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Sabrina Carpenter is canceled. It’s surprising it took so long. The pop star famous for her bubbly, retro sounds is no stranger to controversy. She’s come under fire in the past for her performances simulating sex acts on stage, and her music videos routinely feature male murder fantasies. But now, Carpenter has finally stepped on a progressive cultural land mine. During her headline Coachella performance, the singer committed a grave act of “xenophobia” when responding to a disruptive fan, and her carnivorous fan base has finally found an excuse to take out its queen bee.

Coachella 2026 was poised to be the highlight of Sabrina Carpenter’s meteoric rise to pop stardom. Her headline show, dubbed by fans “Sabrinawood” for its nods to Old Hollywood, was a star-studded affair with over-the-top stage production and cameos from iconic actors such as Sam Elliott. As initial videos of the performance trickled onto social media, the internet crowned her the reigning princess of Coachella.

Then the unthinkable happened. An interaction with a loud fan summoned the internet’s cancel culture vultures with accusations of racism and xenophobia.

X user Poppy posted a clip of the incident, which has now been removed, showing a performance interrupted by what Sabrina Carpenter called a “yodel.” After being informed by the audience member that it was a cultural custom, Sabrina grimaced and responded, “That’s your culture?” Poppy’s caption expressed disappointment: “sabrina saying that she doesn’t like a cultural arabic cheer… this is so insensitive and islamophobic.”

The post garnered 30.9 million views and a response from Carpenter, who quickly apologized after being informed of the disruptor’s cultural background, “my apologies I didn’t see this person with my eyes.”

The fan was not from Appalachia or the Swiss Alps, as Sabrina likely assumed, and the noise was not a yodel, but a zaghrouta, a celebratory ululation used throughout North Africa and the Middle East. In the eyes of Sabrina Carpenter’s progressive fanbase, the offender was not a safe person to criticize.

“I’m in a complete shock,” one of the viral posts said, “I used to be a huge sabrina carpenter fan and now she’s mocking my culture and calling me ‘weird’, this is so racist and inappropriate and it made me feel uncomfortable. this white blonde racist woman should be cancelled.”

The speed with which Sabrina Carpenter’s fans were willing to condemn her is revelatory of the inner workings of “stan” culture, a pop-star-obsessed internet subculture. The name originates from Eminem’s 2000 song “Stan,” which chronicles a fan’s obsession that devolves from sending letters into a murder-suicide. For “stans” to adopt this identity as their own, even if done ironically, indicates a destructive underbelly.

As I pointed out in this post, the quick switch-up from fan to hater is often rooted in progressive politics. Over a decade ago, a Tumblr account called Your Fave is Problematic became famous for its lists of celebrity transgressions. Even Katy Perry, the current girlfriend of former Canadian Prime Minister Justin Trudeau, was “called out” for transgressions such as “[demonstrating] unsafe binding techniques,” cultural appropriation, and “trivializing bisexuality” with her hit song “I Kissed a Girl.” As a pop culture-obsessed tween, I was introduced to progressive puritanism by blogs such as these.

Stan culture is inextricably linked with progressive politics. Once a star has misbehaved, the incident serves as cover for a variety of heinous comments and obsessive cyberbullying of both the star and her fans. Sabrina Carpenter will undoubtedly encounter this fate. Her fans now have a decision to make that feels consequential: call her out and distance yourself, or become problematic too.

This is an under-recognized entry point of the progressive radicalization pipeline: online stan culture. The participants are young and want to fit in, and participating in the cancelation mob is a moral duty in this environment.

While many have correctly pointed out that Sabrina Carpenter has cultivated this type of fanbase, it is nearly impossible to ascend to her level of stardom without engaging in progressive politicking. The danger is that progressives are more puritan than puritans themselves and offer no path to redemption. The stakes of offending them, which is laughably easy to do, are incredibly high.

For radical progressive pop fans, God is replaced by the pop star. In this role, it isn’t enough for Sabrina Carpenter to be exceptional; she must be perfect. If she is human, like the rest of us, then she doesn’t deserve the lights, the stage, the celebrity cameos, and most importantly, the money that comes with being at the top. In this light, Carpenter’s cancellation is completely predictable.

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Maggie Anders is a video journalist and political commentator. Her work explores international political movements, history, pop culture, economics, the cost-of-living crisis, and Gen Z social issues.

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