. But he refused, which resulted in a lengthy court battle.  
Haaning has now been ordered to return the money plus $11,000 in legal fees. The ruling deducted roughly $5,700 from the amount owed to reflect Haaning&#8217;s artist&#8217;s fee and viewing fee because the exhibit did proceed with his two blank canvases included.
Museum director Lasse Andersson, at first, was amused by the stunt. &#8220;Jens is known for his conceptual and activistic art with a humoristic touch. And he gave us that – but also a bit of a wake up call as everyone now wonders where did the money go,&#8221; he told <a href="https://www.cbsnews.com/news/artist-jens-haaning-take-the-money-and-run-ordered-return-cash-denmark/">CBS News</a> in 2021. 
But he also warned the artist that they did need the money back.
&#8220;We are not a wealthy museum,&#8221; Andersson told The Guardian in 2021. &#8220;We have to think carefully about how we spend our funds, and we don&#8217;t spend more than we can afford.&#8221;
The museum had extracted the funds from a building maintenance fund to give to Haaning. “I believe he will give it back to us. He is a well-regarded artist. But if we don’t get it back, we will have to file charges against the artist,” the director said at the time. Andersson said the museum’s contract with Haaning required him to return the money in January 2022, which he failed to do.
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According to Haaning&#8217;s press release in 2021, &#8220;the idea behind [it] was to show how salaries can be used to measure the value of work and to show national differences within the European Union.&#8221; The artist changed the title to &#8220;Take the Money and Run&#8221; as a means of addressing &#8220;artists&#8217; rights and their working conditions in order to establish more equitable norms within the art industry.&#8221;
“The work is that I have taken their money,” Haaning told the national Danish broadcaster DR in September 2021. “It’s not theft. It is breach of contract, and breach of contract is part of the work.”
“I encourage other people who have working conditions as miserable as mine to do the same. If they’re sitting in some sh**y job and not getting paid, and are actually being asked to pay money to go to work, then grab what you can and beat it,” he added.

Haaning

Danish Artist Ordered To Repay Museum $76K After Turning In Blank Canvases Called ‘Take The Money And Run’

Danish Artist Ordered To Repay Museum $76K After Turning In Blank Canvases Called 'Take The Money And Run'

Courts

Denmark

Lawsuit

A woman could see a six-figure payday as a <a href="https://www.dailywire.com/topic/arts">painting</a> she picked up at a <a href="https://www.dailywire.com/topic/new-hampshire">New Hampshire</a> thrift store turned out to be the lost work of a master artist.
The woman, who chooses to remain anonymous, said she found the <a href="https://www.dailywire.com/topic/painting">piece</a> at Savers thrift store in Manchester, New Hampshire, in 2017, per <a href="https://nypost.com/2023/09/01/new-hampshire-woman-buys-painting-for-4-not-knowing-its-a-nc-wyeth-that-could-be-worth-250k/">The New York Post</a>. She had been hunting for old frames to fix up when she stumbled upon the item.
Thinking nothing of it, she paid the $4 purchase price without having any idea of the painting’s value. She hung it in her bedroom for several years and then out of curiosity, posted it on the Facebook group “Things Found In Walls – And Other Hidden Findings.” Maine-based conservator Lauren Lewis saw the post and realized it could be the real work of Newell Convers (N.C.) Wyeth.
Wyeth (1882 &#8211; 1945) was a prolific artist credited with more than 3,000 paintings. His best-known works were 25 pieces called Scribner&#8217;s, which were illustrations for the Scribner Classics publishing house. N.C. Wyeth was the son of artist Andrew Wyeth and grandson of Jamie Wyeth, also a notable artist of his time.
The piece going up for auction was part of a series of four works created for the 1939 edition of Helen Hunt Jackson’s 1884 novel “Ramona.” The book tells the tale of a Scottish-Native American girl living in Southern California after the Mexican-American war, the outlet noted. 
Now the formerly lost painting will be auctioned by Bonhams Skinner on September 19. The estimated bidding price is between $150,000 and $250,000.
“Wyeth deftly portrays the tension between Ramona and her rigid and overbearing foster mother, Señora Moreno,&#8221; the auction house wrote in the listing. Prior to this discovery, only one of the paintings from the series had been found.
The woman who found it recalled how she previously, “joked about it being a real painting.”
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Lewis, the conservator who first recognized the piece for what it was, told <a href="https://www.bostonglobe.com/2023/08/25/arts/rare-nc-wyeth-painting-new-hampshire-thrift-store/">The Boston Globe</a> she was “99 percent certain that it was authentic.”
“My assessment of the condition was that, while it certainly had some small scratches and it could use a surface clean, it was in remarkable condition considering none of us had any idea of its journey over the last 80 years,” she said.

frames

Woman Buys Painting For $4 At Thrift Store, Turns Out It Could Fetch Up To $250K

New Hampshire

Painting

A longtime trustee of the Metropolitan Museum of Art in New York City has had nearly $70 million in looted artifacts seized in the past two years, though investigators haven’t suggested she, or her late husband, knowingly acquired them with that information. 
Shelby White, an 84-year-old emeritus trustee of the Met, has had 71 looted artifacts seized from her Manhattan apartment over the past two years. An additional 17 artifacts she loaned to the museum have also been seized under the suspicion of them being stolen, according to a <a href="https://www.nytimes.com/2023/07/17/arts/design/shelby-white-the-met-antiquities-investigation.html" target="_blank" rel="noopener">report</a> from The New York Times. 
“The Met has been very public in acknowledging that new information brought to light by law enforcement and others has precipitated our decision to devote additional resources to provenance research,” Met spokesman Ken Weine told the NYT. 
The investigation was being conducted by the Manhattan District Attorney’s Office’s Antiquities Trafficking Unit, which has reportedly seized 89 items in total from Shelby White’s collection. One of the looted items is a bronze statuette of Roman emperor Lucius Verus — one of the most expensive artifacts in the collection at $15 million — which belongs to Turkey, <a href="https://nypost.com/2023/07/19/investigators-seize-69m-worth-of-stolen-artifacts-from-met-trustee/" target="_blank" rel="noopener">according</a> to the New York Post. 
Another item was a seventh-century Chinese funerary artifact that was still filled with dirt, a sign that it had previously been looted; it has since been returned to China. Additional artifacts include a mixing bowl and an amphora from the sixth century B.C., among many others. 
Matthew Bogdanos, head of the Antiquities Trafficking Unit, described White’s apartment as “literally a museum.” 
Despite many of White’s purchased artifacts being seized on suspicion of looting, it appears the Met is not trying to distance itself from the collector. White and her late husband, investor Leon Levy, had donated roughly $20 million to the organization. In 2007, after Levy passed away, the Met unveiled the Leon Levy and Shelby White Court, which the Times describes as the “centerpiece of the Met’s Greek and Roman galleries.” 
Additionally, White is a member of numerous committees at the museum, including buildings, finance, and even acquisitions. According to the Times, she was recently placed on a task force focusing on issues relating to cultural property and practices for collection. She served as a trustee for 33 years, but now as emeritus trustee does not have voting power, offering advice instead. 
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While investigators have not suggested White purposefully purchased the artifacts knowing they were stolen, some experts have expressed doubts. 
“There is no way that someone at her level of the market and her depth of collecting and her prominence at the Met, there is no way someone at that level did not know they should be asking for things like export licenses,” Colgate University director of museum studies Elizabeth Marlowe told the Times. 
Patty Gerstenblith, a professor at DePaul University, said, “Her collecting practices do not fit the model of how a museum should be pursuing knowledge and preserving the historical record.” 
However, White’s lawyer Peter A Chavkin says that any items in her collection deemed looted have been promptly and “voluntarily returned&#8221; to its &#8220;rightful place of origin.” He also says White and Levy purchased all the antiquities in “good faith” from “reputable” dealers. 
Additionally, the Met appears to have defended her from attacks, with Met director Max Hollein saying she is a “profoundly generous supporter” who has had an “enormous impact at this museum and many other institutions.&#8221;
Since the 1970s, White and Levy have purchased over 700 artifacts from around the world, and “dozens” are still included in the museum&#8217;s collection, according to the Times. The Manhattan District Attorney’s Office says it has concluded the investigation into White’s collection, but that it will reexamine if new evidence comes forward.

Exterior of the Metropolitan Museum of Art in New York City

$69M In Looted Artifacts Seized From Met Trustee, Including Some On Loan To The Museum

History

New York

The National Endowment for the Arts (NEA) granted $35,000 from taxpayers to support a transgender dance tour in four states led by a “queer choreographer.&#8221;
The <a href="https://freshmeatproductions.org/sean-dorsey-dance-the-lost-art-of-dreaming-online-on-demand-apap-screening/" target="_blank" rel="noopener">performance</a> is titled “The Lost Art of Dreaming” and produced by Fresh Meat Productions, a San Francisco-based studio led by transgender activist <a href="https://seandorseydance.com/about/artistic-director/" target="_blank" rel="noopener">Sean Dorsey</a>, who <a href="https://seandorseydance.com/about/artistic-director/" target="_blank" rel="noopener">describes</a> himself as the “first acclaimed transgender modern dance choreographer.”
The NEA grant description says the performance “imagines transgender and queer futures through contemporary dance, grand-scale costuming that will double as set and visual elements, and physical theater.” The grant covers one year, from May 2023 to May 2024.
Fresh Meat Productions <a href="https://freshmeatproductions.org/sean-dorsey-dance-the-lost-art-of-dreaming-online-on-demand-apap-screening/" target="_blank" rel="noopener">notes</a> that the dance is “performed by a powerhouse ensemble of five trans, queer and gender-non-conforming dancers” featuring “intimate storytelling, intricate costuming and exquisite queer partnering.”
<div class="image"><img decoding="async" loading="lazy" class=" wp-image-590067 aligncenter" src="https://dw-wp-production.imgix.net/2023/07/Screen-Shot-2023-07-19-at-10.37.47-AM-300x195.png" alt="" width="601" height="391" srcset="https://dw-wp-production.imgix.net/2023/07/Screen-Shot-2023-07-19-at-10.37.47-AM-300x195.png 300w, https://dw-wp-production.imgix.net/2023/07/Screen-Shot-2023-07-19-at-10.37.47-AM-886x576.png 886w, https://dw-wp-production.imgix.net/2023/07/Screen-Shot-2023-07-19-at-10.37.47-AM-768x499.png 768w, https://dw-wp-production.imgix.net/2023/07/Screen-Shot-2023-07-19-at-10.37.47-AM-1536x998.png 1536w, https://dw-wp-production.imgix.net/2023/07/Screen-Shot-2023-07-19-at-10.37.47-AM.png 1702w" sizes="(max-width: 601px) 100vw, 601px" /></div>
“Dorsey will host free community engagement activities such as trans-supportive writing and movement workshops,” the grant description adds. “This project will serve artists and audiences in Georgia, Massachusetts, North Carolina, and Wisconsin.”
Fresh Meat Productions lists several of its “<a href="https://seandorseydance.com/works/the-lost-art-of-dreaming/booking-touring/" target="_blank" rel="noopener">community engagement activities</a>” on its website, which includes “free online creative tools.” Among the resources are “<a href="https://seandorseydance.com/works/the-lost-art-of-dreaming/postcards-from-the-future/" target="_blank" rel="noopener">postcards from the future</a>,” drawings of transgender mermaids and other figures, along with slogans like “we are divine,” “joy is your birthright,” and “you are exquisite.”
The NEA told The Daily Wire that the grant was made &#8220;on the basis of artistic excellence and artistic merit&#8221; and that &#8220;panels of arts experts and other individuals from across the country &#8230; made recommendations on all of the Grants for Arts Projects applications.&#8221;
The studio has received several NEA grants, according to the government agency&#8217;s <a href="https://apps.nea.gov/grantsearch/" target="_blank" rel="noopener">grant search page</a>, which reveals that Fresh Meat Studios also received $35,000 in 2022 for the same dance tour. It also received $150,000 from the American Rescue Plan and has received funding for other productions, including one focused on the AIDS epidemic. Another focused on &#8220;masculinity and gender in contemporary America.&#8221;
Fresh Meat Productions also received a $19,000 <a href="https://arts.ca.gov/grantee/fresh-meat-productions-9/" target="_blank" rel="noopener">grant</a> from the California Arts Council, which is funded by the State of California, in <a href="https://arts.ca.gov/wp-content/uploads/2021/01/CAC_LI_2019-20_GrantListings.pdf" target="_blank" rel="noopener">2019</a>. A project description reads: “Operating in a world that harms and excludes trans bodies and expression, FMP lifts up trans and gender non-conforming artists as agents of change.”
It also adds that Fresh Meat Productions promotes “the evolution of transgender arts and culture” and the “artistic development and leadership of trans, gender non-conforming and queer communities.”
Meanwhile, the NEA has also patronized other productions that promote transgenderism. A $30,000 grant to Boulder, Colorado’s Motus Theater went “to support the development and world premiere touring production of the TRANSformative Monologues project.”
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“Local transgender community leaders will participate in a series of artmaking workshops and will collaborate with theater artists to write and perform autobiographical monologues,” the description explains that the performances will also feature “guest experts on issues of transgender rights.” The grant period began in January 2023 and continues until January 2024.
<div class="image"><img decoding="async" loading="lazy" class=" wp-image-590071 aligncenter" src="https://dw-wp-production.imgix.net/2023/07/Screen-Shot-2023-07-19-at-10.39.44-AM-300x96.png" alt="" width="625" height="200" srcset="https://dw-wp-production.imgix.net/2023/07/Screen-Shot-2023-07-19-at-10.39.44-AM-300x96.png 300w, https://dw-wp-production.imgix.net/2023/07/Screen-Shot-2023-07-19-at-10.39.44-AM-1024x329.png 1024w, https://dw-wp-production.imgix.net/2023/07/Screen-Shot-2023-07-19-at-10.39.44-AM-768x246.png 768w, https://dw-wp-production.imgix.net/2023/07/Screen-Shot-2023-07-19-at-10.39.44-AM.png 1340w" sizes="(max-width: 625px) 100vw, 625px" /></div>
Motus Theater is <a href="https://www.motustheater.org/transformative-stories" target="_blank" rel="noopener">searching</a> for five to eight “transgender and non-binary leaders to develop artfully crafted personal stories about their hopes, dreams, and experiences of negotiating oppression and liberation.”
The project intends to interrupt “dehumanizing rhetoric and policies targeting transgender and non-binary people” and to <a href="https://static1.squarespace.com/static/5ae20263aa49a1f4000bf576/t/640a10d88e58752841338455/1678381272427/TRANSformative+Stories_Flyer_5.pdf" target="_blank" rel="noopener">depict</a> transgender individuals “as the protagonists in the American drama.”

Audience watching dance

National Endowment For The Arts Grants $35K To Transgender Dance Tour

Dance

Social Issues

trans

Transgender

<a href="https://www.dailywire.com/news/hunter-biden-agrees-to-give-daughter-some-of-his-paintings-in-paternity-settlement" target="_blank" rel="noopener">Hunter Biden</a> loves his little daughter in Arkansas so much that he gave her some of those tacky Spirograph paintings, which we’re told can fetch as much as $500,000.
Of course, four-year-old Navy Joan Lunden and her mom had to promise never to use the Biden name and agree to a major haircut in child support payments. But while it&#8217;s usually little kids who supply their parents with amateur art instead of the other way around, Hunter’s works are not something you stick on the refrigerator with a magnet. There’s a huge market for them.
Some cynics think the only folks paying six figures for Hunter Biden’s ink-blown abstract paintings are people who want to buy his father’s influence, and the guy producing them is a con artist. It’s hard to know for sure, because until he leaves another laptop lying around, we won’t know the names of his buyers. But the theory makes sense, because it was one thing for Hunter to be the Biden bagman while his father was President Obama’s No. 2, but the big job puts bright lights on the big guy. You would need some sort of cover if you were going to continue the family business.
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Is <a href="https://twitter.com/hashtag/HunterBiden?src=hash&amp;ref_src=twsrc%5Etfw">#HunterBiden</a> sucking or blowing?
Either way, no wonder his &#39;art&#39; is so pricey <a href="https://t.co/Z1n8HRiBlz">pic.twitter.com/Z1n8HRiBlz</a>
&mdash; Richard David (@Trying_Very) <a href="https://twitter.com/Trying_Very/status/1674877030897274881?ref_src=twsrc%5Etfw">June 30, 2023</a></blockquote>
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Using Hunter’s alleged artworks to add a coat of legitimacy to payments to the family business was such a clever touch that someone not named Biden surely came up with it. He can probably churn them out in minutes, and the Bidens can always count on the friendly press to peddle the picture of Hunter in a beret, pensively clutching a palette pad in front of an easel as he channels his newfound creativity against his old demons. But the one key thing to remember about the scam is that there is no secondary market for a signed Hunter Biden. No one buys it to hang on the wall and show their friends. It’s nothing more than a ticket stub.
Little Navy Joan will find this out in about 14 years, when she drags her signed Hunter Bidens out of the crawl space and tries to sell them to pay for her college tuition. Unless she takes a low-ball offer from someone with a sense of humor, her biological dad’s gifts will end up on the curb, like something that found no takers at a garage sale.
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Hunter Biden who is Jo Biden’s son &amp; is in the papers a lot these days is also amongst other things an artist he started whilst in rehab some of his painting are reported to be valued at as much as $500,000 exhibited at Georges Berges gallery New York <a href="https://t.co/fGD2zrNJyC">pic.twitter.com/fGD2zrNJyC</a>
&mdash; Art &amp; Sculpture (@Highlight_Art) <a href="https://twitter.com/Highlight_Art/status/1674696723422236672?ref_src=twsrc%5Etfw">June 30, 2023</a></blockquote>
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Until he struck his latest dodgy deal, Hunter Biden was <a href="https://nypost.com/2023/06/20/hunter-biden-baby-mama-luden-roberts-settle-child-support-dispute-with-first-sons-payments-slashed/" target="_blank" rel="noopener">paying $20,000 per month</a> to support the daughter neither he nor his father ever willingly acknowledged. While we’ve recently learned that Hunter likes to conduct high-wire negotiations from a couch in Delaware with his dad at his side, he did this one in person during a deposition in Little Rock. It was literally child’s play for a guy who has negotiated with operatives and oligarchs while high on crack. He brought the monthly payments all the way down to a manageable $5,000.
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As for the other terms, little Navy gets the paintings, but not the Biden name. Hard to say which one is worth less.

Con Artist: Victim Of Hunter Biden’s Latest Scam Is His Own Daughter

Con Artist: Victim Of Hunter Biden's Latest Scam Is His Own Daughter

An <a href="https://www.dailywire.com/topic/arts">art</a> student from Seoul National University caused a stir when he ate a pricey art installation because he was “hungry.”
The art piece in question featured a banana attached to a wall with duct tape. “Comedian,” a work by Italian artist Maurizio Cattelan, previously made headlines in 2019 when it sold for $120,000 at Art Basel Miami Beach. It’s currently displayed at the Leeum Museum of Art in Seoul, <a href="https://www.dailywire.com/topic/south-korea">South Korea</a>.
The unnamed student grabbed the banana off the wall, ate the fruit, then placed the empty banana peel under the duct tape.
&#8220;The student told the museum he ate it because he was hungry,&#8221; a museum spokesperson told <a href="https://www.cnn.com/style/article/student-eats-maurizio-cattelan-banana-art-south-korea-intl-hnk/index.html">CNN</a> of the incident. &#8220;It happened suddenly, so no special action was taken. The artist was informed of the incident but he didn&#8217;t have any reaction to it.”
The museum replaced the eaten banana with a new one. 
CNN noted that “Comedian” is part of Cattelan&#8217;s solo exhibition on display at Leeum Museum until July 16. The banana is usually replaced every two to three days and is not for sale.
The banana-centric piece has inspired this type of reaction before. After the first edition of the art installation was sold, a performance artist named David Datuna ate the duct-taped fruit while it was on display at the Perrotin gallery at Art Basel in Miami, the outlet said.
Datuna posted about eating the banana on his Instagram. “‘Hungry Artist’ Art performance by me. I love Maurizio Cattelan artwork and I really love this installation. It’s very delicious,” he <a href="https://www.instagram.com/p/B5yJTV4Bka3/?utm_source=ig_embed&amp;ig_rid=b53b3ce7-b958-4a22-ac26-067ff5f549dd">wrote</a> alongside a video clip of the stunt. 
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Cattelan, who’s been <a href="https://www.thecollector.com/who-stole-maurizio-cattelans-gold-toilet/">described</a> as “a prankster and a troublemaker,” makes art that is often satirical and puts a mirror up to modern culture. The artist is also known for a solid 18-carat-gold toilet meant to mock wealth and excess called “America.” It was valued at around $6 million.
The pricey, fully functional commode was installed at New York&#8217;s Guggenheim Museum in 2016 and could be used by visitors. Someone stole the piece from Bleinheim Palace in England, the birthplace of Winston Churchill. It has never been recovered.

Maurizio Cattelan: Comedian

Student Says He Ate $120K Art Installation Of Banana Taped To Wall Because ‘He Was Hungry’

Student Says He Ate $120K Art Installation Of Banana Taped To Wall Because 'He Was Hungry'

Food

South Korea

Radical <a href="https://www.dailywire.com/topic/climate-change" target="_blank" rel="noopener">climate change</a> activists targeted another priceless piece of art on Thursday, smearing paint onto the pedestal and glass encasement protecting a famous Edgar Degas sculpture. 
The vandalism occurred at the National Gallery of Art in <a href="https://www.dailywire.com/topic/washington-d-c" target="_blank" rel="noopener">Washington, D.C</a>., and was directed at a sculpture called “Little Dancer Aged Fourteen.” Degas, a French Impressionist, finished the sculpture in 1881, and it has been primarily kept in D.C. since 1999. 
“Today a priceless work of art in our collection, Degas’s original wax Little Dancer, was attacked by protestors with swaths of red and black paint. After attacking the Degas sculpture, they made statements about climate issues,” said Kaywin Feldman, the director of the museum, in a <a href="https://www.nga.gov/press/2023/statement-from-the-director.html" target="_blank" rel="noopener">statement</a>. “We unequivocally denounce this physical attack on one of our works of art and will continue to share information as it becomes available.”
Feldman said that the sculpture had been removed from the gallery for evaluation and that the gallery in which it could be viewed had been closed for the day. She said that the FBI would be aiding in the investigation of the incident. 
According to The Washington Post, which <a href="https://www.washingtonpost.com/dc-md-va/2023/04/27/climate-protest-paint-degas-little-dancer-national-gallery-dc/" target="_blank" rel="noopener">obtained footage</a> of the incident, the protesters hoped to trigger a declaration of emergency over the climate from President Joe Biden. 
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Protesters smeared paint on the case and pedestal of Edgar Degas’s “Little Dancer Aged Fourteen” sculpture in the National Gallery of Art in D.C. to bring attention to the climate crisis and demand that President Biden declare a climate emergency. <a href="https://t.co/FWiuFqJzId">https://t.co/FWiuFqJzId</a> <a href="https://t.co/8AQkeIWlQH">pic.twitter.com/8AQkeIWlQH</a>
&mdash; The Washington Post (@washingtonpost) <a href="https://twitter.com/washingtonpost/status/1651646413275557889?ref_src=twsrc%5Etfw">April 27, 2023</a></blockquote>
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In the video, a man and a woman can be seen slapping black and red paint on both the pedestal the sculpture was resting on. In the video, both claim that the government is not doing enough to deal with climate change before they were detained by security. 
Declare Emergency, a <a href="https://www.declareemergency.org" target="_blank" rel="noopener">far-Left group</a> that often protests against the “fossil fuel death project,” said that the protests were by two of its activists, who it named as 53-year-old Joanna Smith of New York City and 54-year-old Tim Martin of Raleigh, North Carolina. 
Climate activists have <a href="https://www.dailywire.com/news/watch-global-warming-protesters-vandalize-one-of-worlds-most-iconic-art-masterpieces" target="_blank" rel="noopener">staged similar protests</a> around the world, targeting renowned works of art, typically only damaging the encasements of the art. In October, a pair of vandals threw tomato soup at <a href="https://www.dailywire.com/news/priceless-van-gogh-stolen-in-overnight-art-heist-targeting-museum-shuttered-by-coronavirus/">Vincent van Gogh</a>’s iconic “Sunflowers,” at an art museum in London. 
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The painting, valued at nearly $85 million, was undamaged in the attack at London’s National Gallery in Trafalgar Square, thanks to a glass covering. But the shocking display left museum-goers gasping and calling for security.

WASHINGTON, DC – APRIL 27: Climate protesters are arrested afte

Iconic Sculpture Targeted By Paint-Wielding Climate Protesters In Washington, D.C.

Climate Change

Environment

Washington D.C.

A professional photographer is turning down a prestigious award after revealing that the winning image was actually <a href="https://www.dailywire.com/topic/artificial-intelligence">artificial intelligence-generated</a>.
German artist Boris Eldagsen said he intentionally submitted the faux <a href="https://www.dailywire.com/topic/photos">photo</a> to help drive the debate about AI-generated images, per an IGN <a href="https://www.ign.com/articles/an-ai-generated-photo-was-submitted-to-a-competition-to-make-a-point-and-it-ended-up-winning">report</a>. 
Eldagsen was among the winners in the Sony World Photographer Awards, which published the names of finalists in March. He won for the photograph “Electricia,” which was described in Sony&#8217;s press release as &#8220;a haunting black-and-white <a href="https://www.dailywire.com/topic/arts">portrait</a> of two women from different generations, reminiscent of the visual language of 1940s family portraits.&#8221;
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German artist Boris Eldagsen rejected a prestigious photography award and revealed that his submission was AI-generated, saying he hopes &quot;to speed up this debate&quot; on AI images in competitions. <a href="https://t.co/BVX3RzHVLc">https://t.co/BVX3RzHVLc</a> <a href="https://t.co/5D4ISQJ1kK">pic.twitter.com/5D4ISQJ1kK</a>
&mdash; IGN (@IGN) <a href="https://twitter.com/IGN/status/1648314460677832706?ref_src=twsrc%5Etfw">April 18, 2023</a></blockquote>
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The German photographer admitted it was a fake as part of a recent blog post, &#8220;How many of you knew or suspected that it was AI generated? Something about this doesn’t feel right, does it?&#8221; Eldagsen <a href="https://www.eldagsen.com/sony-world-photography-awards-2023/">wrote</a>.
He argued that &#8220;AI images and photography should not compete with each other in an award like this” and confirmed that he would not attend the ceremony or accept the award. 
&#8220;I applied as a cheeky monkey, to find out, if the competitions are prepared for AI images to enter. They are not,&#8221; Eldagsen wrote. &#8220;We, the photo world, need an open discussion. A discussion about what we want to consider photography and what not. Is the umbrella of photography large enough to invite AI images to enter – or would this be a mistake?&#8221;
&#8220;With my refusal of the award I hope to speed up this debate,&#8221; he said.
The image was removed from the Sony World Photographer Awards website. A spokesperson for the World <a href="https://www.theguardian.com/technology/photography" data-component="auto-linked-tag" data-link-name="in body link">Photography</a> Organization said Eldagsen had revealed the “co-creation” of the image using AI technology before he was announced as the winner, <a href="https://www.theguardian.com/technology/2023/apr/17/photographer-admits-prize-winning-image-was-ai-generated">per</a> The Guardian.
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Conversations about AI potentially being misused are becoming more frequent. Recently, software developer Mckay Wrigley wrote on Twitter that AI would continue to see “exponential growth” and that skeptics should take note because it will “hit them like an asteroid.”
“I saw it happening from well before GPT-1, which is why I tried to warn the public for years,” billionaire businessman Elon Musk <a href="https://twitter.com/elonmusk/status/1647601906087329794">wrote</a> in the replies.
“The only one on one meeting I ever had with Obama as President I used not to promote Tesla or SpaceX, but to encourage AI regulation,” he wrote.
Musk also just signed an <a href="https://www.dailywire.com/news/musk-wozniak-other-tech-leaders-call-for-six-month-pause-on-ai-development">open letter</a> with hundreds of other technology leaders calling for a six-month moratorium on developing AI solutions stronger than GPT-4 until the potential dangers of the technology can be evaluated.
A recent Goldman Sachs report found that most jobs in the U.S. will be “complemented” by AI, but up to 7% will be “replaced” by the technology, as The Daily Wire previously <a href="https://www.dailywire.com/news/colossal-share-of-american-jobs-could-be-replaced-by-ai-new-report-says">reported</a>.
RELATED: <a href="https://www.dailywire.com/news/google-ceo-calls-for-ai-regulation-warns-society-to-brace-for-impact-of-technology">Google CEO Calls For AI Regulation, Warns Society To Brace For Impact Of Technology</a>

AI generated image

Photographer Refuses To Accept Top Prize After Admitting His Winning Photo Is AI-Generated

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